Conversion of the heathen, 275-6
Cooke, Sir Anthony, 316
Cordoba, Consalvo de,—see Consalvo Francisco Fernandez de,—see Fernandez
Corinna, 197, 391
Corio, Lodovico, 324, 422
Cornelia, 190, 344, 389
Corrozet, Gelles, 419
Corsiniana Library at Rome,
Corvinus, Matthias,—see Matthias Corvinus
Coscia, Andrea, 152, 380
Costume appropriate to the courtier, 102-4
Cotta, Caius Aurelius, 51, 344
Courage requisite in the courtier, 25
Court Lady, the: beginning of the discussion on, 173; must be womanly, 175; her need of beauty, 176; must be affable, vivacious, witty, not too prudish, 176; not too familiar, not a scandal-monger, tactful in conversation, 177-8; not addicted to over-rugged exercises, or too ready to dance or sing, 179; her dress, 179-80; must be no less well informed than the courtier, and understand even those exercises that she does not practise; she must also be accomplished in literature, music, painting and dancing, 180; Pallavicino objects to such multiplicity of acquirement, 181-2
COURTIER, THE BOOK OF THE. reasons for writing, 1, 7; reasons for hasty publication of, 1; “a picture of the court of Urbino,” 2; excuse for not writing in the Tuscan dialect, 3-5; purports to record actual dialogues, 8; when written, 319
Courtiers’ duty to entice their prince towards virtue, 250-1
Courtiership: the subject of the book, 7; beginning of the discussion concerning the perfection of, 19; beginning of the discussion concerning the proper aims of, 246; explanation of the word, 325
Crassus, Lucius Licinius, the orator, 44, 49, 51, 339, 344 Marcus Licinius, the triumvir, 347
Crassus Mucianus, Publius Licinius, 101, 358
Crato, Johannes, 420
Creede, T., 421
Crema, Margarita, 362
Cretans, cultivators of music, 64
Crimson velvet, jest about a captain who celebrated his infrequent victories by wearing, 152
Crivello, Biagino, 153, 381
Crotona, the five beautiful maidens of, 70, 351
Cuña, Don Pedro de,—see Messina, the Prior of
Cuppis (or Coppi) da Montefolco, Bernardo de, 404 Lucrezia de, 404
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