Part 4

Hicks has now taken a classical turn, and has brought out "Poseidon," "Iacchus," "Hephaestus," and I dare say is going through the mythology. But I should not like to try him at a passage of the Greek Delectus, any more than twenty thousand others of us who have had a "classical education."

Hicks was taken in an inspired attitude regarding the chandelier, and pretending he didn't know that Miss Pettifer was looking at him.

Her name is Anna Maria (daughter of Higgs and Pettifer, solicitors, Bedford Row); but Hicks calls her "Ianthe" in his album verses, and is himself an eminent drysalter in the city.

MISS MEGGOT.

Poor Miss Meggot is not so lucky as Miss Bunion. Nobody comes to dance with HER, though she has a new frock on, as she calls it, and rather a pretty foot, which she always manages to stick out.

She is forty-seven, the youngest of three sisters, who live a mouldy old house, near Middlesex Hospital, where they have lived for I don't know how many score of years; but this is certain: the eldest Miss Meggot saw the Gordon Riots out of that same parlor window, and tells the story how her father (physician to George III.) was robbed of his queue in the streets on that occasion. The two old ladies have taken the brevet rank, and are addressed as Mrs. Jane and Mrs. Betsy: one of them is at whist in the back drawing-room. But the youngest is still called Miss Nancy, and is considered quite a baby by her sisters.

She was going to be married once to a brave young officer, Ensign Angus Macquirk, of the Whistlebinkie Fencibles; but he fell at Quatre Bras, by the side of the gallant Snuffmull, his commander. Deeply, deeply did Miss Nancy deplore him.

But time has cicatrized the wounded heart. She is gay now, and would sing or dance, ay, or marry if anybody asked her.

Do go, my dear friend--I don't mean to ask her to marry, but to ask her to dance.--Never mind the looks of the thing. It will make her happy; and what does it cost you? Ah, my dear fellow! take this counsel: always dance with the old ladies--always dance with the governesses. It is a comfort to the poor things when they get up in their garret that somebody has had mercy on them. And such a handsome fellow as YOU too!

MISS RANVILLE, REV. MR. TOOP, MISS MULLINS, MR. WINTER.

Mr. W. Miss Mullins, look at Miss Ranville: what a picture of good humor.

Miss M.--Oh, you satirical creature!

Mr. W.--Do you know why she is so angry? she expected to dance with Captain Grig, and by some mistake, the Cambridge Professor got hold of her: isn't he a handsome man?

Miss M.--Oh, you droll wretch!

Mr. W.--Yes, he's a fellow of college--fellows mayn't marry, Miss Mullins--poor fellows, ay, Miss Mullins?

Miss M.--La!

Mr. W.--And Professor of Phlebotomy in the University. He flatters himself he is a man of the world, Miss Mullins, and always dances in the long vacation.

Miss M.--You malicious, wicked monster!

Mr. W.--Do you know Lady Jane Ranville? Miss Ranville's mamma. A ball once a year; footmen in canary-colored livery: Baker Street; six dinners in the season; starves all the year round; pride and poverty, you know; I've been to her ball ONCE. Ranville Ranville's her brother, and between you and me--but this, dear Miss Mullins, is a profound secret,--I think he's a greater fool than his sister.

Miss M.--Oh, you satirical, droll, malicious, wicked thing you!

Mr. W.--You do me injustice, Miss Mullins, indeed you do.

MISS JOY, MR. AND MRS. JOY, MR. BOTTER.

Mr. B.--What spirits that girl has, Mrs. Joy!

Mr. J.--She's a sunshine in a house, Botter, a regular sunshine. When Mrs. J. here's in a bad humor, I . . .

Mrs. J.--Don't talk nonsense, Mr. Joy.

Mrs. B.--There's a hop, skip, and jump for you! Why, it beats Ellsler! Upon my conscience it does! It's her fourteenth quadrille too. There she goes! She's a jewel of a girl, though I say it that shouldn't.

Mrs. J. (laughing).--Why don't you marry her, Botter? Shall I speak to her? I dare say she'd have you. You're not so VERY old.

Mr. B.--Don't aggravate me, Mrs. J. You know when I lost my heart in the year 1817, at the opening of Waterloo Bridge, to a young lady who wouldn't have me, and left me to die in despair, and married Joy, of the Stock Exchange.