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Part 5

Talks About Flowers. · M. D. Wellcome — chapter 5 of 23 · ~2,087 words · public domain

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The wise man says: "There is that scattereth and yet increaseth."

A florist says that "to grow Verbenas successfully, plant them in beds cut in the turf. Chop the turf well and thoroughly mix with it a good share of well-decomposed stable manure; never, on any account plant them in old and worn-out garden soil as they will most assuredly fail. Give them a change of soil each season, as they do not thrive well two years in the same bed."

As a house plant the Verbena is not a success. It is most always sickly, and infested with red spiders. They cannot be kept over winter in a cellar; it is growth or death.

Verbenas were first introduced into Europe about fifty years ago from South America, and a few years later into this country. They have been greatly improved, and the varieties are very numerous. Many are fragrant. The only hardy sort is Montana, a native of Colorado. It is a profuse bloomer, color, a bright rose. There are the German Hybrids, the Italian stripes, and the Drummondii from Texas. Every year brings its novelties, as with other flowers. Mr. C. E. Allen, who makes a specialty of seedling Verbenas, is sending out several fine ones this season; Silver Queen, Florence, Emma, Carroll, Ralph and Variegata are very attractive according to the descriptions.

PETUNIAS.

Few things in the garden will make more show throughout the entire season, even after quite severe frosts, than a bed of Petunias from a paper of seed marked "Choicest Mixed from Show Flowers." They will produce such a profusion of flowers, charming one from day to day with their variations of markings, and of color. Some retain their distinctive characteristics, while with others they are changeful as the Kaleidoscope. Stripes, blotches, sprays, white throats, green edges, they are just lovely. Then there are the double sorts; purple with white spots, white with purple; rose color, white, purplish-crimson margined with white; lilac veined with purple; white with stripes of purple in the center of each petal, some exquisitely fringed; large and full as a rose, and some almost as sweet.

In nothing, perhaps, has there been such a wonderful improvement by culture and hybridising as the Petunia. Mr. Vick tells us how that half a century ago, he saw for the first time, a Petunia. It was a novelty--a strange flower from a flowery land, South America, and it was carefully treated in green-houses. The flower was white and small, and looked somewhat as if made of paper--such a flower as would now be destroyed if by chance seen growing accidentally in our gardens. The novelty soon subsided, and although it was ascertained that it could be grown in gardens, it did not possess sufficient merit to gain popular favor. A little later, however, about 1831, to the astonishment of the floral world, it was announced that a new Petunia, of a purple color, had been discovered in Buenos Ayres. It was first flowered and seeded in the Botanic Gardens of Glasgow, and thence seed was sent all over Europe and to America, where it soon became a great favorite. About thirty years ago a double Petunia was grown and propagated by cuttings. It was only semi-double and white, but it was the commencement of a new era in Petunia culture. Truly wonderful have been the advances in development of this beautiful flower.

The Petunia is divided into three distinct classes, the Grandiflora, Small Flowered and Double.

The Grandiflora varieties have a strong succulent growth, the flowers are not so numerous as some others, but are very large and double, frequently measuring three inches in diameter, and some kinds are exquisitely marked with various shades of violet, purple, maroon and scarlet upon white ground; some striped, others bordered, some marbled, some deeply fringed. The double Petunia gives no seed, and it is only by fertilizing single flowers with the pollen of the double that seed can be obtained. But Petunias of all kinds are easily multiplied by cuttings.

The Small Flowered class are those that make our gardens so attractive with their varied hues and markings. Some of the new hybrids are of wonderful beauty. Last year gave two of the Double and Fringed sort that have been frequently noted as gems of the first water.

Mrs. Edward Roby, color, a glowing crimson-maroon, edged with pure white, very double and deeply fringed. Model of Perfection, deep maroon, heavily edged with white, and deeply fringed. These were priced last year in a Western catalogue at $1.50 each; this year they are priced at 30 cents. So one gains by waiting a year for high-priced novelties.

New Double Fringed Petunia for 1881, is President Garfield, which originated with Mr. C. E. Allen, and is thus described in his catalogue: "Color, light purple veined with deep purple magenta, edged with a broad band of an exquisite shade of green. Very novel in its appearance and a new color in double petunias; flower very large and deeply fringed. Plants strong and vigorous; one of the finest sorts ever offered." For a Petunia so unique as this, with its broad band of green, and now offered for the first time; its price, 75 cents, is low.

Pansies.

"Open your eyes, my Pansies sweet, Open your eyes for me, Driving away with face so true, The chilling wind and wintry hue, That lingers so drearily.

"Open your eyes, my Pansies sweet, Open your eyes for me. Where did you get that purple hue? Did a cloudlet smile as you came through? Did a little sunbeam bold Kiss on your lips that tint of gold? Tell me the mystery.

"In your eyes a story I read-- A story of constancy. After the storms and winter's wind, Softly you come with influence kind; Then as I bend with listening ear, Your cheerful voice I plainly hear, Preaching a sermon to me.

"So, whisper to me, my Pansies sweet-- Tell me in rustlings low, Of that beautiful land where fadeless flowers Brightly bloom in immortal bowers, And no blighting wind doth blow.

"Tell of the care that is over all-- That gives you your garments gay; Whose loving hand clothes the floweret small That grows in the field, or by the garden wall, Whose life is only a day.

"Yes, tell of the love, my Pansies sweet, Of the love that knows no end; That through earth's winter safely keeps Watch over his children, and never sleeps; The love that paints the violet blue, And quenches your thirst with drops of dew, The weary heart's faithful friend."

A Talk About Pansies.

"Pray you love, remember, There's Pansies--that's for thought."

Shakespeare.

I find my Pansies are coming up finely. My bed of Pansies last year from "choicest mixed seed" sown in April, began to bloom in June, and afforded me so much pleasure with their varied beauty, that I resolved this year to have a great many of them. I see, now that the snow has melted from the bed, that the plants have wintered well. I had all of the colors shown in the chromo plate of my catalogue, excepting Emperor William, dark blue. I think that somebody else must have got him, for my packet of seed was divided and sub-divided. King of the Blacks was rightly named, a mere dot of yellow in the center, and Pure White was in striking contrast, while Pure Yellow was golden, and Odier was splendid with its dark center banded with yellow and scarlet. Then there was copper-colored and striped, and such rich purples with a dot of yellow. How lovely they were! They were not very large at first, but in August after a rain, I had superb specimens. They were bedded beneath a fruit tree, where they were sheltered from the noonday glare. They thrive best in a moist, partially shaded situation. The blossoms ought to be picked as they fade, for if left to seed the strength is taken from the plants and the blossoms are smaller.

This season I have sown musical Pansies. "Musical Pansies! what are they? What sort of music do they make? Will it be of the Brass Band order, or that of the hand-organ style?"

No, no! Not that coarse, harsh, loud sort at all. If you could hear their low, sweet notes, you would be enraptured. But this cannot be. I call them musical, because named for the great composers, Mozart, Handel, Schiller, Goethe, Beethoven, Haydn, Mendelssohn, and Schumann. They are the "New German Pansies," of which types are given in oil colors, in the catalogue of B. F. Bliss & Sons, and represent the most beautiful strains I have ever seen. They are no fancy sketch, but drawn as true to life in color and size as it was possible to make them, if we will accept the testimony of Dr. Thurber in the American Agriculturist. He says, that "no doubt many who have seen the colored plate published by Messrs. B. F. Bliss & Sons, have supposed that the artist had exercised his imagination both as to size and the strange combinations of colors. So far from this being the case, the flowers are, if anything, rather below the real size, and as to colors, it would be impossible to conceive of any artificial colors more brilliant, or more strongly contrasted, than they are in flowers, produced by this remarkable strain of seeds."

In my childhood I knew nothing of the Pansy. The little Heartsease or Ladies' Delight, as it was then called, was alone cultivated. Mr. Vick tells us how it grew to be the fine flower now so highly prized. About sixty years ago, a very young English lady living on the banks of the Thames, had a little flower garden of her own, and one bed she filled with Pansies, selecting from her father's grounds the finest she could obtain. The gardener, seeing her interest and success, became ambitious to try his hand, and grew plants from the finest specimens. These attracted the attention of professional florists, and speedily the Pansy became a popular flower. Every country gives it a pet name--Heartsease, Fringed Violet, Trinity Flower, Butterfly flower, and Johnny-jump-up, while the French call it Pensée, from which our name of Pansy is probably derived. It means to remember or keep in mind. A floral work published in 1732, illustrates it with a colored plate, which shows it to have been then small like the Ladies' Delight.

MODE OF CULTURE.

For summer blooming plants sow seed in the house, in March or April. Cigar boxes are very suitable for seed sowing. Put in a layer of coarse sand for drainage, then one of horse manure for bottom heat. Fill with rich, mellow earth sifted and mixed with one-third silver sand, or finely pulverized leaf mold. Have it moist but not drenched. With a narrow strip of board, make tiny furrows about one and a half inches apart, and in these carefully drop the seed one by one an inch distant. Cover slightly, and press the soil firmly, then lay a piece of old soft flannel folded once or twice, and wrung lightly out of warm water, carefully over the soil, which will keep it damp. Cover with glass, and keep in a warm place. In a few days see if the covering is dry, if so damp it again, and watch for the seedlings. When they appear, remove the flannel, but still keep on the glass, not, however, so close as to exclude all air. Gradually inure them to the sunlight, and as soon as they have made four or five leaves, it is best to transplant every other one, so that they may have room to grow. Great care is needful with tender seedlings to keep them from damping off. If too wet, they will do this, or if kept too shady. Good judgment is essential for success. As the weather becomes warm, expose them at first an hour or two, to the outdoor air, and thus prepare them for early bedding out. Being hardy plants, living out of doors during the winter, with slight protection at the North, they will bear transplanting sooner than many other seedlings. A rich moist soil, and somewhat cool and shaded situation, are best adapted for their growth. For winter flowers, sow seed the last of August, or first of September, in a frame or boxes kept in a shady place.

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