Part 7

Not long ago Chicago had a celebration. It placed a statue to "Black Jack Logan" on the lake front. This statue, which is by St. Gaudens, represents a large-moustached man on a slimly-built horse that has his right hoof elevated to his ear, apparently endeavoring to paw a fly therefrom. Of course, it is understood that any natural horse which stood in that way, would fall down and skin his pasterns and hocks and stifles and barrel and withers and other parts of him known to the veterinarians. I am no horse doctor.

The large-moustached man has on cavalry boots which are dug into the stirrups and his legs are very stiff and calm. He holds a flag in his right hand--holds it far up and away and its folds are blown by the wind. Every child knows that a United States flag and staff weigh only two ounces and a man on horse-back can swing it around as if it were a feather. These things do not enter into the rapt dream of St. Gaudens. Nothing enters into his dream save poetry to be expressed in bronze and the dollars that are to come therefrom. The statue is well enough in its way. Let it go at that.

. . .

There was a celebration. Troops came and marched from many states. Veterans of the Grand Army of the Republic tramped along and the people cheered them. I suppose that one quarter of the heroes who are drawing $160,000,000 a year in pensions from the government were on hand. I have been unable to find out anything that "Black Jack" did, other than the fact that he came back from the front in 1863, and legged for Abraham Lincoln, thereby getting into politics and staying in until he died. Also he scoured the country carefully and found everybody that was connected with him by blood or marriage and put him or her into office. At one time Logan and family were drawing enough money from Uncle Sam to draw a respectable navy. As the orators were orating and the cannon were barking and the sweating people on the sidewalks were shouting, they knew not and cared not for what, I thought of some lines which opened a Washington letter in the Boston Globe many years ago, when John A. Logan was in the United States Senate. There was a tariff discussion on and he took a part. These were the lines: "Pranced there in, on the arena of the great debate, like a trick mule in a circus or a spavined nightmare on the track of a beautiful dream, Logan of Illinois." They fitted him.

A part of that celebration consisted of fireworks which were given at the Coliseum, a large building which stands in the southern part of the city and is used as a place of entertainment. John T. Dickinson, formerly of Texas, and now of the earth, is the president of the Coliseum Company, and engineered the display. It takes money to have fireworks and the company of "big-bugs" who bossed the entire marksman's contest, told him so. With that hustle which made him a marked man in Austin and other large cities in which he lived before he broke into Chicago, Dickinson rushed out and raised the money. He got subscriptions from prominent merchants, collected the funds and turned them over to William R. Harper, who was chairman of the committee on arrangements and committee on glory and pretty nearly everything else. The fireworks were touched off and fizzed and banked and spluttered, and the people cheered some more.

The fellows who furnished the Catherine wheels and sky rockets and so forth, sent in their bills, which were audited and marked correct and Harper was requested to settle. He refused. The fireworks were not a success, he said. The fireworks men represented to him that whether the display was a success or a heart-breaking failure sawed no frozen water whatever. They were not entrusted with the management of the affair. They had furnished the goods and wanted their money. Harper refused. Dickinson jumped in once more and carried to Harper testimonials from the men who had furnished the money, saying that there never had been any fireworks so good as those fireworks. Harper refused. Harper was then bombarded with orders from the subscribers directing him to pay out the $2,500 which he held to their credit. He refused.

So the matter stands. The fire-cracker men are desolate. Dickinson has lost thirty of his 250 pounds. Harper has the money. Chicago has the scandal of a lot of unpaid workmen and manufacturers who helped to celebrate the unveiling of the pawing horse and big moustache out on the lake front-the bronze memorial of "Black Jack" Logan, who never did anything but wed a smart woman and hold office and beget a son who married money in Ohio.

. . .

These are the components of the Chicago newspaper trust, of which many people have heard: The Tribune, the Record, the Times-Herald, the Chronicle, the Post, the Journal and the News. The object of the trust is to advance the interests of the proprietors and swell their bank accounts at the expense of individuals and the public in general. It is an offensive alliance against decency and fair play. It is powerful. Such enterprises as it elects to boom are boomed. Such as it elects to destroy are destroyed. Such men as it cares to advance are advanced. Such men as it cares to attack are viciously lampooned day after day and week after week and month after month. It does not lampoon anyone who pays it. In each of these papers the editorial room is utterly and thoroughly dominated by the counting room. It gets its order day by day from the business counter and it obeys them with a slavish servility. The merchant with a display advertisement in their columns is safe from attack, no matter what his crime. From end to end it is one man journalism, and each of the papers is run for the benefit of the one man who is its proprietor. The Tribune is owned by Joe Medill, the Times-Herald and Post are owned by H. H. Kohlsast, the Record and News are owned by Victor Lawson, the Journal is owned by the McRae- Scripps league and the Chronicle is owned by John R. Walsh, a banker.

The effects of the newspaper trust upon the public are so well known that they need not be further enumerated. Its effects upon the individual worker in journalism are damnable.

The Chicago journalist belongs to the man who hires him, or he moves away, or he starves. That is all there is to it. If discharged by one, he cannot be hired by another. He is blacklisted until the man who discharges him chooses to reinstate him. If employed by one paper and does exceptional work, he cannot go to another one at an increase of salary. This is one of the strongest rules of the trust. His only chance to get approximately what his work is worth is to resign and risk being hired elsewhere, and he will be hired elsewhere in Chicago only if his former owner does not object. He can, too, go to another paper at the same wages and take his chance of a raise.

The result of this is not only to peon men, but to pay them merely living wages. There has never been a time in the history of America when the pay of a competent newspaper man was so low as it is in Chicago. Reporters run from $10 to $25 a week, copy readers get $25 on morning papers, telegraph editors about the same, editorial writers and paragraphers are paid from $30 to $35. Wages in other parts of the business "up-stairs" are formed on a like model. These wages are from one-third to one-half of what are paid in New York. There is no newspaper trust in New York. As it is, the list of unemployed newspaper men in Chicago numbers more than 200. Any one of them would be glad to take a place at starvation wages if he could get it.

There is one gleam of hope for the Chicago newspaper man. It is rumored that W. R. Hearst of the New York Journal intends to start a morning paper there. I do not believe that he will, but if he does he will force some of the trust members to publish newspapers or get out of the business. Hearst is called a "yellow journalist," and what not, and may be he is, but he is a boon to the workers. There can be no manner of doubt about that. Chicago, October 15.

* * * THE AUTHOR OF EPISCOPALIANISM. VERSAILLES, Mo., August 31.--Editor, ICONOCLAST: Will you please inform me who was the father of Anne Boleyn, second wife of Henry the Eighth, giving citations. JOHN D. BOHLING.

Anne Boleyn was the daughter of Henry VIII. of England, and Lady Boleyn. This is so well known to every student of history that "giving citations" seems superfluous; but of the first that comes to my mind I'll furnish a few: Dr. Bayley ("Life of Bishop Fisher") says that before the wedding of King Henry to Anne occurred, Lady Boleyn addressed to the former these words: "Sir, for the reverence of God, take heed what you do in marrying my daughter, for, if you record your own conscience well, she is your own daughter as well as mine"; to which the king replied: "Whose daughter soever she is, she shall be my wife." Dr. Sander ("Anglican Schism") says that Henry VIII. was the father of his second wife, Anne Boleyn. Dr. D. Lewis, in his introduction to the book, says that both Lady Boleyn and her daughter Mary were King Henry's mistresses, and adds: "Nothing remains but to accept the fearful story told, not by Dr. Sander only, nor by him before all others, and say that, at least by the confession of the King and both Houses of Parliament, Anne Boleyn was Henry's child." Van Ortroy (Vic de B. Martyr Jean Fisher") says that Anne was the daughter of Henry, and that the fact was so generally known that it was the subject of ribald songs in continental capitals. William Cobbett ("History of the Protestant Reformation") says that Anne Boleyn became first the mistress and then the wife of her father. Gasquet, in his notes on that work, endorses the statement. By act of Parliament (28 Henry VIII C. 7) Elizabeth, daughter of Henry and Anne, was declared a bastard; that "certain just and lawful impediments" were unknown to the King when the marriage occurred, but had since been officially "confessed by the said Lady Anne." Archbishop Cranmer, who divorced Henry from Catherine, also divorced him from Anne, declaring in his latter decree "in the name of Christ and for the honor of God, the marriage was and always had been null and void." This sentence was signed by both houses of Convocation. It was approved by Parliament. Yet Cranmer, the Convocation and Parliament recognized Henry's divorce from Catherine as valid. According to English law, both religious and secular, Henry had no other wife when he married Anne, she no other husband. The only "lawful impediments" to the marriage were those stated by Anne's mother. They were positively known before Anne's marriage to Henry, the first official head of the Church of England, and who formulated and enforced its first body of doctrine, and there is every reason to believe that they were known at that time to Cranmer, the first archbishop of the parent of Episcopalianism, the sweet-scented author of the "Book of Common Prayer."

* * * Dr. Rufus C. Burleson is not a perfect man. He has not always treated the ICONOCLAST either with Christian charity or courtesy; but as men go, he's far above the average. While he was president of Baylor University its students did not get drunk. They were not encouraged to arm themselves and commit lawless acts of violence. All the good that is in Baylor University is due to his untiring efforts and self-sacrifice. There would be no Baylor University to-day but for Dr. Burleson; yet after nearly half a century of service, he has been pitched out and humiliated and lied about by creatures who are not worthy to breathe the same atmosphere. The Baptist fight is none of mine; but I am the champion of fair play; and I say here that even in his so-called "dotage," Dr. Burleson has more brains, more good morals, more manhood, than have Carroll, Cranfill, and all their scurvy crew. If the enemies of Burleson triumph at the coming state convention, then the Baptist sect ought to perish from the earth. Shake, Doctor; Baylor has treated you a damned sight worse than it has treated me.

* * * A GIPSY GENIUS.

BY WILLIAM MARION REEDY.

Men are the only things worth while, in this world, and I purpose to write briefly of a man, who, though living in these, our own, so-called, degenerate days, would have found a perfect setting in "the spacious times of great Elizabeth." He would have been a worthy companion of Raleigh, half-pirate and half-poet. He had in his time but one soul-kinsman, and that man was at once England's shame and glory, embalmed forever in the ominous work, Khartoum.

Sir Richard Burton was the last of the English "gentleman adventurers." He came late into the world, but he had in him the large, strong qualities that have made England master of the world. He was a Gypsy genius, though his utmost research could never find more clew to a Romany ancestry than the fact that there was a Gypsy family of the same name. He looked the Gypsy in ever feature, and he had upon him such an urging restlessness as no man ever had, save, perhaps, the Wandering Jew. His life was an epic of thought, of investigation and of adventure. The track of his wanderings laced the globe. He loved "the antres vast and deserts idle," and he had the FLAIR, the houndscent, as it were, to find the hearts of strange peoples. His "Life," by his wife, is the most interesting biography since that of Boswell, and strangely enough, it is, like the famous "Johnson," as interesting for its revelation of the biographer as for its portrayal of the subject. Burton's wife was the loving-est slave that ever wedded with an idol. The story of the courtship is ridiculous almost to the verge of tragic. As a girl, a gypsy woman named Burton, told Isabel Arundell that she would marry one of the palmist's name, would travel much, and receive much honor.

One day, at Boulogne, she was on the ramparts, with companions, when she saw Burton. She describes him raptuously; tall, thin, muscular, very dark hair, black, clearly-defined, sagacious eye-brows, a brown weather-beaten complexion, straight Arab features, a determined looking mouth and chin. And then she quotes a clever friend's description, "That he had the brow of a God, the jaw of a Devil."

His eyes "pierced you through and through." When he smiled, he did so "as though it hurt him." He had a "fierce proud melancholy expression," and he "looked with contempt at things generally." He stared at her, and his eyes looked her through and through. She turned to a friend and said in a whisper, "That man will marry ME." The next day they walked again. This time this man wrote on the wall, "May I speak to you?" She picked up the chalk and scrawled, "No, mother will be angry." A few days later they met in formal manner, and were introduced. She started at the name, Burton. Her naif rhapsodies on the meeting are refreshing. One night he danced with her. She kept the sash and the gloves she wore that night as sacred mementoes. Six years passed before she saw her Fate again. He had been in the world though, and she had kept track of his actions. In 1856 she met him in the Botanical Gardens "walking with the gorgeous creature of Boulogne--then married." They talked of things, particularly of Disraeli's "Tancred." He asked her if she came to the Gardens often. She said that she and her cousin came there every morning. He was there next morning, composing poetry to send to Monkton-Milnes. They walked and talked and did it again and again. "I trod on air," wrote the lady in her old, old age. Why not? She was one woman who had found a real hero. He asked her if she could dream of giving up civilization, and of going to live there if he could obtain the Consulate of Damascus. He told her to think it over. She said, "I don't WANT to think it over--I've been thinking it over for six years, ever since I first saw you, at Boulogne, on the ramparts. I have prayed for you every day, morning and night. I have followed all your career minutely. I have read every word you ever wrote, and I would rather have a crust and a tent with YOU than to be Queen of all the world. And so I say now, yes, yes, yes." She lived up to this to the day of his death, and long after it.

In 1859 she was thinking of becoming a Sister of Charity. She had not heard from Burton in a long time. He had left her without much ceremony to search for the sources of the Nile with Speke. Speke had returned alone, Burton remained at Zenzibar, and she says, "I was very sore "because Burton, according to report, was not thinking of coming home, to his love, but of going for the source of the Nile once more. She called on a friend. The friend was out. She waited, and while waiting Burton popped in upon her. He had come to see the friend to get her address. Her description of the meeting is a pitifully exact reproduction of her emotions over the reunion. He was weakened by African fevers. Her family, ardent Catholics, opposed the idea of marriage. The lovers used to meet in the Botanical Gardens, whence she often had to escort him fainting, to the house of sympathetic friends, in a cab. He was poor. He was out of favor with the government. Speke had pre-empted the honors of the expedition. But she was happy.

Then one day, in April, 1860, she was walking with some friends when "a tightning of the heart" came over her, that "she had not known before." She went home, and said to his sister, "I am not going to see Richard for some time." Her sister re-assured her. "No, I shall not," she said, "I don't know what is the matter." A tap came at the door, and a note was put in her hand. Burton was off on a journey to Salt Lake City, to investigate Mormonism. He would be gone nine months and then he was to come back, to see if she would marry him. He returned about Christmas, 1860. In the later part of January they were married, the details of the affair being appropriately unconventional, not to say exciting. The marriage was, practically, an elopement. Lady Burton's description of the event, and of every event in their lives, ever after, discloses an idolatry of the man that was almost an insanity. She reveals herself as a help-mate, with no will but her husband's, no thought that was not for, and of, him. She annihilated herself as an individual, and she has left in her own papers a set of "Rules For a Wife," that will make many wives, who are regarded as models of devotion, smile contemptuously at her. She was utterly happy in complete submission to his will. She described how she served him almost like an Indian squaw. She packed his trunks, was his amanuensis, attended to the details of publishing his books, came, or went, as he bade, suffered long absence in silence, or accompanied him on long journeys of exploration, uncomplainingly, was proud when he hypnotized her for the amusement of his friends. One can but feel deeply sorry for her, for with all her servility, she was a woman of the finer order of mind. The pity of her worship grows, as the reader of his life, and hers, realizes how little return in demonstrative affection she received as the reward for her vast, and continuous lavishment of love. She strikes me, in this, as a strange blend of the comic and the tragic. The world neglected Burton. He almost deserved it; so great a sacrifice as his wife consecrated of her life to him would compensate for the loss of anything. You admire it; but you catch yourself suspecting that this consecration must have been, at times, an awful bore to him. He was unfaithful to her, it is said, with ethnological intent, in all the tribes of the earth. He had no morals to speak of. He had no religion, having studied all. He was a pagan beyond redemption, though his wife maintained that he was a Catholic. Unfortunately, for her, his masterpiece refutes her overwhelmingly. He wrote the most remarkable poem of the last forty years, one that is to be classed only with Tennyson's "In Memoriam" and the "Rubaiyat" of Omar Khayyam. By this poem, and, probably, by the revelation of the love he excited in one woman, he will live. This poem expresses himself, and his conclusion, after years spent in wandering, fighting, studying languages, customs and religions. To understand the man and his poem, we must understand what he did, and since the time of the Old Romance, no man surpassed him in "deeds of derring-do." He was a modern, a very modern, Knight of the Round Table. He was the possessor of innumerable abstruse, and outlandish accomplishments. He was a scientist, a linguist, a poet, a geographer, a roughly clever diplomat, a fighter, a man with a polyhedric personality, that caught and gave, something from and to every one. And he died dissatisfied, at Trieste, in 1890, at the age of sixty-nine, and Swinburne sang a dirge for him that was almost worth dying for.

What he did is hard to condense into an article. I can do no more than skim over his career, and make out a feature here and there. He was an unstudious youth. He was not disciplined. He grew as he might, and he absorbed information at haphazard from any book he found to his liking, but he was a sort of intellectual Ishmael. He studied things not in the curriculum. He plunged into Arabic and Hindustani, and was "rusticated." He cared nothing for the classics, yet he left a redaction of Catullus that is a splendid exposition of that singer's fearful corruption, and with all of his art. He entered the Indian Army, and he became so powerful, though a subordinate, that he was repressed. His superiors feared, that in him, they would find another Clive or Hastings. Then he joined the Catholic church, but he joined many a church thereafter to find its hidden meaning. He was trusted to a limited extent by Sir Charles Napier, and he so insinuated himself with the natives, that he was one of them, and sharer of their mysterious powers. Kipling has pictured him under the name of "Strickland" as an occultly powerful personage in several of his stories. He was close to the Sikh war, and he mingled with the hostile natives in disguise, until he knew their very hearts. His pilgrimage to Mecca was a feat that startled the world. He was the first "infidel" to kiss the Kaabba. To do this he had to become a Mohammedan, and to perform almost hourly minute ceremonials, in which, had he failed of perfection, he would have been torn to pieces. His book on this journey is a narration that displays the deadly cold quality of his courage, and indeed a stupendous consciencelessness in the interest of science. Next we find him in the Crimea in the thick of things, and always in trouble. He said that all his friends got into trouble, and Burton was, usually, "agin the government." It was after the Crimea that he met the lady who became his remarkable wife, in the remarkable manner I have sketched. Then he went off to discover the sources of the Nile, and with Speke navigated Lake Tanganyika. He knew that he had not discovered the source, and he wanted to try again, but he and Speke quarreled, and pamphleteered against each other in the press. Burton, deficient in money, and in sycophancy, was discredited for a time, although now his name is immortal in geography as a pioneer of African travel. We have seen how he left his betrothed to study the Mormons, and he studied them more closely than his wife's book intimates, for she everything extenuated and ignored for her God-like Richard.

After his experiences of marriage in Mormondom, undertaken it now seems, in a desire to ascertain if polygamy were not better for him than monogamy, he returned to London, and was married despite the objections of Isabel Arundell's Catholic family. The lot of the couple was poverty, although now and then, thoughtful friends invited them to visit, and they accepted to save money. After a long wait he was appointed Consul at Fernando Po, on the West African coast. This was a miserable place, but Burton made it lively; he disciplined the negroes, and he made the sea captains fulfill their contracts under threat of guns. He went home, and then went back to Fernando Po, and undertook delicate dealings with the king of Dahomey, and explored the west coast. He went to Ireland, but Ireland was too quiet for him, but he found there were Burtons there, which accounted to himself for much of himself. After that he went to Brazil as Consul at Santos, Sao Pablo, another "Jumping off place." He explored. He found rubies, and he obtained a concession for a lead mine for others. He met there the Tichborne Claimant, and invented a Carbine pistol. He visited Argentina. All this time he was writing upon many things, or having his wife take his dictation. She went into the wilds, down into the mines, everywhere with him. Next he was transferred to Damascus, where his honesty got him into trouble, and his wife's Catholicity aroused great sentiment against him. He went into Syria, and he created consternation among the corrupt office holders in Asia Minor. One can scarcely follow his career without dizziness. By way of obliging a friend, who wanted a report on a mine, he went to Iceland, and came back to take the Consulship at Trieste. He went back to India and into Egypt, and then returned to Trieste to die. He wrote pamphlets, monographs, letters and books about everything he saw, and every place he visited. He had information exact, and from the fountain head about innumerable things; religions, races, ruins, customs, languages, tribal genealogies, plants, geology, archaeology paleontology, botany, politics, morals, almost everything that was of human interest and value, and besides all this, he was familiar with Chaucer's vocabulary, with recondite learning about Latin colloquialisms, and read with avidity everything from the Confessions of Saint Augustine to the newspapers. He wrote a "Book of the Sword," that is the standard book on that implement for the carving of the world. His translations of the "Arabian Nights" is a Titanic work, invaluable for its light upon Oriental folk lore, and literal to a degree that will keep it forever a sealed book to the Young Person. His translations of Camoens is said to be a wonderful rendition of the spirit of the Portuguese Homer. His Catullus is familiar to students, but not edifying. He wrote a curious volume on Falconry in India, and a manual of bayonet exercise. He collated a strange volume of African folk-lore. He translated several Brazilian tales. He translated Apulius' "Golden Ass." And he had notes for a book on the Gypsies, on the Greek Anthology, and Ausonius. The Burton bibliography looks like the catalogue of a small library. All the world knows about his book, "The Scented Garden," which he translated from the Persian, and which, after his death, his wife burned rather than permit the publication of its naked naturalism. It was in the same vein as his "Arabian Nights," and contained much curious comment upon many things that we Anglo Saxons do not talk about, save in medical society meetings, and dog Latin.

When such a man sat down to write a poem, embodying his view of "the Higher Law," what could have been expected but a notable manuscript. With his poem, "the Kasidah," we shall now concern ourselves. It purports to be a translation from the Arabic of Haji Abdu El Yezdi. Its style is like that of the Rubaiyat. It is erude, but subtile. It is brutal in its anti-theism, and yet it has a certain tender grace of melancholy, deeper than Omar's own. It is devoid of Omar's mysticism and epicureanism, and appallingly synthetic. It will not capture the sentimentalists, like the Rubaiyat, but, when it shall be known, it will divide honors with the now universally popular Persian poem. Burton's "Kasidah" is miserably printed in his "Life," but Mr. Thomas Mosher, of Portland, Maine, has issued it in beautiful and chaste form, for the edification of his clientele of searchers for the literature that is always almost, but never quite completely forgotten. The "Kasidah" was written in 1853, and it is, in its opening, much like Fitz Gerald's Rubaiyat, though Burton never saw that gem of philosophy and song, until eight years after. "The Kasidah" was not printed until 1880. It is difficult to interpret, because it so clearly interprets itself. It must be read. It cannot be "explained."

The Kasidah consists of about 300 couplets of remarkable vigor in condensation. It reviews all the explanations of "the sorry scheme of things" that man has contrived, and it holds forth the writer's own view. He maintains that happiness and misery are equally divided, and distributed in this world. Self cultivation is, in his view, the sole sufficient object of human life, with due regard for others. The affections, the sympathies, and "the divine gift of Pity" are man's highest enjoyments. He advocates suspension of judgment, with a proper suspicion of "Facts, the idlest of superstitions." This is pure agnosticism. There runs all through the poem a sad note that heightens the courage with which the writer faces his own bleak conclusion, and, "the tinkling of the camel bell" is heard faint and far in the surge of his investive, or below the deepest deep of his despair. In Arabia, Death rides a camel, instead of a white horse, as our occidental myth has it, and the camel's bell is the music to which all life is attuned. Burton reverts from time to time to this terrifying tintinnabulation, but he blends it with the suggested glamour of evening, until the terror merges into tenderness. The recurrence of this minor chord, in the savage sweep of Burton's protest against the irony of existence, is a fascination that the "Kasidah" has in common with every great poem of the world. The materialism of the book is peculiar in that it is Oriental, and Orientalism is peculiarly mystical. The verse is blunt, and almost coarse in places, but here and there are gentler touches, softer tones, that search out the sorrow at the heart of things. It is worthy, in its power, of the praise of Browning, Swinburne, Theodore Watts, Gerald Massey. It is Edward Fitz Gerald minus the vine and the rose, and ali Persian silkiness. The problem he sets out to solve, and he solves it by a petitio principii, is