Not that the breaking point had revealed itself as such at once. There was confusion first, then stupor and unconsciousness, and out of that, sharply and clearly, came memory. It was not ten years ago, but an hour ago, a minute ago, that he had stood staring at Howard Lucas on the floor of the billiard room, and had seen Beverly run in through the door.
“Bev!” he was saying. “Bev! Don't look like that!”
He moved and found he was in bed. It had been a dream. He drew a long breath, looked about the room, saw the woman and greeted her. But already he knew he had not been dreaming. Things were sharpening in his mind. He shuddered and looked at the floor, but nobody lay there. Only the horror in his mind, and the instinct to get away from it. He was not thinking at all, but rising in him was not only the need for flight, but the sense of pursuit. They were after him. They would get him. They must never get him alive.
Instinct and will took the place of thought, and whatever closed chamber in his brain had opened, it clearly influenced his physical condition. He bore all the stigmata of prolonged and heavy drinking; his nerves were gone; he twitched and shook. When he got down the fire-escape his legs would scarcely hold him.
The discovery of Ed Rickett's horse in the courtyard, saddled and ready, fitted in with the brain pattern of the past.
Like one who enters a room for the first time, to find it already familiar, for a moment he felt that this thing that he was doing he had done before. Only for a moment. Then partial memory ceased, and he climbed into the saddle, rode out and turned toward the mountains and the cabin. By that strange quality of the brain which is called habit, although the habit be of only one emphatic precedent, he followed the route he had taken ten years before. How closely will never be known. Did he stop at this turn to look back, as he had once before? Did he let his horse breathe there? Not the latter, probably, for as, following the blind course that he had followed ten years before, he left the town and went up the canyon trail, he was riding as though all the devils of hell were behind him.
One thing is certain. The reproduction of the conditions of the earlier flight, the familiar associations of the trail, must have helped rather than hindered his fixation in the past. Again he was Judson Clark, who had killed a man, and was flying from himself and from pursuit.
Before long his horse was in acute distress, but he did not notice it. At the top of the long climb the animal stopped, but he kicked him on recklessly. He was as unaware of his own fatigue, or that he was swaying in the saddle, until galloping across a meadow the horse stumbled and threw him.
He lay still for some time; not hurt but apparently lacking the initiative to get up again. He had at that period the alternating lucidity and mental torpor of the half drunken man. But struggling up through layers of blackness at last there came again the instinct for flight, and he got on the horse and set off.
The torpor again overcame him and he slept in the saddle. When the horse stopped he roused and kicked it on. Once he came up through the blackness to the accompaniment of a great roaring, and found that the animal was saddle deep in a ford, and floundering badly among the rocks. He turned its head upstream, and got it out safely.
Toward dawn some of the confusion was gone, but he firmly fixed in the past. The horse wandered on, head down, occasionally stopping to seize a leaf as it passed, and once to drink deeply at a spring. Dick was still not thinking--there was something that forbade him to think--but he was weak and emotional. He muttered:
“Poor Bev! Poor old Bev!”
A great wave of tenderness and memory swept over him. Poor Bev! He had made life hell for her, all right. He had an almost uncontrollable impulse to turn the horse around, go back and see her once more. He was gone anyhow. They would get him. And he wanted her to know that he would have died rather than do what he had done.
The flight impulse died; he felt sick and very cold, and now and then he shook violently. He began to watch the trail behind him for the pursuit, but without fear. He seemed to have been wandering for a thousand black nights through deep gorges and over peaks as high as the stars, and now he wanted to rest, to stop somewhere and sleep, to be warm again. Let them come and take him, anywhere out of this nightmare.
With the dawn still gray he heard a horse behind and below him on the trail up the cliff face. He stopped and sat waiting, twisted about in his saddle, his expression ugly and defiant, and yet touchingly helpless, the look of a boy in trouble and at bay. The horseman came into sight on the trail below, riding hard, a middle-aged man in a dark sack suit and a straw hat, an oddly incongruous figure and manifestly weary. He rode bent forward, and now and again he raised his eyes from the trail and searched the wall above with bloodshot, anxious eyes.
On the turn below Dick, Bassett saw him for the first time, and spoke to him in a quiet voice.
“Hello, old man,” he said. “I began to think I was going to miss you after all.”
His scrutiny of Dick's face had rather reassured him. The delirium had passed, apparently. Dishevelled although he was, covered with dust and with sweat from the horse, Livingstone's eyes were steady enough. As he rode up to him, however, he was not so certain. He found himself surveyed with a sort of cool malignity that startled him.
“Miss me!” Livingstone sneered bitterly. “With every damned hill covered by this time with your outfit! I'll tell you this. If I'd had a gun you'd never have got me alive.”
Bassett was puzzled and slightly ruffled.
“My outfit! I'll tell you this, son, I've risked my neck half the night to get you out of this mess.”
“God Almighty couldn't get me out of this mess,” Dick said somberly.
It was then that Bassett saw something not quite normal in his face, and he rode closer.
“See here, Livingstone,” he said, in a soothing tone, “nobody's going to get you. I'm here to keep them from getting you. We've got a good start, but we'll have to keep moving.”
Dick sat obstinately still, his horse turned across the trail, and his eyes still suspicious and unfriendly.
“I don't know you,” he said doggedly. “And I've done all the running away I'm going to do. You go back and tell Wilkins I'm here and to come and get me. The sooner the better.” The sneer faded, and he turned on Bassett with a depth of tragedy in his eyes that frightened the reporter. “My God,” he said, “I killed a man last night! I can't go through life with that on me. I'm done, I tell you.”
“Last night!” Some faint comprehension began to dawn in Bassett's mind, a suspicion of the truth. But there was no time to verify it. He turned and carefully inspected the trail to where it came into sight at the opposite rim of the valley. When he was satisfied that the pursuit was still well behind them he spoke again.
“Pull yourself together, Livingstone,” he said, rather sharply. “Think a bit. You didn't kill anybody last night. Now listen,” he added impressively. “You are Livingstone, Doctor Richard Livingstone. You stick to that, and think about it.”
The Breaking Point · The Wunder Library — complete classics, free to read, with narration.