Part 7

Often beggar boys, who were everywhere in the market snatching fruits and other eatables from the stalls, would pose for him as they hid in some corner to eat their stolen dainties. These beggar-boy pictures that Murillo sold for a song to keep his soul and body together began to attract attention until finally they were looked upon as the greatest pictures Murillo ever painted. People outside of Spain, Murillo's native country, bought them until to-day scarcely a beggar-boy picture of his is found in Spain.

This picture of "The Melon Eaters" is known far and wide as a great masterpiece, and yet the boys were little rag-a-muffins, the pests of the market people. Murillo knew the joys and sorrows of those boys because he too at that time was very poor and hungry and no one was giving him a helping hand. Do you suppose that when he was famous as a painter he ever saw those boys? I think so, for he was greatly beloved by his townspeople of Seville. They probably came to his studio many times. Murillo painted many religious pictures for the churches of Seville.

FIG. 17. THE MELON EATERS. MURILLO. PINAKOTHEK, MUNICH]

THE MUSES

GIULIO ROMANO (1492-1546)

I am sure you have heard of the Muses. Romano, a pupil of Raphael's, has left us this beautiful picture of them dancing with Apollo, their cousin. The Muses were the daughters of Zeus (Jove or Jupiter), and Memory. These lovely girls also come to every home to help care for the new baby.

The Greek names of the Muses are rather hard to pronounce, but you will want to call them by name. Then, too, each girl's name in Greek letters is just below where she dances. Now begin at the left of the circle. The first one, Calliope, stands for narrative poetry; No. 2, Clio, is history; No. 3, Erato, is love-poetry; No. 4, Melpomene, is tragedy; No. 5, Terpsichore, is dance and song. Now comes Apollo with his quiver full of arrows. He is the god of the hunt and twin brother to Diana, the goddess of hunt; also he is god of music and poetry. No. 6 is Polyhymnia, muse of hymn-music; No. 7, Euterpe, is song poetry; No. 8, Thalia, is comedy, and No. 9, Urania, muse of astronomy.

Athene gave the Muses the winged horse, Pegasus. But alack and alas! one of the poets became very poor and sold Pegasus to a farmer. He was fastened to the plow, but he could not plow through the hard earth. His spirit was broken and his body was weak. The angry farmer tried to make him work, but how could he when he had no courage? But just then a beautiful youth came and asked the farmer to let him try the horse. Of course the man was glad to have any one help get the plowing done. The young man petted the horse and slyly unfastened the harness as he patted him. He mounted upon his back and Pegasus rose in the air, and away they both went, Pegasus and Mercury. The farmer looked on with amazement. How could a good-for-nothing horse that could not plow do such a wonderful thing as fly?

FIG. 18. THE MUSES. ROMANO. PITTI PALACE, FLORENCE]

"COME, ABIDE WITH US"

FRA GIOVANNI ANGELICO (1387-1455)

Nearly two thousand years ago two men were walking together along a dusty road in Palestine. They talked earnestly as they walked along of a great event that had happened. A man called Jesus, the Christ, had been crucified and buried, but after three days he was not found in the tomb. As the men talked, a traveler joined them and asked:

"What is it ye talk about and are sad?"

And the men asked if he were a stranger in Jerusalem and did not know the things that had come to pass.

The stranger said, "What things?"

Then the men told him of Jesus of Nazareth, which was a prophet mighty in deed and word before God and all the people. And they said that they had all hoped He was the mighty one who was to save the world but that He had been killed.

Then the stranger, who was Jesus himself, but the men did not know Him, began to tell them the story of all things about himself. Still they did not know Him, and as they came to the village of Emmaus and the stranger made as though He would have gone further, the men said, "Come, abide with us."

This picture, showing the men inviting the stranger, was painted by Fra Angelico for the Dominican monastery in Florence, Italy. You will find it over the entrance of San Marco, where it welcomes every stranger who comes.

Fra Angelico was so kind and gentle and helpful that his companions called him "Angel Brother"; in Italian, "Fra Angelico."

FIG. 19. "COME, ABIDE WITH US." FRA ANGELICO. SAN MARCO, FLORENCE]

THE SUPPER AT EMMAUS

REMBRANDT VAN RIJN (1607?-1669)

Rembrandt has taken the story of the two men and the stranger on their way to Emmaus after they have gone into the house. You see the disciples still did not know that the stranger was Jesus, the Christ. But when He sat at meat with them, He took bread and blessed it and brake and gave to them. Then they knew that it was the Savior who was talking with them and sitting at the table with them. Rembrandt shows the wondering men as they begin to recognize who their guest is, and he makes us feel the warmth and gladness that fill their hearts when they know that it is the risen Lord. The boy, too, lingers at the Savior's side as though to hear the meaning of the scene. But as they look, Jesus disappears out of their sight. When He is gone they say to each other:

"Did not our heart burn within us, while he talked with us by the way, and while He opened to us the Scriptures?"

Rembrandt painted this picture after many sorrows had come to him. His beloved Saskia, the mother of the "golden lad," Titus, was dead; friends had deserted him and his patrons were gone. But the love of people still filled the heart of the great painter.

THREE CHILDREN OF CHARLES I OF ENGLAND

SIR ANTHONY VAN DYCK (1599-1641)

The little boy standing between his brother and sister in this picture is Baby Stuart, the same child that is in the picture of "Baby Stuart" that you know so well. When Baby Stuart grew up he was crowned James II, king of England (1685). His brother was Charles II, king of England, and his sister was the mother of William III, king of England. James II, Baby Stuart, had a daughter, Mary, who became Mary, queen of England. When these cousins, William and Mary, grew up they were married and crowned king and queen of England in 1689.