“Why did he come into your room?”
“He had seen that I was registered. He said he felt sick. I took him back and put him to bed. To-night I got a doctor.”
The sheriff felt in his pocket and produced a piece of paper. Bassett's morale was almost destroyed when he saw that it was Gregory's letter to David.
“I'll ask you to explain this. It was on Clark's bed.”
Bassett took it and read it slowly. He was thinking hard.
“I see,” he said. “Well, that explains why he came here. He was too sick to talk when I saw him. You see, this is not addressed to him, but to his uncle, David Livingstone. David Livingstone is a brother of Henry Livingstone, who died some years ago at Dry River. This refers to a personal matter connected with the Livingstone estate.”
The sheriff took the letter and reread it. He was puzzled.
“You're a good talker,” he acknowledged grudgingly. He turned to the maid.
“All right, Hattie,” he said. “We'll have that story again. But just a minute.” He turned to the reporter. “Mrs. Thorwald here hasn't seen Lizzie Lazarus, the squaw. Lizzie has been sitting in my office ever since noon. Now, Hattie.”
Hattie moistened her dry lips.
“It was Jud Clark, all right,” she said. “I knew him all his life, off and on. But I wish I hadn't screamed. I don't believe he killed Lucas, and I never will. I hope he gets away.”
She eyed the sheriff vindictively, but he only smiled grimly.
“What did I tell you?” he said to Bassett. “Hell with the women--that was Jud Clark. And we'll get him, Hattie. Don't worry. Go on.”
She looked at Bassett.
“When you left me, I sat outside the door, as you said. Then I heard him moving, and I went in. The room was not very light, and I didn't know him at first. He sat up in bed and looked at me, and he said, 'Why, hello, Hattie Thorwald.' That's my name. I married a Swede. Then he looked again, and he said, 'Excuse me, I thought you were a Mrs. Thorwald, but I see now you're older.' I recognized him then, and I thought I was going to faint. I knew he'd be arrested the moment it was known he was here. I said, 'Lie down, Mr. Jud. You're not very well.' And I closed the door and locked it. I was scared.”
Her voice broke; she fumbled for a handkerchief. The sheriff glanced at Bassett.
“Now where's your Livingstone story?” he demanded. “All right, Hattie. Let's have it.”
“I said, 'For God's sake, Mr. Jud, lie still, until I think what to do. The sheriff's likely downstairs this very minute.' And then he went queer and wild. He jumped off the bed and stood listening and staring, and shaking all over. 'I've got to get away,' he said, very loud. 'I won't let them take me. I'll kill myself first!' When I put my hand on his arm he threw it off, and he made for the door. I saw then that he was delirious with fever, and I stood in front of the door and begged him not to go out. But he threw me away so hard that that I fell, and I screamed.”
“And then what?”
“That's all. If I hadn't been almost out of my mind I'd never have told that it was Jud Clark. That'll hang on me dying day.”
An hour or so later Bassett went back to his room in a state of mental and nervous exhaustion. He knew that from that time on he would be under suspicion and probably under espionage, and he proceeded methodically, his door locked, to go over his papers. His notebook and the cuttings from old files relative to the Clark case he burned in his wash basin and then carefully washed the basin. That done, his attendance on a sick man, and the letter found on the bed was all the positive evidence they had to connect him with the case. He had had some thought of slipping out by the fire-escape and making a search for Dick on his own account, but his lack of familiarity with his surroundings made that practically useless.
At midnight he stretched out on his bed without undressing, and went over the situation carefully. He knew nothing of the various neuroses which affect the human mind, but he had a vague impression that memory when lost did eventually return, and Dick's recognition of the chambermaid pointed to such a return. He wondered what a man would feel under such conditions, what he would think. He could not do it. He abandoned the effort finally, and lay frowning at the ceiling while he considered his own part in the catastrophe. He saw himself, following his training and his instinct, leading the inevitable march toward this night's tragedy, planning, scheming, searching, and now that it had come, lying helpless on his bed while the procession of events went on past him and beyond his control.
When an automobile engine back-fired in the street below he went sick with fear.
He made the resolution then that was to be the guiding motive for his life for the next few months, to fight the thing of his own creating to a finish. But with the resolution newly made he saw the futility of it. He might fight, would fight, but nothing could restore to Dick Livingstone the place he had made for himself in the world. He might be saved from his past, but he could not be given a future.
All at once he was aware that some one was working stealthily at the lock of the door which communicated with a room beyond. He slid cautiously off the bed and went to the light switch, standing with a hand on it, and waited. The wild thought that it might be Livingstone was uppermost in his mind, and when the door creaked open and closed again, that was the word he breathed into the darkness.
“No,” said a woman's voice in a whisper. “It's the maid, Hattie. Be careful. There's a guard at the top of the stairs.”
He heard her moving to his outer door, and he knew that she stood there, listening, her head against the panel. When she was satisfied she slipped, with the swiftness of familiarity with her surroundings, to the stand beside his bed, and turned on the lamp. In the shaded light he saw that she wore a dark cape, with its hood drawn over her head. In some strange fashion the maid, even the woman, was lost, and she stood, strange, mysterious, and dramatic in the little room.
“If you found Jud Clark, what would you do with him?” she demanded. From beneath the hood her eyes searched his face. “Turn him over to Wilkins and his outfit?”
The Breaking Point · The Wunder Library — complete classics, free to read, with narration.