Part 5

"In the Art Department."

"Yes. She came to ask me whether I would exhibit some of Cornelia's drawings, if I were she."

"And you told her you would?" her husband asked, taking his pipe out for the purpose.

"Of course I did. That was what she wished me to tell her."

Burton turned to Ludlow. "Had they taken many premiums?"

"No; the premiums had been bestowed on the crazy quilts and the medley pictures--what extraordinarily idiotic inventions!--and Miss Saunders was tearing down her sketches in the next section. One of them slipped through on the floor, and they came round after it to where I was."

"And so you got acquainted with Mrs. Saunders?" said Mrs. Burton.

"No. But I got intimate," said Ludlow. "I sympathized with her, and she advised with me about her daughter's art-education."

"What did you advise her to do?" asked Burton.

"Not to have her art-educated."

"Why, don't you think she has talent?" Mrs. Burton demanded, with a touch of resentment.

"Oh, yes. She has beauty, too. Nothing is commoner than the talent and beauty of American girls. But they'd better trust to their beauty."

"I don't think so," said Mrs. Burton, with spirit.

"You can see how she's advised Mrs. Saunders," said Burton, winking the eye next Ludlow.

"Well, you mustn't be vexed with me, Mrs. Burton," Ludlow replied to her. "I don't think she'll take my advice, especially as I put it in the form of warning. I told her how hard the girl would have to work: but I don't think she quite understood. I told her she had talent, too; and she did understand that; there was something uncommon in the child's work; something--different. Who are they, Mrs. Burton?"

"Isn't there!" cried Mrs. Burton. "I'm glad you told the poor thing that. I thought they'd take the premium. I was going to tell you about her daughter. Mrs. Saunders must have been awfully disappointed."

"She didn't seem to suffer much," Ludlow suggested.

"No," Mrs. Burton admitted, "she doesn't suffer much about anything. If she did she would have been dead long ago. First, her husband blown up by his saw-mill boiler, and then one son killed in a railroad accident, and another taken down with pneumonia almost the same day! And she goes on, smiling in the face of death----"

"And looking out that he doesn't see how many teeth she's lost," Burton prompted.

Ludlow laughed at the accuracy of the touch.

Mrs. Burton retorted, "Why shouldn't she? Her good looks and her good nature are about all she has left in the world, except this daughter."

"Are they very poor?" asked Ludlow, gently.

"Oh, nobody's very poor in Pymantoning," said Mrs. Burton. "And Mrs. Saunders has her business,--when she's a mind to work at it."

"I suppose she has it, even when she hasn't a mind to work at it," said Burton, making his pipe purr with a long, deep inspiration of satisfaction. "I know I have mine."

"What is her business?" asked Ludlow.

"Well, she's a dressmaker and milliner--when she is." Mrs. Burton stated the fact with the effect of admitting it. "You mustn't suppose that makes any difference. In a place like Pymantoning, she's 'as good as anybody,' and her daughter has as high social standing. You can't imagine how Arcadian we are out here."

"Oh, yes, I can; I've lived in a village," said Ludlow.

"A New England village, yes; but the lines are drawn just as hard and fast there as they are in a city. You have to live in the West to understand what equality is, and in a purely American population, like this. You've got plenty of independence, in New England, but you haven't got equality, and we have,--or used to have." Mrs. Burton added the final words with apparent conscience.