Section V. of Tones.

Tones consist of the modulations of the voice, or the notes or variations of sound which we use in speak-ing: thus differing materially both from emphasis, and pauses.

An interesting diversity of tones is exhibited by the popular voice at an election.

Also by charcoal-men, milk-men, and chimneysweeps; and by fruit-sellers, and news-boys.

We cannot exactly write tones (though it is easy enough to write notes,) but we shall nevertheless endeavor to give some idea of their utility.

Observe, that two doves billing resemble two magistrates bowing;--because they are beak to beak.

A {120}lover and a police-magistrate (unless the two characters should chance to be combined, which sometimes happens, that is, when the latter is a lover of justice) would say, "Answer me," in very different tones.

A lover again would utter the words "For ever and ever," in a very different tone from that in which a minister would repeat them.

A young lady, on her first introduction to you, says, "Sir," in a tone very unlike that in which she sometime afterwards delivers herself of the same monosyllable when she is addressing you under the influence of jealousy.

As to the word "Sir," the number of constructions which, according to the tone in which it is spoken, it may be made to bear, are incalculable. We may adduce a few instances.

"Please, Sir, let me off."

"No, Sir!"

"Waiter! you, Sir."

"Yes, Sir! yes, Sir!"

"Sir, I am greatly obliged to you."

"Sir, you are quite welcome."

"Your servant, Sir" (by a man who brings you a challenge.)

"Servant, Sir" (by a tailor bowing you to the door.) "Sir, you are a gentleman!"

"Sir, you are a scoundrel!"

We need not go on with examples ad infinitum. If after what we have said anybody does not understand the nature of Tone, all we shall say of him is, that he is a Tony Lumpkin.