Part 81

Note 386 page 202. Perhaps the most famous woman of the Gonzaga family was “my lady Duchess’s” great-aunt, Cecilia Gonzaga, (born 1425), who shared with her four brothers the tuition of the celebrated Vittorino da Feltre, wrote Greek with remarkable purity at the age of ten, became a nun at nineteen, devoted her life to religious and literary exercises, and was regarded as one of the most learned women of her time. Her niece (?), Barbara Gonzaga, (born about 1455), was educated with especial care, became Duchess of Würtemberg, induced her husband to found the University of Tübingen, and ruled the duchy as regent after his death.

Of the Este family, two aunts (Ginevra, born 1419, and Bianca Maria, born 1440) of Isabella and Beatrice d’Este (see notes 397 and 398), were famous for their knowledge of Latin and Greek, in which languages the younger wrote both prose and verse, besides being an accomplished musician, dancer and needlewoman.

Of the Pio family, Castiglione doubtless had in mind the celebrated Alda Pia da Carpi, who was a sister of Aldus’s pupil and patron Alberto Pio, aunt of Count Ludovico Pio of THE COURTIER (see note 46), and mother of the still more celebrated poetess Veronica Gambara, (born 1485).

MARGARITA OF AUSTRIA 1480-1530 ]

Head enlarged from Braun’s photograph (no. 13.796) of an anonymous portrait group, in the Palace at Versailles, representing the Emperor Maximilian I and his family.

Note 387 page 202. ANNE DE BRETAGNE, (born 1476; died 1514), was the daughter and heiress of Duke Francis II of Brittany, which became permanently united to the crown of France through her marriages to Charles VIII (1492) and Louis XII (1499). Castiglione’s praise of her seems to have been in the main justified. Although sometimes vindictive, she was generous, virtuous beyond the standard of her time, and carried cultivation to the verge of pedantry. She surrounded herself with artists, historians, minstrels and poets, and formed a collection of MSS. and other precious objects, largely the spoils of her husbands’ Italian campaigns. Branthôme called her “the worthiest and most honourable queen that has been since Queen Blanche, mother of the king St. Louis, and so wise and virtuous.”

Note 388 page 202. CHARLES VIII, (born 1470; died 1498), was the son of Louis XI and Charlotte of Savoy. Having succeeded his father in 1483, and assumed royal power in 1491, he married Anne of Brittany and soon set about enforcing his pretensions to the crown of Naples, transmitted to him through his father and cousin from René of Provence, to whom the last Angevine ruler had devised the kingdom in 1435. As we have seen, the immediate cause of the invasion of Italy (1494) was a request from Duke Ludovico Sforza of Milan and Pope Alexander VI. Although the expedition was undertaken without adequate preparation and conducted with incredible foolhardiness,—continuous good fortune together with the mutual jealousies of Italian princes and the decadence of Italian military power enabled Charles to enter Milan, Florence and Rome without hindrance, to seize Naples almost unopposed, and (when threatened by a powerful league formed against him) to retire northwards, to defeat the Italians at Fornovo, and finally to reach France in safety, October 1495. His garrisons were driven from Naples in the following year, but his foray had the immediate result of expelling the Medici from Florence, and the far more important consequence of revealing to the rest of Europe the wealth and helplessness of Italy,—thus paving the way for the subsequent invasions with which the peninsula was scourged during the 16th Century. The remainder of Charles’s life was given up to inglorious ease and pleasure. A son of the painter Mantegna thus describes him: “A very ill-favoured face, with great goggle eyes, an aquiline nose offensively large, and a head disfigured by a few sparse hairs;” while Duke Ludovico Sforza said of him: “The man is young, and his conduct meagre, nor has he any form or method of council.” His own ambassador, Commines, wrote: “He was little in stature and of small sense, very timid in speech, owing to the way in which he had been treated as a child, and as feeble in mind as he was in body, but the kindest and gentlest creature alive.”

Note 389 page 202. MARGARITA OF AUSTRIA, (born 1480; died 1530), was the daughter of the Emperor Maximilian I and Mary of Burgundy, and a native of Brussels. Having been betrothed to the Dauphin Charles (VIII) and then rejected by that prince in favour of Anne of Brittany, she married (1497) the Infant Juan of Castile, but soon lost both husband and child. In 1501 she married Duke Filiberto of Savoy, and after four years of happiness again became a widow. In 1507 she was entrusted by her father with the government of the Low Countries and the care of her nephew Charles (see note 462). She did much to further the progress of agriculture and commerce in her dominions, and besides showing a lofty spirit and no little political sagacity, she was a patroness of art and letters, and composed a great number of poems in French, most of which are said to be lost. Her correspondence with her father has been published.

Note 390 page 202. MAXIMILIAN I, Emperor of Germany, (born 1459; died 1519), was the son of the Emperor Frederick III of Hapsburg and Eleanora of Portugal. In 1477 he married Charles the Bold’s daughter and heiress, Mary of Burgundy, who bore him five children and died in 1482. On the death of his father in 1493, he was elected Emperor, and soon afterwards married Bianca Maria, niece of Duke Ludovico Sforza of Milan. He was a member of the league that forced Charles VIII to retire from Italy (1495), of the League of Cambray against Venice (1508), and of the Holy League (1511) for the expulsion of Louis XII from Italy. Although deriving little profit or honour from these and other foreign enterprises, he contrived by prudent marriages to add Bohemia and Hungary to his empire and to make Spain a possession of his family. He also effected many reforms in his government, and even founded several important institutions, such as a postal service and a permanent militia. From his youth he showed a taste for study, became a patron of scholars, poets and artists, and enriched the Universities of Vienna and Ingolstadt. Besides being an accomplished if not very successful soldier, he was the author of works on gardening, hunting and agriculture, as well as on military science.

Note 391 page 202. ISABELLA THE CATHOLIC, (born 1451; died 1504), was the daughter and heiress of Juan II of Castile. Having been trained in retirement to habits of religious devotion, she married (1469) Ferdinand of Aragon, with whom she succeeded jointly to her father’s crown in 1474, but was able to gain complete possession of her dominions only in 1479, the same year in which her husband succeeded his father as King of Aragon. Under her rule the Inquisition was established in Castile (1480), but she recoiled before its horrors and was reconciled to its continuance only by the direct assurance of Pope Sixtus IV. In 1481 began the long war, which (largely owing to her energy and perseverance) resulted in the expulsion of the Moors from Spain, and in which she is said to have organized the earliest military hospitals. The story of her noble patronage of Columbus is familiar. Her later years were clouded by the loss of two of her three children, including her only son, and by the unhappy conjugal life and mental disorder of her daughter, Juana, the mother of Charles V. Castiglione’s praise of Isabella’s lofty qualities is not a little justified by the facts of her life. In personal appearance, she is said to have been agreeable rather than handsome; her features were regular, her green eyes vivacious, her complexion olive, her hair reddish blond, and her stature above the medium.

BEATRICE OF ARAGON QUEEN OF HUNGARY 1457-1508 ]

From a negative, specially made by the brothers Moreau with the kind permission of M. Gustave Dreyfus, of an anonymous bust in his collection at Paris.

Note 392 page 202. FERDINAND THE CATHOLIC, (born 1452; died 1516), was the son of Juan II of Navarre and Aragon, and is justly regarded as the founder of the Spanish monarchy. The means employed by him in building up his power were perfidy towards other rulers and ruthless oppression of his own people. Besides the other events of his reign, noted above, mention should be made of his cruel expulsion of the Jews from Spain in 1492. These and his other persecutions, supposed at the time to be actuated by zeal for pure religion, were in fact chiefly a source of revenue, and the policy thus inaugurated,—of stifling the commerce, the industry, the free thought and the energy of the nation at the beginning of its greatness,—is now seen to have been one of the important causes of its decline.

Note 393 page 204. Of these two remarkable queens, one was doubtless Federico III’s widow, the Isabella del Balzo who is mentioned below (see note 400). The other may possibly have been her predecessor Joanna, the aunt and widow of Ferdinand II; or (more probably) Ippolita Maria, who was a daughter of the first Sforza duke of Milan and wife of Ferdinand II’s father and predecessor Alfonso II, and of whom Dennistoun says (ii, 122): “It was for this princess that Constantine Lascaris composed the earliest Greek Grammar; and in the convent library of Sta. Croce at Rome there is a transcript by her of Cicero’s De Senectute, followed by a juvenile collection of Latin apothegms curiously indicative of her character and studies.”

Note 394 page 204. BEATRICE OF ARAGON, (born 1457; died 1508), was the daughter of Ferdinand I of Naples and Isabelle de Clermont. In 1476 she married Matthias Corvinus, King of Hungary. On his death in 1490, she married Ladislas II of Bohemia, who for a time prevented the succession of Matthias’s natural son John. However the youth attained the Hungarian throne with the aid of the Emperor Maximilian; whereupon Beatrice was repudiated by Ladislas and her marriage was annulled by Alexander VI. In 1501 she returned to Italy, resided at Ischia and died childless. Like her elder sister, the Duchess Eleanora of Ferrara (see note 399), she was a woman of cultivation and taste, and in spite of her political intrigues, she is praised for having done much to strengthen the intellectual bonds between Italy and Hungary, to which country she invited Italian poets, scholars and artists.

Note 395 page 204. MATTHIAS CORVINUS, (born 1443; died 1490), was the son of the famous Hungarian general János Hunyadi, and in 1458 was proclaimed King of Hungary by the soldiers whom his father had so often led to victory. His life was a nearly continuous series of great enterprises, among the most noted of which were his campaigns against the Turks and his siege and capture (1485) of Vienna, where he thereafter resided chiefly and died. By no means the least part of his fame was won by the ardour with which he advanced the cause of science, art and letters in his country, and bestowed upon his people not only an enlightened code of laws but also the benefits of Renaissance culture. He introduced printing into Hungary, and was the founder of a magnificent public library at Buda Pest, containing fifty thousand volumes, for the most part MSS. which he caused to be copied in Italy and the East.

Note 396 page 204. ISABELLA OF ARAGON, (born 1470; died 1524), was the daughter of Alfonso II of Naples and Ippolita Maria, daughter of the first Sforza duke of Milan. In 1489 she made a splendid entry into Milan as the bride of her own cousin Giangaleazzo Sforza, whose rights as duke were gradually usurped by his uncle Ludovico il Moro. This usurpation has been regarded as partly due to the ambition of Ludovico’s young wife, Beatrice d’Este (see note 398), who could not endure the precedence rightfully belonging to Isabella. As has been seen, it was to protect himself against the wrath of Isabella’s father and grandfather, that Ludovico invited Charles VIII into Italy as his ally. When Charles reached Pavia, he had to endure the pathetic spectacle of his forlorn cousin Giangaleazzo (they were sisters’ sons) in prison, and to hear the piteous pleadings of the beautiful Isabella, who fell at his feet and besought him to have mercy on her husband. Her appeal was withstood, and Ludovico of course had no scruple in setting aside the rights of her infant children. Fresh trials awaited her in her native country, to which she returned in 1500, and from which her family had been expelled.

Note 397 page 204. ISABELLA D’ESTE, (born 1474; died 1539), was the oldest child of Duke Ercole I of Ferrara and Eleanora of Aragon. Having had Mario Equicola as preceptor, she married the Marquess Gianfrancesco Gonzaga (see note 446) in 1490, her early betrothal to whom prevented her from becoming the wife of Ludovico Sforza, the duke of Milan, who soon afterwards married her sister Beatrice. At Mantua she continued her literary and artistic training, and her court became one of the brightest and most active centres of Italian culture. The chief poets and painters of the time laboured for her or were her friends. Being for years in her husband’s service, Castiglione knew her closely, maintained a frequent exchange of letters with her, and is only one of many who praise her beauty, her intellect, and her moral qualities; she may be regarded as the most splendid incarnation of the Renaissance ideal of woman. Her long friendship with her sister-in-law, “My lady Duchess,” has been already mentioned. Some interesting details have survived as to her manner of ordering a picture. Having chosen a subject, she had it set forth in writing by some humanist of her court. These specifications were then given to the painter chosen for the purpose, and he was furnished with minute directions as to the placing of the figures and the distribution of light, and required to make a preliminary sketch. As the painting was often intended for a specific space, she took great care to secure the exact dimensions desired, by providing two pieces of ribbon to show the precise height and breadth of the picture. Isabella’s brilliant career, and especially her close relations with the chief men of her day and her weighty influence upon contemporary politics, are the subject of many scholarly volumes and interesting articles written jointly by Alessandro Luzio of Mantua and Rodolfo Renier of Turin.

ISABELLA OF ARAGON DUCHESS OF MILAN 1470-1524 ]

Enlarged from a negative, specially made by Alinari through the courtesy of Professor I. B. Supino, of a medal, in the National Museum at Florence, by Giancristoforo Romano (1465?-1512). See Armand’s Les Médailleurs Italiens, ii, 54, no. 1.

Note 398 page 204. BEATRICE D’ESTE, (born 1475; died 1497), married Ludovico Sforza, Duke Regent of Milan, in the same year (1491) in which his niece Anna Sforza married Beatrice’s brother Alfonso, the future husband of Lucrezia Borgia. Younger, apparently less beautiful, and certainly less accomplished than her sister Isabella, Beatrice encouraged her husband’s patronage of art and letters, and took part in his turbid political schemes. It will perhaps never be determined precisely to what extent she was responsible for his treatment of his young nephew and of the latter’s wife (see note 396), and for the disasters to Italy that ensued, but she is known to have exercised a great ascendency over her husband’s mind, and he is said to have spent at her tomb the last night before his final capture and downfall. After the expulsion of the French from Italy in 1512, her sons Maximilian and Francesco Maria successively held the duchy for a time, until it passed into the hands of Spain in 1535. For an account of her life, the reader is referred to Mrs. Henry Ady’s recently published “Beatrice d’Este, Duchess of Milan; a Study of the Renaissance,” which owes much to the labours of Luzio and Renier.

Note 399 page 205. ELEANORA OF ARAGON, (born 1450; died 1493), was the elder sister of the Beatrice who married Matthias Corvinus of Hungary. A projected union with Ludovico Sforza (who afterwards married her daughter) having been abandoned, she became in 1473 the wife of Duke Ercole I of Ferrara, and bore him two daughters and four sons. Other contemporary accounts confirm the praise bestowed upon her by Castiglione, and show her to have been a woman of rare merit, manly courage and enlightened culture. Fond of music, and herself a player upon the harp, she seems to have been a discriminating patroness of art and letters, and at the same time to have taken an active share in the serious cares of government, especially when her husband was absent or disabled. A pleasant glimpse of her character is gained from a letter written by her to the duke’s treasurer on behalf of a certain Neapolitan engineer, who had rendered important services but had fallen ill and was in want. “You will see what this poor man’s needs are. You know with what devotion he has served us, nor are you ignorant who sent him to us,—a circumstance worthy of consideration. It would ill become us so to treat him in his sickness as to give him cause for complaint against us. You must know what his pay is. See, then, what can be done, and arrange for helping him.” She did not live to witness the downfall of her family in Naples.

Note 400 page 205. ISABELLA DEL BALZO, (died 1533), was a daughter of the Prince of Altamura, and the wife of Federico III of Naples (see note 401). When her husband lost his crown in 1501, she (together with the faithful Sannazaro) accompanied him to France, and shared his exile there until his death in 1504. Being, by the terms of a treaty between Louis XII and Ferdinand the Catholic, compelled to leave France, she and her four children took refuge, first with her sister Antonia at Gazzuolo, and then at Ferrara, where she was kindly treated and maintained by her husband’s nephew Duke Alfonso d’Este. Here she spent the last twenty-five years of her life, but at times in such poverty that when Julius II placed Ferrara under the ban of the Church, she obtained special permission to have religious services performed in her house, on the plea that she had not the means wherewith to leave the city.

Note 401 page 205. FEDERICO III, (born 1452; died 1504), was a son of Ferdinand I of Naples, a younger brother of Alfonso II, and an uncle of his immediate predecessor, Ferdinand II. Having taken part in the weak resistance offered to Charles VIII’s invasion of Naples in 1494, he became king on the early death of his nephew in October 1496, and seems to have tried to keep aloof from the turbulent schemes in which Alexander VI sought to involve him. After another vain attempt to withstand the invasion of Louis XII, and having been shamefully betrayed by the Emperor Maximilian and Ferdinand the Catholic, to both of whom he had appealed for aid, he retired with his wife and children to the island of Ischia (which furnished refuge at the same time to his widowed sister Beatrice, ex-Queen of Hungary, and to his widowed niece Isabella, ex-Duchess of Milan), ceded his crown to Louis XII in exchange for 30,000 ducats and the Countship of Maine, and spent the last three years of his life in France.

Note 402 page 205. Federico’s eldest son Ferdinand, DUKE OF CALABRIA, was besieged in Taranto during the Franco-Spanish invasion which resulted in his father’s downfall. On a sworn promise to set him free, he surrendered to the Great Captain (see note 239), but was treacherously detained and sent as a prisoner to Spain, where he was treated by Ferdinand the Catholic with almost royal honours. He continued to reside in Spain, and on the death of his mother in 1533, he was joined at Valencia by his two sisters.

Note 403 page 205. The reference here is probably to the siege of Pisa by the Florentines in 1499, which was finally abandoned owing in part at least to the bravery of the Pisan women. Castiglione himself was the author of some Latin verses celebrating an incident of the siege.

FEDERICO III OF NAPLES 1452-1504 ]

Enlarged from a cast, courteously furnished by Professor I. B. Supino, of an anonymous medal in the National Museum at Florence. See Armand’s Les Médailleurs Italiens, ii, 59.