Part 36

Instead of following, I cantered back to town, housed my horse, and went straightway to bed; and this will prove to be the first information that I was the "mysterious man on a horse," whom the coroner could never find.

About a year afterwards I received the following letter (which is observed to be in fair English) from Stockholm, Sweden:

"Dear Sir,--For some years I have been reading your remarkable psychological studies with great interest, and I take the liberty to suggest a theme for your able pen. I have just found in a library here a newspaper, dated about a year ago, in which is an account of the mysterious death of a military officer in a hack."

Then followed the particulars, as I have already detailed them, and the very theme of post-mortem revenge which I have adopted in this setting out of facts. Some persons may regard the coincidence between my correspondent's suggestion and my private and exclusive knowledge as being a very remarkable thing; but there are likely even more wonderful things in the world, and at none of them do I longer marvel. More extraordinary still is his suggestion that in the dynamite explosion a dog or a quarter of beef might as well have been employed as a suicide-minded man; that, in short, the man may not have killed himself at all, but might have employed a presumption of such an occurrence to render more effective a physical persecution ending in murder by the living man who had posed as a spirit. The letter even suggested an arrangement with a spirit medium, and I regard that also as a queer thing.

The declared purpose of this letter was to suggest material for another of my "psychological studies;" but I submit that the whole affair is of too grave a character for treatment in the levity of fiction. And if the facts and coincidences should prove less puzzling to others than to me, a praiseworthy service might be done to humanity by the presentation of whatever solution a better understanding than mine might evolve.

The only remaining disclosure which I am prepared now to make is that my correspondent signed himself "Ramtarg,"--an odd-sounding name, but for all I know it may be respectable in Sweden. And yet there is something about the name that haunts me unceasingly, much as does some strange dream which we know we have dreamt and yet which it is impossible to remember.

Two Singular Men

The first of these was a powerful Italian, topped with a dense brush of rebellious black hair. The circumstances leading up to his employment in the Great Oriental Dime Museum as the "Marvellous Tuft-nosed Wild Man, Hoolagaloo, captured on the Island of Milo, in the AEgean Sea, after a desperate struggle," were these:

He had been a wood-chopper, possessed of prodigious strength and a violent temper. One day he and a companion in the mountains fell out and fought. The Italian then had to walk twenty miles to find a surgeon, being in great need of his services. When he presented himself to the surgeon his face was heavily bandaged with blood-soaked cloths. He began to fumble in his pockets, and his face betrayed deep anxiety when he failed to find what he sought.

"What is the matter?" asked the surgeon, "and what are you seeking?"

The man uncovered his mouth and in a voice like the sound of an ophicleide, answered:

"Mina nosa."

"Your nose!"

"Aha. T'ought I bring 'im, butta no find."

"Brought your nose in your pocket!"

"Dunno--may be losta. Fella fighta me; cut offa da nose."

The surgeon assured him that the severed nose would have been useless.

"But I wanta da nose!" exclaimed the man, in despair.

The surgeon said that he could make a new one, and the man appeared greatly relieved in mind. A removal of the bandages disclosed the fact that a considerable part of the nose was gone. The surgeon then proceeded to perform the familiar rhinoplastic operation, which consists in making a V-shaped incision through the skin of the forehead immediately above the nose, loosening it, and bringing it down with a half-turn, to keep the cuticle outward, and covering the nose-stump with it. In preparing for this he made an interesting discovery. The place for the man's nose was long and his forehead low, so that in order to secure sufficient length for the flap he had to encroach on the hair-covered scalp. There was no help for it. With some misgivings the surgeon shaved the hair and then performed the operation with admirable success.

His fears, however, in time were realized. All around the end of the nose there appeared a broad line of black hair. When the skin was in its normal position above the forehead the hair on the upper edge of it had grown downward; but as the skin was inverted in its new position the hair, of course, grew upward, curving towards the eyes. It gave the man a grotesque and hideous appearance, and this made him furious. The surgeon, having a quick wit and a regard for the integrity of his bones, introduced him to Signor Castellani, proprietor of the Great Oriental Dime Museum, and that enterprising worthy immediately engaged him. And thus it was that the man became the greatest curiosity in the world.

Among his companions in the museum were the Severed Lady, who apparently was nonexistent below the waist; the Remarkable Tattooed Lady, who had been rescued from Chinese pirates in the Coral Sea, and some others. To them the tuft-nosed man was known as Bat--surmised to be a contraction of Bartolommeo.

The other singular man with which this narrative is concerned was a small, delicate, mild-mannered, impecunious fellow, who made a living by writing for the press. He and Castellani were friends, and he was on excellent terms with the "freaks." But as this narrative is to tell the little secrets of the museum, it should be explained that the real object of the young man's deepest admiration was Mademoiselle Zoe, the Severed Lady, billed also as the Wonderful French Phenomenon. She was known in private life as Muggie (formerly Muggy, and probably originally Margaret), and she was the only daughter and special pride of Castellani. Zoe was rosy-cheeked, pretty, and had a freckled nose. The impecunious writer was named Sampey. Sampey secretly loved Zoe.

As the Severed Lady, Mademoiselle Zoe's professional duties were monotonous. They gave her abundant opportunities for observation and reflection, and, being young and of the feminine sex, she dreamed.

What she observed most was eyes. These were the eyes that looked at her as she rested in her little swing when on exhibition. Her gilt booth was very popular, for she was pretty, and some kind-hearted visitors at the show pitied the poor thing because she ended at the waist! But far from being depressed by the apparent absence of all below the lower edge of her gold belt with its glittering diamond buckle, she was cheerful, and now and then would sing a little song. Her sweetness of manner and voice and the plumpness of her rounded arms and shoulders were what had won Sampey's heart and made him all the more zealous in his useful occupation of devising the names which Castellani bestowed on his freaks.

Hoolagaloo had suffered a turning of the head by his good fortune. He imagined that because he was monstrous he was great. That made him arrogant and presumptuous. He, too, loved Zoe. Thus it came about that a rivalry was established between Sampey and the Wild Man of Milo. How was it with Zoe? Which loved she?--or loved she either? Observing and reflecting, she dreamed. As it was eyes only that she saw, it was of eyes only that she dreamed.

"Ah," sighed this innocent girl, "that I could see in reality the eyes of my dreams! So many, many eyes stare at me in my booth, and yet the eyes of my dreams come not! Blue eyes, brown eyes, black eyes, hazel eyes, gray eyes, all of every shade, but not yet have come the eyes I so long to see! Those which do come are commonplace; their owners are commonplace--just ordinary mortals. I'm sure that princes, knights, and heroes must have the eyes that beam on me as I sleep. I'm sure, indeed, that such eyes will come in time, and that by such a sign I shall know my hero, my master, my love!"

She cautiously asked the Wild Man of Milo about it one day, but his answer was a coarse guffaw; then, seeing that he had made a mistake, he kissed her. The hair of his tufted nose thus got into her pretty blue eyes, and she shuddered.

Then she went to Sampey, who was wise, cool, and politic. He listened, amazed, but attentive. The opportunity of his life had come. When he had gathered up his dismayed and scattered wits, he gravely answered: