Now the Saxons are not Prussians, so no one for sport fired at the body. Which was rather a good thing, because it moved slightly and stirred. And then in a loud voice, which is an unusual thing for bodies to possess, it began to sing:
Trou là là, ça ne va guère; Trou là là, ça ne va pas.
XXVIII
Late in August Sara Lee broke her engagement with Harvey. She had been away, at Cousin Jennie's, for a month, and for the first time since her return she had had time to think. In the little suburban town there were long hours of quiet when Cousin Jennie mended on the porch and Aunt Harriet, enjoying a sort of reflected glory from Sara Lee, presided at Red Cross meetings.
Sara Lee decided to send for Harvey, and he came for a week-end, arriving pathetically eager, but with a sort of defiance too. He was determined to hold her, but to hold her on his own terms.
Aunt Harriet had been vaguely uneasy, but Harvey's arrival seemed to put everything right. She even kissed him when he came, and took great pains to carry off Cousin Jennie when she showed an inclination toward conversation and a seat on the porch.
Sara Lee had made a desperate resolve. She intended to lay all her cards on the table. He should know all that there was to know. If, after that, he still wanted to hold her--but she did not go so far. She was so sure he would release her.
It was a despairing thing to do, but she was rather despairing those days. There had been no letter from Henri or from Jean. She had written them both several times, to Dunkirk, to the Savoy in London, to the little house near the Front. But no replies had come. Yet mail was going through. Mabel Andrews' letters from Boulogne came regularly.
When August went by, with no letters save Harvey's, begging her to come back, she gave up at last. In the little church on Sundays, with Jennie on one side and Aunt Harriet on the other, she voiced small silent prayers--that the thing she feared had not happened. But she could not think of Henri as not living. He was too strong, too vital.
She did not understand herself those days. She was desperately unhappy. Sometimes she wondered if it would not be easier to know the truth, even if that truth comprehended the worst.
Once she received, from some unknown hand, a French journal, and pored over it for days with her French dictionary, to find if it contained any news. It was not until a week later that she received a letter from Mabel, explaining that she had sent the journal, which contained a description of her hospital.
All of Harvey's Sunday she spent in trying to bring her courage to the point of breaking the silence he had imposed on her, but it was not until evening that she succeeded. The house was empty. The family had gone to church. On the veranda, with the heavy scent of phlox at night permeating the still air, Sara Lee made her confession. She began at the beginning. Harvey did not stir--until she told of the way she had stowed away to cross the channel. Then he moved.
"This fellow who planned that for you--did you ever see him again?"
"He met me in Calais."
"And then what?"
"He took me to Dunkirk in his car. Such a hideous car, Harvey--all wrecked. It had been under fire again and again. I--"
"He took you to Dunkirk! Who was with you?"
"Just Jean, the chauffeur."
"I like his nerve! Wasn't there in all that Godforsaken country a woman to take with you? You and this--What was his name, anyhow?"
"I can't tell you that, Harvey."
"Look here!" he burst out. "How much of this aren't you going to tell? Because I want it all or not at all."
"I can't tell you his name. I'm only trying to make you understand the way I feel about things. His name doesn't matter." She clenched her hands in the darkness. "I don't think he is alive now."
He tried to see her face, but she turned it away.
"Dead, eh? What makes you think that?"
"I haven't heard from him."
"Why should you hear from him?" His voice cut like a knife. "Look at me. Why should he write to you?"
"He cared for me, Harvey."
He sat in a heavy silence which alarmed her.
The Amazing Interlude · The Wunder Library — complete classics, free to read, with narration.