Part 107

37. In this and the following lines reappears the noble doctrine of the exalting and purifying influence of true love, advanced in “The Court of Love,” “The Cuckoo and the Nightingale,” &c.

38. Weir: a trap or enclosed place in a stream, for catching fish. See note 10 to The Assembly of Fowls.

39. Nor might one word for shame to it say: nor could he answer one word for shame (at the stratagem that brought Cressida to implore his protection)

40. “All n’ere he malapert, nor made avow Nor was so bold to sing a foole’s mass;” i.e. although he was not over-forward and made no confession (of his love), or was so bold as to be rash and ill-advised in his declarations of love and worship.

41. Pandarus wept as if he would turn to water; so, in The Squire’s Tale, did Canace weep for the woes of the falcon.

42. If I breake your defence: if I transgress in whatever you may forbid; French, “defendre,” to prohibit.

43. These lines and the succeeding stanza are addressed to Pandarus, who had interposed some words of incitement to Cressida.

44. In “The Court of Love,” the poet says of Avaunter, that “his ancestry of kin was to Lier; and the stanza in which that line occurs expresses precisely the same idea as in the text. Vain boasters of ladies’ favours are also satirised in “The House of Fame”.

45. Nice: silly, stupid; French, “niais.”

46.”Reheating” is read by preference for “richesse,” which stands in the older printed editions; though “richesse” certainly better represents the word used in the original of Boccaccio — “dovizia,” meaning abundance or wealth.

47. “Depart it so, for widewhere is wist How that there is diversity requer’d Betwixte thinges like, as I have lear’d:” i.e. make this distinction, for it is universally known that there is a great difference between things that seem the same, as I have learned.

48. Frepe: the set, or company; French, “frappe,” a stamp (on coins), a set (of moulds).

49. To be “in the wind” of noisy magpies, or other birds that might spoil sport by alarming the game, was not less desirable than to be on the “lee-side” of the game itself, that the hunter’s presence might not be betrayed by the scent. “In the wind of,” thus signifies not to windward of, but to leeward of — that is, in the wind that comes from the object of pursuit.

50. Bothe fremd and tame: both foes and friends — literally, both wild and tame, the sporting metaphor being sustained.

51. The lovers are supposed to say, that nothing is wanting but to know the time at which they should meet.

52. A tale of Wade: see note 5 to the Merchant’s Tale.

53. Saturn, and Jove, in Cancer joined were: a conjunction that imported rain.

54. Smoky rain: An admirably graphic description of dense rain.

55. For the force of “cold,” see note 22 to the Nun’s Priest’s Tale.

56. Goddes seven: The divinities who gave their names to the seven planets, which, in association with the seven metals, are mentioned in The Canon’s Yeoman’s Tale.

57. Assayed: experienced, tasted. See note 6 to the Squire’s Tale.

58. Now is it better than both two were lorn: better this happy issue, than that both two should be lost (through the sorrow of fruitless love).

59. Made him such feast: French, “lui fit fete” — made holiday for him.

60. The cock is called, in “The Assembly of Fowls,” “the horologe of thorpes lite;” [the clock of little villages] and in The Nun’s Priest’s Tale Chanticleer knew by nature each ascension of the equinoctial, and, when the sun had ascended fifteen degrees, “then crew he, that it might not be amended.” Here he is termed the “common astrologer,” as employing for the public advantage his knowledge of astronomy.

61. Fortuna Major: the planet Jupiter.

62. When Jupiter visited Alcmena in the form of her husband Amphitryon, he is said to have prolonged the night to the length of three natural nights. Hercules was the fruit of the union.

63. Chaucer seems to confound Titan, the title of the sun, with Tithonus (or Tithon, as contracted in poetry), whose couch Aurora was wont to share.

64. So, in “Locksley Hall,” Tennyson says that “a sorrow’s crown of sorrow is rememb’ring better things.” The original is in Dante’s words:- - “Nessun maggior dolore Che ricordarsi del tempo felice Nella miseria.” — “Inferno,” v. 121. (“There is no greater sorrow than to remember happy times when in misery”)