Part 14

In the evening Mr. Hsin returned with a good-sized basket full of rattles. Some were tin in the form of small cylinders, with handles in which were small pebbles: others were shaped like pails; and others like cooking pots and pans.

Some of the most attractive were hollow wood balls, baskets, pails and bottles, gorgeously painted, with long handles, necks, or bails. The paint was soon transferred from the face of the toy to that of the first child that happened to play with it, which child was of course, our own little girl.

The most common rattles representing various kinds of fowls and animals known and unknown are made of clay. Others are in the form of fat little priests that make one think of Santa Claus, or little roly-poly children that look like the little folks who play with them.

As the child grows larger the favorite rattle is a drum-shaped piece of bamboo or other wood, with skin--not infrequently fish skin, stretched over the two ends, and a long handle attached. On the sides are two stout strings with beads on the ends, which, when the rattle is turned in the hand, strike on the drum heads. These rattles of brass or tin as well as bamboo, are in imitation of those carried by street hawkers.

We said to Mr. Hsin, "Foreigners say the Chinese do not have dolls, how is that?"

"They have lots of them," he answered in the stereotyped way.

"Then to-morrow buy samples of all the dolls you can find."

"All?" he asked with some surprise.

"Yes, all. We want to know just what kind of dolls they have."

The next evening Mr. Hsin came in with an immense load of dolls. He had large, small, and middle sized rag dolls, on which the nose was sewed, the ears pasted, and the eyes and other features painted. They were rude, but as interesting to children as other more natural and more expensive ones, as we discovered by giving one of them to our little girl. In not a few instances Western children have become much more firmly attached to their Chinese cloth dolls than any that can be found for them in America or Europe.

He had a number of others both large and small with paper mache heads, leather bodies, and clay arms and legs. The body was like a bellows in which a reed whistle was placed, that enabled the baby to cry in the same tone as the toy dog barks or the cock crows. They had "real hair" in spots on their head similar to those on the child, and they were dressed in the same kind of clothing as that used on the baby in summer-time, viz., a chest-protector and a pair of shoes or trousers.

Mr. Hsin then took out a small package in which was wrapped a half-dozen or more "little people," as they are called, by the Chinese, with paper heads, hands and feet, exquisitely painted, and their clothing of the finest silk. Attached to the head of each was a silk string by which the "little people" are hung upon the wall as a decoration.

"But what are these, Mr. Hsin?" we asked. "These are not dolls."

"No," he answered, "these are cloth animals. The children play with these at the same time they play with dolls."

He had gone beyond our instructions. He had brought us a large collection of camels made of cloth the color of the camel's skin, with little bunches of hair on the head, neck, hump and the joints of the legs, similar to those on the camel when it is shedding its coat in the springtime. He had elephants made of a grayish kind of cloth on which were harnesses similar to those supposed to be necessary for those animals. He had bears with bits of hair on neck and tail and a leading string in the nose; horses painted with spots of white and red, matched only by the most remarkable animals in a circus; monkeys with black beads for eyes, and long tails; lions, tigers, and leopards, with large, savage, black, glass eyes, with manes or tails suited to each, and properly crooked by a wire extending to the tip. And finally he laid the bogi-boo, a nondescript with a head on each end much like the head of a lion or tiger. When not used as a plaything, this served the purpose of a pillow.

"Do the Chinese have no other kinds of toy animals?" we inquired.

"Yes," he answered, "I'll bring them to-morrow."

The following evening he brought us a collection of clay toys too extensive to enumerate. There were horses, cows, camels, mules, deer, and a host of others the original of which has never been found except in the imagination of the people. He had women riding donkeys followed by drivers, men riding horses and shooting or throwing a spear at a fleeing tiger, and women with babies in their arms while grandmother amused them with rattles, and father lay near by smoking an opium pipe.

From the bottom of his basket he brought forth a nuber of small packages.

"What are in those?"

"These are clay insects."

They were among the best clay work we have seen in China. There were tumble-bugs, grasshoppers, large beetles, mantis, praying mantis, toads and scorpions, together with others never seen outside of China, and some never seen at all, the legs and feelers all being made of wire.

In another package he had a dozen dancing dolls. They were made of clay, were an inch and a half long, dressed with paper, and had small wires protruding the sixteenth of an inch below the bottom of the skirt. He put them all on a brass tray, the edge of which he struck with a small stick to make it vibrate, thus causing the dancers to turn round and round in every direction.

The next package contained a number of clay beggars. Two were fighting, one about to smash his clay pot over the other's head: another had his pot on his head for a lark, a third was eating from his, while others were carrying theirs in their hand. One had a sore leg to which he called attention with open mouth and pain expressed in every feature.

From another package he brought out a number of jumping jacks, imitations as it seemed of things Japanese. There were monkey acrobats made of clay, wire and skin, fastened to a small slip of bamboo. A doll fastened to a stick, with cymbals in its hands would clash the cymbals, when its queue was pulled. Finally there was a large dragon which satisfied its raging appetite by feeding upon two or three little clay men specially prepared for his consumption.

But, perhaps, among the most interesting of his toys were his clay whistles. Some of these burnt or sun-dried toys were hollow and in the shape of birds, beasts and insects. When blown into, they would emit the shrillest kind of a whistle. In others a reed whistle had been placed similar to those in the dolls, and these usually had a bellows to blow them. Whether cock or hen, dog or child, they all crowed, barked, cackled, or cried in the self-same tone.

"What will you get to-morrow?"

"Drums, knives, and tops," said Mr. Hsin. He was being paid by the day for spending our money, and so had his plans well laid.