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VERSION. It remains to say something of the Spanish prose version of the Confessio Amantis, which exists in manuscript in the Library of the Escorial (g. ii. 19). Information about this was first given me by Mr. J. Fitzmaurice-Kelly, and since then by the learned Librarian of the Escorial, Fr. Guillermo Antolin, O.S.A., who most obligingly sent me an account of it. The Catalogue (1858) thus describes the book: ‘Confision del amante, libro así intitulado compuesto por Juan Goer natural del Reyno de Englaterra, e tornado en lengua Portuguesa por Roberto Payn ó Payna canónigo de la ciudad de Lisboa, e despues fué puesto en lenguaje castellano por Juan de Cuenca natural de Huete. Cod. escrito en papel el año de 1400, fol. menor. pasta.’ The statement about the author and the translators is taken from the beginning of the translation itself. It seems to be rather implied that the Castilian version made by Juan de Cuenca was based upon the Portuguese of Robert Payn, no doubt an Englishman. The present Librarian adds that it is a book of 411 leaves, and of the end of the fourteenth or beginning of the fifteenth cent.

The translation was made from a copy of the first recension. So far as I can judge by the extracts with which the Librarian has furnished me, it is a tolerably close version. For example, Prol. 22 ff. ‘e por que pocos escriven en lenguaje yngles yo entiendo de componer en el un lybro a onrra del Rey rricardo cuyo sugebto yo so en todo obedescimiento de mi coraçon, como dicho sugebto puede y deue a su dicho señor,... asy fue que un tiempo acaescio como avía de ser que yo yendo en un batel a rremos por el rrio de atenas que va a la cibdad de noua troya ... y yo estonces falle por ventura a este mi señor e luego como me vido mando que fuese a una barca en que el venia, y entre otras cosas que me dixo,’ &c. And again viii. 2941 ff. (the Chaucer greeting), ‘Saluda de mi parte a caucer mi disciplo e mi poeta, quando con el topares, el qual por mi en la su mancibia fiso toda su diligencia para componer y escreuir desyres e cantares de diversas maneras de los quales toda la tierra es llena, por la qual cosa en especial le soy mucho tenido mas que a ninguno de los otros. Por ende dile que le enbio desir que tal esta en su postrimera hedad por dar fyn a todas sus obras se travaje de faser su testamento de amor, asi como tu has fecho agora en tu confision.’

EDITIONS. The Confessio Amantis has been already six times printed, viz. by Caxton, by Berthelette (twice), in Chalmers’ English Poets, by Pauli, and by Prof. Henry Morley. All the later editions are dependent, directly or indirectly, on Berthelette.

CAXTON printed the Conf. Amantis in 1483. His text is a composite one, taken from at least three MSS. At first he follows a copy of the third recension, either the Magdalen MS. itself or one remarkably like it, and he continues this for more than half the book, up to about v. 4500. Then for a time he seems to follow a second recension copy, either alone or in combination with the other, but from about v. 6400 to the end he prints from a manuscript of the unrevised first recension, inserting however the additional passages in the seventh book and the conclusion (after the Chaucer greeting) from one of his other MSS. The account of the books ‘Quia vnusquisque’ at the end is from a first recension MS. The principle, no doubt, was to include as much as possible, but two of the additional passages, v. 7015*-7036* and 7086*-7210*, were omitted, probably by oversight, while a first recension copy was being followed. The later form of epilogue was perhaps printed rather than the other because it is longer. Caxton prints the lines at the end of the Prologue, which are given only by Δ, and there are some other indications that he had a MS. of this type; but he had also one of the AdBT group, which alone contain vii. 2329*-2340* and 3149*-3180*.

On f. cxvi v^o Caxton still agrees with Magd. almost regularly, e.g. v. 4450 And myn hap 4454 is not trouble 4465 But for that 4467 ne shall yeue and lene 4484 doo 4503 A good word, whereas on f. cxvii he differs repeatedly, e.g. 4528, 4532, 4543, 4555, 4560, 4572, and seems never to be in full agreement after this. That he is following a first recension copy after about v. 6400 is clear from the unbroken series of readings belonging to this class which he exhibits. The text generally is very poor and the metre extremely bad.

BERTHELETTE in 1532 printed the Conf. Amantis from a MS. very closely resembling B. He did not venture, however, to substitute the preface which he found in his copy for that to which Caxton had given currency, but merely expressed surprise that the printed copies should deviate so much from the MSS., and printed separately that which his manuscript gave. He also takes from Caxton the lines at the end of the Prologue, the additional third recension passages, Prol. 495-498, 579-584, i. 1403-1406, 2267-2274, 2343-2358, 2369-2372, and also the Chaucer greeting, viii. 2941-2960*, but he has overlooked v. 7701-7746. He inserts of course all the additional passages in v. and vii, as he found them in his MS., loudly protesting against Caxton for omitting ‘lynes and columnes, ye and sometyme holle padges.’

Berthelette’s text is better than Caxton’s, but his manuscript must have been decidedly inferior in correctness to B.

The second edition, 1554, is a reprint of the first, column for column, in different type. A few mistakes are corrected, and the spelling is somewhat changed, especially by substitution in many cases of i for y.

CHALMERS published the Conf. Amantis in vol. ii. of the collection of British Poets, 1810, taking the text from Berthelette’s edition of 1554.

PAULI professed to follow Berthelette’s first edition with collation throughout of MSS. Harl. 7184 and 3869, and occasional reference to Harl. 3490 and the Stafford MS. It is almost impossible that this full collation can really have been made, for by it nearly all Berthelette’s errors might have been corrected, whereas we find them as a matter of fact on every page of Pauli’s edition. As to the critical judgement of the editor, it is enough to say that he regarded Harl. 7184 as a better authority for the text and spelling than either Harl. 3869 or the Stafford MS. (being attracted apparently by the external magnificence of the volume), and that he actually pronounced it to be of the fourteenth cent. His diligence may be measured by the fact that because Harl. 3490 stops short at viii. 3062* (in the middle of a sentence), being left unfinished by the scribe, therefore Pauli’s edition omits the remainder of this conclusion, 3063*-3114*, though he had the MS. in the Royal Library (R) within his reach, by means of which he might have completed his copy. He is also seriously inaccurate in the statements which he makes about the Stafford MS. as regards the additional passages.

A certain number of the errors in Berthelette’s edition are corrected, but very many remain, and in some cases further corruption has been introduced by the editor, either from Harl. 7184 or otherwise. The orthography has been ‘restored,’ but hardly with success.

MORLEY (1889) followed Pauli’s text, with conjectural alterations of his own, and a few corrections from Berthelette, as i. 773. Often the changes are quite wrong, e.g. Prol. 82, 608, i. 777, 1675 f., 2957 f., the most extraordinary perhaps being iv. 2408 f. The editor professes to omit iii. 142-338 and a few lines here and there in other places. The omissions, however, are much more extensive than this seems to imply. In the fourth book alone they are as follows, 401-408, 428-436, 443-506, 516-523, 1467-1475, 1490-1594, 2131-2182, 2754-2770, 2858-2862, 2883-2888, 3181-3302, and in some cases it is impossible even to conjecture on what principle they are made.

THE PRESENT EDITION. The text follows the Bodleian Fairfax MS. and every deviation from this is noted. The critical apparatus is constructed upon the following principles.

Three manuscripts have been collated throughout with the text of F, viz. Bodley 902 (A), Corpus Christi Coll. 67 (C), and Bodley 294 (B). These are selected to represent respectively the first recension revised, the first recension unrevised, and the second recension texts. A is an excellent copy, the best of its class, C is a carefully written MS., the best of the group to which it belongs, with the exception of Egerton 1991, and B, besides being a good copy and almost the only second recension MS. which is not imperfect, has perhaps a special claim to attention because its text is of the type which all the editions except that of Caxton have followed. In all cases where variation has been found, except where it is merely of form and spelling or of a very trifling and accidental kind, the readings of at least fourteen other selected copies have been ascertained, and by this procedure those variations which are merely individual have been distinguished from those which are shared by a class or a group. The result is given in the critical notes, all the variations of A and B being there cited except those that are very trifling, while the readings of C are usually given only when shared by some other manuscript.

It is important that it should be observed which the manuscripts are which have thus been referred to and how their evidence is cited. They are divided always according to their recension, first, second or third, and they are cited in an unvarying order, as follows: AJMH₁X(G)ERCLB₂, SAdBTΔ, FWH₃ (or K), so that A ... B₂ means the whole series of the first class, and S ... Δ that of the second, while H₁ ... B₂ stands for H₁X(G)ERCLB₂, and E ... B₂ for ERCLB₂. These nineteen (or eighteen) manuscripts are present as witnesses throughout, whether named or not; for when the manuscripts are named which give a variation, it is to be assumed that the remainder have the reading of the text. Thus the note

‘1295 wisdom] wordes H₁ ... B₂, H₃’

must be taken to imply that ‘wisdom’ is the reading of AJM, SAdBTΔ, FW and ‘wordes’ of H₁XGERCLB₂, H₃:

‘1296 gostly B’

means that the reading of the text, ‘goodly,’ is given by every one of the nineteen except B:

‘1318 How þer(e) H₁G ... B₂’

means that the reading of the text is that of AJMX, SAdBTΔ, FWH₃ and that of the note belongs to H₁GERCLB₂:

‘1330 for to] þat þou SAdBTΔ’

indicates a reading of the second recension only:

‘3340 tho] þe AM ... B₂’

stands for the fact that all the first recension copies except J vary from F, while the rest agree. Occasionally readings of other MSS. are cited besides those mentioned above, as Y, Λ or Magd., but the absence of such citation must not be taken to imply anything.

It must be observed, however, that in some cases a more limited reference seemed desirable, especially on matters of form and spelling, points about which it would be idle to adduce any evidence but that of a few copies. Where selection of this kind is employed, the manuscripts on both sides are cited: thus such notes as

‘3691 set AJ, S, F sette C, B,’ ‘4307 all S, F alle AJ, B’

must not be taken to imply the reading of any copy except those mentioned. In a few cases this form is used to avoid misunderstanding in passages where the record of readings is for some reason incomplete, as i. 2300, viii. 566, 1713, 1927.

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