Part 60

“I have no wish to know what does not concern me; but do you have yourself taught how this beauty ought to be desired by young men who are less vigourous and sturdy than their elders.”

56.—Here messer Federico, to quiet my lord Morello and turn the conversation, did not allow Count Ludovico to reply, but interrupted him and said:

“Perhaps my lord Morello is not altogether wrong in saying that beauty is not always good; for women’s beauty is often the cause that brings upon the world countless evils, hatreds, wars, deaths and destructions; of which good proof can be found in the fall of Troy. And beautiful women are for the most part either proud or cruel, or (as has been said) immodest; but this would not seem to my lord Morello a fault. There are also many wicked men who have the gift of fair looks, and it seems that nature made them thus to the end that they should be better fitted to deceive, and that this gracious seeming is like the bait upon the hook.”

Then messer Pietro Bembo said:

“Do not believe that beauty is not always good.”

Here Count Ludovico, in order to return to the original subject, interrupted and said:

“Since my lord Morello does not care to know what so deeply concerns him, teach it to me, and show me how old men attain this happiness in love, for I shall not mind having myself thought old, provided it help me.”

57.—Messer Pietro laughed, and said:

“I wish first to free these gentlemen’s minds from their errour; then I will satisfy you too.” Resuming thus, he said:

“My Lords, I would not have any of us, like profane and sacrilegious men, incur God’s wrath by speaking ill of beauty, which is a sacred thing. Therefore, to the end that my lord Morello and messer Federico may be warned, and not lose their sight, like Stesichorus (which is a very fitting punishment for one who scorns beauty), I say that beauty springs from God, and is like a circle of which goodness is the centre. And hence, as there can be no circle without a centre, there can be no beauty without goodness. Thus a wicked soul rarely inhabits a beautiful body, and for that reason outward beauty is a true sign of inward goodness. And this grace is impressed upon bodies, more or less, as an index of the soul, whereby she is known outwardly, as in the case of trees, in which the beauty of the blossom gives token of the excellence of the fruit. The same is true in the case of human bodies, as we see that the Physiognomists often recognize in the face the character and sometimes the thoughts of men; and what is more, in beasts also we discern from the aspect the quality of the mind, which is expressed as much as possible in the body. Think how clearly we read anger, ferocity and pride in the face of the lion, the horse, the eagle; a pure and simple innocence in lambs and doves; cunning malice in foxes and wolves, and so of nearly all other animals.

58.—“The ugly are therefore for the most part wicked too, and the beautiful are good: and we may say that beauty is the pleasant, gay, acceptable and desirable face of good, and that ugliness is the dark, disagreeable, unpleasant and sad face of evil. And if you will consider all things, you will find that those which are good and useful always have a charm of beauty also.

“Look at the state of this great fabric of the world, which was made by God for the health and preservation of every created thing. The round firmament, adorned with so many heavenly lights, and the earth in the centre, surrounded by the elements and sustained by its own weight; the sun, which in its revolving illumines the whole, and in winter approaches the lowest sign, then little by little mounts to the other side; the moon, which derives her light from it, according as it approaches her or withdraws from her; and the five other stars, which separately travel the same course. These things have such influence upon one another through the linking of an order thus precisely framed, that if they were changed for an instant, they could not hold together, and would wreck the world; they have also such beauty and grace that human wit cannot imagine anything more beautiful.

“Think now of the shape of man, which may be called a little world; wherein we see every part of the body precisely composed with skill, and not by chance; and then the whole form together so beautiful that we could hardly decide whether more utility or more grace is given to the human features and the rest of the body by all the members, such as the eyes, nose, mouth, ears, arms, breast, and other parts withal. The same can be said of all the animals. Look at the feathers of birds, the leaves and branches of trees, which are given them by nature to preserve their being, and yet have also very great loveliness.

“Leave nature, and come to art. What thing is so necessary in ships as the prow, the sides, the yards, the masts, the sails, the helm, the oars, the anchors and the cordage? Yet all these things have so much comeliness, that it seems to him who looks upon them that they are thus devised as much for beauty as for use. Columns and architraves support lofty galleries and palaces, yet they are not on that account less pleasing to the eyes of him who looks upon them, than useful to the buildings. When men first began to build, they set that middle ridge in their temples and houses, not in order that the buildings might have more grace, but to the end that the water might flow off conveniently on either side; yet to utility soon was added comeliness, so that if a temple were built under a sky where no hail or rain falls, it would not seem able to have any dignity or beauty without the ridge.

59.—“Much praise is therefore bestowed, not only upon other things, but upon the world, by saying that it is beautiful. We praise when we say: ‘Beautiful sky, beautiful earth, beautiful sea, beautiful rivers, beautiful lands, beautiful woods, trees, gardens; beautiful cities, beautiful churches, houses, armies.’ In short, this gracious and sacred beauty gives highest ornament to everything; and we may say that the good and the beautiful are in a way one and the same thing, and especially in the human body; of whose beauty I think the most immediate cause is beauty of the soul, which (as partaker of true divine beauty) brightens and beautifies whatever it touches, and especially if the body wherein it dwells is not of such base material that it cannot impress thereon its quality. Therefore beauty is the true trophy of the soul’s victory, when with power divine she holds sway over material nature, and by her light overcomes the darkness of the body.

“Hence we must not say that beauty makes women proud or cruel, although it may seem so to my lord Morello; nor yet ought we to ascribe to beautiful women those enmities, deaths and destructions of which the immoderate appetites of men are the cause. I do not by any means deny that it is possible to find beautiful women in the world who are also immodest, but it is not at all because their beauty inclines them to immodesty; nay, it turns them therefrom and leads them to the path of virtuous behaviour, by the connection that beauty has with goodness. But sometimes evil training, the continual urgence of their lovers, gifts, poverty, hope, deceits, fear and a thousand other causes, overcome the steadfastness even of beautiful and good women; and through these or similar causes beautiful men also may become wicked.”

60.—Then messer Cesare said:

“If that is true which my lord Gaspar alleged yesterday, there is no doubt that beautiful women are more chaste than ugly women.”

“And what did I allege?” said my lord Gaspar.

Messer Cesare replied:

“If I remember rightly, you said that women who are wooed always refuse to satisfy him who wooes them, and that those who are not wooed woo others. Certain it is that the beautiful are always more wooed and besought in love than are the ugly; therefore the beautiful always refuse, and hence are more chaste than the ugly, who, not being wooed, woo others.”

Bembo laughed, and said:

“To this argument no answer can be made.” Then he added: “It often happens also that our sight deceives us like our other senses, and accounts a face beautiful which in truth is not beautiful; and since in some women’s eyes and whole aspect a certain wantonness is seen depicted, together with unseemly blandishments,—many (who like such manner because it promises them ease in attaining what they desire) call it beauty: but in truth it is disguised immodesty, unworthy a name so honoured and so sacred.”

Messer Pietro Bembo was silent, and those gentlemen still urged him to speak further of this love and of the mode of enjoying beauty truly; and he at last said:

“Methinks I have shown clearly enough that old men can love more happily than young, which was my thesis; therefore it does not become me to go further.”

Count Ludovico replied:

“You have better shown the unhappiness of youths than the happiness of old men, whom as yet you have not taught what road to follow in this love of theirs, but have only told them to be guided by reason; and by many it is thought impossible for love to abide with reason.”

61.—Bembo still sought to put an end to his discourse, but my lady Duchess begged him to speak; and he began anew thus: