“No,” I answered. “It appears to be a watery solution of some kind, but I can’t give it a name. Where is the cork?”
“I haven’t seen it,” he replied. “Probably it is on the floor somewhere.”
We both stooped to look for the missing cork and presently found it in the shadow, under the little bedside table. But, in the course of that brief search, I found something else, which had indeed been lying in full view all the time--a wax match. Now a wax match is a perfectly innocent and very commonplace object, but yet the presence of this one gave me pause. In the first place, women do not, as a rule, use wax matches, though there was not much in that. What was more to the point was that the candlestick by the bedside contained a box of safety matches, and that, as the burned remains of one lay in the tray, it appeared to have been used to light the candle. Then why the wax match?
While I was turning over this problem Foxton had corked the bottle, wrapped it carefully in a piece of paper which he took from the dressing table and bestowed it in his pocket.
“Well, Jervis,” said he, “I think we’ve seen everything. The analysis and the post-mortem will complete the case. Shall we go down and hear what Mrs. Beddingfield has to say?”
But that wax match, slight as was its significance, taken alone, had presented itself to me as the last of a succession of phenomena each of which was susceptible of a sinister interpretation, and the cumulative effect of these slight suggestions began to impress me somewhat strongly.
“One moment, Foxton,” said I. “Don’t let us take anything for granted. We are here to collect evidence, and we must go warily. There is such a thing as homicidal poisoning, you know.”
“Yes, of course,” he replied, “but there is nothing to suggest it in this case; at least, I see nothing. Do you?”
“Nothing very positive,” said I; “but there are some facts that seem to call for consideration. Let us go over what we have seen. In the first place, there is a distinct discrepancy in the appearance of the body. The general easy, symmetrical posture, like that of a figure on a tomb, suggests the effect of a slow, painless poison. But look at the face. There is nothing reposeful about that. It is very strongly suggestive of pain or terror or both.”
“Yes,” said Foxton, “that is so. But you can’t draw any satisfactory conclusions from the facial expression of dead bodies. Why, men who have been hanged, or even stabbed, often look as peaceful as babes.”
“Still,” I urged, “it is a fact to be noted. Then there is that cut on the lip. It may have been produced in the way you suggest; but it may equally well be the result of pressure on the mouth.”
Foxton made no comment on this beyond a slight shrug of the shoulders, and I continued:
“Then there is the state of the hand. It was closed, but it did not really grasp the object it contained. You drew the bottle out without any resistance. It simply lay in the closed hand. But that is not a normal state of affairs. As you know, when a person dies grasping any object, either the hand relaxes and lets it drop, or the muscular action passes into cadaveric spasm and grasps the object firmly. And lastly, there is this wax match. Where did it come from? The dead woman apparently lit her candle with a safety match from the box. It is a small matter, but it wants explaining.”
Foxton raised his eyebrows protestingly. “You’re like all specialists, Jervis,” said he. “You see your specialty in everything. And while you are straining these flimsy suggestions to turn a simple suicide into murder, you ignore the really conclusive fact that the door was bolted and had to be broken open before any one could get in.”
“You are not forgetting, I suppose,” said I, “that the window was wide open and that there were house painters about and possibly a ladder left standing against the house.”
“As to the ladder,” said Foxton, “that is a pure assumption; but we can easily settle the question by asking that fellow out there if it was or was not left standing last night.”
Simultaneously we moved towards the window; but half-way we both stopped short. For the question of the ladder had in a moment become negligible. Staring up at us from the dull red linoleum which covered the floor were the impressions of a pair of bare feet, imprinted in white paint with the distinctness of a woodcut. There was no need to ask if they had been made by the dead woman: they were unmistakably the feet of a man, and large feet at that. Nor could there be any doubt as to whence those feet had come. Beginning with startling distinctness under the window, the tracks diminished rapidly in intensity until they reached the carpeted portion of the room, where they vanished abruptly; and only by the closest scrutiny was it possible to detect the faint traces of the retiring tracks.
Foxton and I stood for some moments gazing in silence at the sinister white shapes; then we looked at one another.
“You’ve saved me from a most horrible blunder, Jervis,” said Foxton. “Ladder or no ladder, that fellow came in at the window; and he came in last night, for I saw them painting these window-sills yesterday afternoon. Which side did he come from, I wonder?”
We moved to the window and looked out on the sill. A set of distinct, though smeared impressions on the new paint gave unneeded confirmation and showed that the intruder had approached from the left side, close to which was a cast-iron stack-pipe, now covered with fresh green paint.
“So,” said Foxton, “the presence or absence of the ladder is of no significance. The man got into the window somehow, and that’s all that matters.”
“On the contrary,” said I, “the point may be of considerable importance in identification. It isn’t every one who could climb up a stack-pipe, whereas most people could make shift to climb a ladder, even if it were guarded by a plank. But the fact that the man took off his boots and socks suggests that he came up by the pipe. If he had merely aimed at silencing his foot-falls, he would probably have removed his boots only.”
From the window we turned to examine more closely the footprints on the floor, and, while I took a series of measurements with my spring tape, Foxton entered them in my notebook.
“Doesn’t it strike you as rather odd, Jervis,” said he, “that neither of the little toes has made any mark?”
“It does indeed,” I replied. “The appearances suggest that the little toes were absent, but I have never met with such a condition. Have you?”
“Never. Of course one is acquainted with the supernumerary toe deformity, but I have never heard of congenitally deficient little toes.”
Once more we scrutinized the footprints, and even examined those on the window-sill, obscurely marked on the fresh paint; but, exquisitely distinct as were those on the linoleum, showing every wrinkle and minute skin-marking, not the faintest hint of a little toe was to be seen on either foot.
“It’s very extraordinary,” said Foxton. “He has certainly lost his little toes, if he ever had any. They couldn’t have failed to make some mark. But it’s a queer affair. Quite a windfall for the police, by the way; I mean for purposes of identification.”
The Blue Scarab · The Wunder Library — complete classics, free to read, with narration.