Part 33

This whole process, which also was very slow in movement, is important in explaining the conformation and scenic peculiarities of the west side of the park, which, as the tourist sees it to-day, is remarkably different from those of the east side. Here, the great limestone ranges, glaciered, cirqued, and precipiced as on the east side, suddenly give place to broad, undulating plains which constitute practically the whole of the great west side from the base of the mountains on the east to the valley of the Flathead which forms the park's western boundary. These plains are grown thickly with splendid forests. Cross ranges, largely glacier-built, stretch west from the high mountains, subsiding rapidly; and between these ranges lie long winding lakes, forest-grown to their edges, which carry the western drainage of the continental divide through outlet streams into the Flathead.

The inconceivable lapse of time covered in these titanic operations of Nature and their excessive slowness of progress rob them of much of their dramatic quality. Perhaps an inch of distance was an extraordinary advance for the Lewis Overthrust to make in any ordinary year, and doubtless there were lapses of centuries when no measurable advance was made. Yet sometimes sudden settlings, accompanied by more or less extended earthquakes, must have visibly altered local landscapes.

Were it possible, by some such mental foreshortening as that by which the wizards of the screen compress a life into a minute, for imagination to hasten this progress into the compass of a few hours, how overwhelming would be the spectacle! How tremendously would loom this advancing edge, which at first we may conceive as having enormous thickness! How it must have cracked, crumbled, and fallen in frequent titanic crashes as it moved forward. It does not need the imagination of Doré to picture this advance, thus hastened in fancy, grim, relentless as death, its enormous towering head lost in eternal snows, its feet shaken by earthquakes, accumulating giant glaciers only to crush them into powder; resting, then pushing forward in slow, smashing, reverberating shoves. How the accumulations of all periods may be imagined crashing together into the depths! Silurian gastropods, strange Devonian fishes, enormous Triassic reptiles, the rich and varied shells of the Jurassic, the dinosaurs and primitive birds of Cretaceous, the little early horses of Eocene, and Miocene's camels and mastodons mingling their fossil remnants in a democracy of ruin to defy the eternal ages!

It all happened, but unfortunately for a romantic conception, it did not happen with dramatic speed. Hundreds, thousands, sometimes millions of years intervened between the greater stages of progress which, with intervening lesser stages, merged into a seldom-broken quietude such as that which impresses to-day's visitor to the mountain-tops of Glacier National Park. And who can say that the landscape which to-day's visitor, with the inborn arrogance of man, looks upon as the thing which the ages have completed for his pleasure, may not merely represent a minor stage in a progress still more terrible?

The grist of Creation's past milling has disappeared. The waters of heaven, collected and stored in snow-fields and glaciers to be released in seasonal torrents, have washed it all away. Not a sign remains to-day save here and there perhaps a fragment of Cretaceous coal. All has been ground to powder and carried off by flood and stream to enrich the soils and upbuild later strata in the drainage basins of the Saskatchewan, the Columbia, and the Mississippi.

It is probable that little remained but the Algonkian shales and limestones when the Ice Age sent southward the first of its three great invasions. Doubtless already there were glaciers there of sorts, but the lowering temperatures which accompanied the ice-sheets developed local glaciers so great of size that only a few mountain-tops were left exposed. It was then that these extraordinary cirques were carved. There were three such periods during the Ice Age, between which and after which stream erosion resumed its untiring sway. The story of the ice is written high upon Glacier's walls and far out on the eastern plains.

Into this wonderland the visitor enters by one of two roads. Either he leaves the railroad at Glacier Park on the east side of the continental divide or at Belton on the west side. In either event he can cross to the other side only afoot or on horseback over passes. The usual way in is through Glacier Park. There is a large hotel at the station from which automobile-stages run northward to chalets at Two Medicine Lake, the Cut Bank Valley, and St. Mary Lake, and to the Many Glacier Hotel and chalets at Lake McDermott. A road also reaches Lake McDermott from Canada by way of Babb, and Canadian visitors can reach the trails at the head of Waterton Lake by boat from their own Waterton Lakes Park. Those entering at Belton, where the park headquarters are located, find chalets at the railroad-station and an excellent hotel near the head of Lake McDonald. There is also a comfortable chalet close to the Sperry Glacier.

To see Glacier as thoroughly as Glacier deserves and to draw freely on its abundant resources of pleasure and inspiration, one must travel the trails and pitch his tent where day's end brings him. But that does not mean that Glacier cannot be seen and enjoyed by those to whom comfortable hotel accommodations are a necessity, or even by those who find trail-travelling impossible.

Visitors, therefore, fall into three general classes, all of whom may study scenery which quite fully covers the range of Glacier's natural phenomena and peculiar beauty. The largest of these classes consists of those who can travel, or think they can travel, only in vehicles, and can find satisfactory accommodations only in good hotels. The intermediate class includes those who can, at a pinch, ride ten or twelve miles on comfortably saddled horses which walk the trails at two or three miles an hour, and who do not object to the somewhat primitive but thoroughly comfortable overnight accommodations of the chalets. Finally comes the small class, which constantly will increase, of those who have the time and inclination to leave the beaten path with tent and camping outfit for the splendid wilderness and the places of supreme magnificence which are only for those who seek.

The man, then, whose tendency to gout, let us say, forbids him ride a horse or walk more than a couple of easy miles a day may, nevertheless, miss nothing of Glacier's meaning and magnificence provided he takes the trouble to understand. But he must take the trouble; he must comprehend the few examples that he sees; this is his penalty for refusing the rich experience of the trail, which, out of its very fulness, drives meaning home with little mental effort. His knowledge must be got from six places only which may be reached by vehicle, at least three of which, however, may be included among the world's great scenic places. He can find at Two Medicine, St. Mary, and McDermott superb examples of Glacier's principal scenic elements.

Entering at Glacier Park, he will have seen the range from the plains, an important beginning; already, approaching from the east, he has watched it grow wonderfully on the horizon. So suddenly do these painted mountains spring from the grassy plain that it is a relief to recognize in them the advance guard of the Lewis Overthrust, vast fragments of the upheavals of the depths pushed eastward by the centuries to their final resting-places upon the surface of the prairie. From the hotel porches they glow gray and yellow and purple and rose and pink, according to the natural coloring of their parts and the will of the sun--a splendid ever-changing spectacle.

THE TWO MEDICINE COUNTRY

An hour's automobile-ride from Glacier Park Hotel will enable our traveller to penetrate the range at a point of supreme beauty and stand beside a chalet at the foot of Two Medicine Lake. He will face what appears to be a circular lake in a densely forested valley from whose shore rises a view of mountains which will take his breath. In the near centre stands a cone of enormous size and magnificence--Mount Rockwell--faintly blue, mistily golden, richly purple, dull silver, or red and gray, according to the favor of the hour and the sky. Upon its left and somewhat back rises a smaller similar cone, flatter but quite as perfectly proportioned, known as Grizzly Mountain, and upon its right less regular masses. In the background, connecting all, are more distant mountains flecked with snow, the continental divide. Towering mountains close upon him upon both sides, that upon his right a celebrity in red argillite known as Rising Wolf. He sees all this from a beach of many-colored pebbles.

Few casual visitors have more than a midday view of Two Medicine Lake, for the stage returns in the afternoon. The glory of the sunset and the wonder before sunrise are for the few who stay over at the chalet. The lover of the exquisite cannot do better, for, though beyond lie scenes surpassing this in the qualities which bring to the lips the shout of joy, I am convinced that nothing elsewhere equals the Two Medicine canvas in the perfection of delicacy. It is the Meissonier of Glacier.

Nor can the student of Nature's processes afford to miss the study of Two Medicine's marvellously complete and balanced system of cirques and valleys--though this of course is not for the rheumatic traveller but for him who fears not horse and tent. Such an explorer will find thrills with every passing hour. Giant Mount Rockwell will produce one when a sideview shows that its apparent cone is merely the smaller eastern end of a ridge two miles long which culminates in a towering summit on the divide; Pumpelly Piller, with the proportions of a monument when seen from near the lake, becomes, seen sideways, another long and exceedingly beautiful ridge; striking examples, these, of the leavings of converging glaciers of old. Two Medicine Lake proves to be long and narrow, the chalet view being the long way, and Upper Two Medicine Lake proves to be an emerald-encircled pearl in a silvery-gray setting. The climax of such a several days' trip is a night among the coyotes at the head of the main valley and a morning upon Dawson Pass overlooking the indescribable tangle of peak, precipice, and canyon lying west of the continental divide.

Taken as a whole, the Two Medicine drainage-basin is an epitome of Glacier in miniature. To those entering the park on the east side and seeing it first it becomes an admirable introduction to the greater park. To those who have entered on the west side and finish here it is an admirable farewell review, especially as its final picture sounds the note of scenic perfection. Were there nothing else of Glacier, this spot would become in time itself a world celebrity. Incidentally, exceedingly lively Eastern brook-trout will afford an interesting hour to one who floats a fly down the short stream into the lakelet at the foot of Two Medicine Lake not far below the chalet. There are also fish below Trick Falls.

THE SPECTACLE OF ST. MARY

St. Mary Lake, similarly situated in the outlet valley of a much greater group of cirques north of Two Medicine, offers a picture as similar in kind as two canvases are similar which have been painted by the same hand; but they widely differ in composition and magnificence; Two Medicine's preciousness yields to St. Mary's elemental grandeur. The steamer which brings our rheumatic traveller from the motor-stage at the foot of the lake lands him at the upper chalet group, appropriately Swiss, which finds vantage on a rocky promontory for the view of the divide. Gigantic mountains of deep-red argillite, grotesquely carved, close in the sides, and with lake and sky wonderfully frame the amazing central picture of pointed pyramids, snow-fields, hanging glaciers, and silvery ridges merging into sky. Seen on the way into Glacier, St. Mary is a prophecy which will not be fulfilled elsewhere in charm though often far exceeded in degree. Seen leaving Glacier, it combines with surpassing novelty scenic elements whose possibilities of further gorgeous combination the trip through the park has seemed to exhaust.

The St. Mary picture is impossible to describe. Its colors vary with the hours and the atmosphere's changing conditions. It is silver, golden, mauve, blue, lemon, misty white, and red by turn. It is seen clearly in the morning with the sun behind you. Afternoons and sunsets offer theatrical effects, often baffling, always lovely and different. Pointed Fusillade and peaked Reynolds Mountains often lose their tops in lowering mists. So, often, does Going-to-the-Sun Mountain in the near-by right foreground. So, not so often, does keel-shaped Citadel Mountain on the near-by left; also, at times, majestic Little Chief, he of lofty mien and snow-dashed crown, and stolid Red Eagle, whose gigantic reflection reddens a mile of waters. It is these close-up monsters even more than the colorful ghosts of the Western horizon which stamp St. Mary's personality.

From the porches of the chalets and the deck of the steamer in its evening tour of the lake-end the traveller will note the enormous size of those upper valleys which once combined their glaciers as now they do their streams. He will guess that the glacier which once swept through the deep gorge in whose bottom now lies St. Mary Lake was several thousand feet in thickness. He will long to examine those upper valleys and reproduce in imagination the amazing spectacle of long ago. But they are not for him. That vision is reserved for those who ride the trails.

THE SCENIC CLIMAX OF THE SWIFTCURRENT

Again passing north, the automobile-stage reaches road's end at McDermott Lake, the fan-handle of the Swiftcurrent drainage-basin. Overlooking a magnificent part of each of its contributing valleys, the lake, itself supremely beautiful, may well deserve its reputation as Glacier's scenic centre. I have much sympathy with the thousands who claim supremacy for McDermott Lake. Lake McDonald has its wonderfully wooded shores, its majestic length and august vista; Helen Lake its unequalled wildness; Bowman Lake its incomparable view of glacier-shrouded divide. But McDermott has something of everything; it is a composite, a mosaic masterpiece with every stone a gem. There is no background from which one looks forward to "the view." Its horizon contains three hundred and sixty degrees of view. From the towering south gable of that rock-temple to God the Creator, which the map calls Mount Gould, around the circle, it offers an unbroken panorama in superlative.

In no sense by way of comparison, which is absurd between scenes so different, but merely to help realization by contrast with what is well known, let us recall the Yosemite Valley. Yosemite is a valley, Swiftcurrent an enclosure. Yosemite is gray and shining, Swiftcurrent richer far in color. Yosemite's walls are rounded, peaked, and polished, Swiftcurrent's toothed, torn, and crumbling; the setting sun shines through holes worn by frost and water in the living rock. Yosemite guards her western entrance with a shaft of gray granite rising thirty-six hundred feet from the valley floor, and her eastern end by granite domes of five thousand and six thousand feet; Swiftcurrent's rocks gather round her central lake--Altyn, thirty-two hundred feet above the lake's level; Henkel, thirty-eight hundred feet; Wilbur, forty-five hundred feet; Grinnell, four thousand; Gould, forty-seven hundred; Allen, forty-five hundred--all of colored strata, green at base, then red, then gray. Yosemite has its winding river and waterfalls, Swiftcurrent its lakes and glaciers.

Swiftcurrent has the repose but not the softness of Yosemite. Yosemite is unbelievably beautiful. Swiftcurrent inspires wondering awe.

McDermott Lake, focus point of all this natural glory, is scarcely a mile long, and narrow. It may be vivid blue and steel-blue and milky-blue, and half a dozen shades of green and pink all within twice as many minutes, according to the whim of the breeze, the changing atmosphere, and the clouding of the sun. Often it suggests nothing so much as a pool of dull-green paint. Or it may present a reversed image of mountains, glaciers, and sky in their own coloring. Or at sunset it may turn lemon or purple or crimson or orange, or a blending of all. Or, with rushing storm-clouds, it may quite suddenly lose every hint of any color, and become a study in black, white, and intermediate grays.

THE GREAT GABLE OF GOULD MOUNTAIN

The water is McDermott Lake, one of the most beautiful in Glacier National Park]

THE CIRQUE AT THE HEAD OF CUT BANK CREEK