"Mem" (mistress), "no have got ice-e-blox. Ice-e all glow away."
"Very well, Ming. Dig a hole in the ground, and put the ice in it."
"How can dig? Glound all same, hard like ice-e."
"Well, let the ice melt," I replied. "Robinson Crusoe had no ice."
In a half-hour Jim, the cook, came up to speak to the "Mem." He lowered his cue, brushed the creases out of his spotless shirt, drew his face down, and commenced:--
"Mem, no have got chocolate, how can make puddlin'?"
I laughed outright. Jim looked hurt.
"Jim, did you ever hear of one Crusoe?"
"No, Tuan!" (Lord.)
"Well, he was a Tuan who lived for thirty years without once eating chocolate 'puddlin'.' We'll not eat any for ten days. Sabe?"
Jim retired, mortified and astonished.
Inside of another half-hour, the Tukang Ayer, or water-carrier, arrived on the scene. He was simply dressed in a pair of knee-breeches. He complained of a lack of silver polish, and was told to pound up a stone for the knives, and let the silver alone.
We are really in the heart of a small archipelago. All about us are verdure-covered islands. They are now the homes of native fishermen, but a century ago they were hiding-places for the fierce Malayan pirates whose sanguinary deeds made the peninsula a byword in the mouths of Europeans.
A rocky beach extends about the island proper, contracting and expanding as the tide rises and falls. On this beach a hundred and one varieties of shells glisten in the salt water, exposing their delicate shades of coloring to the rays of the sun. Coral formations of endless design and shape come to view through the limpid spectrum, forming a perfect submarine garden of wondrous beauty. Through the shrubs, branches, ferns, and sponges of coral, the brilliantly colored fish of the Southern seas sport like goldfish in some immense aquarium.
We draw out our chairs within the protection of the almond tree, and watch the sun sink slowly to a level with the masts of a bark that is bound for Java and the Bornean coasts. The black, dead lava of our island becomes molten for the time, and the flakes of salt left on the coral reef by the outgoing tide are filled with suggestions of the gold of the days of '49. A faint breeze rustles among the long, fan-like leaves of the palm, and brings out the rich yellow tints with their background of green. A clear, sweet aroma comes from out the almond tree. The red sun and the white sheets of the bark sail away together for the Spice Islands of the South Pacific.
We sleep in a room in the heart of the lighthouse. The stairway leading to it is so steep that we find it necessary to hold on to a knotted rope as we ascend. Hundreds of little birds, no larger than sparrows, dash by the windows, flying into the face of the gale that rages during the night, keeping up all the time a sharp, high note that sounds like wind blowing on telegraph wires.
Every morning, at six o'clock, Ah Ming clambers up the perpendicular stairway, with tea and toast. We swallow it hurriedly, wrap a sarong about us, and take a dip in the sea, the while keeping our eyes open for sharks. Often, after a bath, while stretched out in a long chair, we see the black fins of a man-eater cruising just outside the reef. I do not know that I ever hit one, but I have used a good deal of lead firing at them.
One morning we started on an exploring expedition, in the keeper's jolly-boat. It was only a short distance to the first island, a small rocky one, with a bit of sandy beach, along which were scattered the charred embers of past fires. From under our feet darted the grotesque little robber-crabs, with their stolen shell houses on their backs. A great white jellyfish, looking like a big tapioca pudding, had been washed up with the tide out of the reach of the sea, and a small colony of ants was feasting on it. We did not try to explore the interior of the islet. We named it Fir Island from its crown of fir-like casuarina trees, which sent out on every breeze a balsamic odor that was charged with far-away New England recollections.
The next island was a large one. The keeper said it was called Pulo Seneng, or Island of Leisure, and held a little kampong, or village of Malays, under an old punghulo, or chief, named Wahpering. We found, on nearing the verdure-covered island, that it looked much larger than it really was. The woods grew out into the sea for a quarter of a mile. We entered the wood by a narrow walled inlet, and found ourselves for the first time in a mangrove swamp. The trees all seemed to be growing on stilts. A perfect labyrinth of roots stood up out of the water, like a rough scaffold, on which rested the tree trunks, high and dry above the flood. From the limbs of the trees hung the seed pods, two feet in length, sharp-pointed at the lower end, while on the upper end, next to the tree, was a russet pear-shaped growth. They are so nicely balanced that when in their maturity they drop from the branches, they fall upright in the mud, literally planting themselves.
The punghulo's house, or bungalow, stood at the head of the inlet. The old man--he must have been sixty--donned his best clothes, relieved his mouth of a great red quid of betel, and came out to welcome us. He gracefully touched his forehead with the back of his open palm, and mumbled the Malay greeting:--
"Tabek, Tuan?" (How are you, my lord?)
When the keeper gave him our cards, and announced us in florid language, the genial old fellow touched his forehead again, and in his best Bugis Malay begged the great Rajah and Ranee to enter his humble home.
The only way of entering a Malay home is by a rickety ladder six feet high, and through a four-foot opening. I am afraid that the great "Rajah and Ranee" lost some of their lately acquired dignity in accepting the invitation.
Wahpering's bungalow, other than being larger and roomier than the ordinary bungalow, was exactly like all others in style and architecture.
It was built close to the water's edge, on palm posts six feet above the ground. This was for protection from the tiger, from thieves, from the water, and for sanitary reasons. Within the house we could just stand upright. The floor was of split bamboo, and was elastic to the foot, causing a sensation which at first made us step carefully. The open places left by the crossing of the bamboo slats were a great convenience to the punghulo's wives, as they could sweep all the refuse of the house through them; they might also be a great accommodation to the punghulo's enemies, if he had any, for they could easily ascertain the exact mat on which he slept, and stab him with their keen krises from beneath.
In one corner of the room was the hand-loom on which the punghulo's old wife was weaving the universal article of dress, the sarong.
The weaving of a sarong represents the labor of twenty days, and when we gave the dried-up old worker two dollars and a half for one, her syrah-stained gums broke forth from between her bright-red lips in a ghastly grin of pleasure.
There must have been the representatives of at least four generations under the punghulo's hospitable roof. Men and women, alike, were dressed in the skirt-like sarong which fell from the waist down; above that some of the older women wore another garment called a kabaya. The married women were easily distinguishable by their swollen gums and filed teeth.
Tales of the Malayan Coast · The Wunder Library — complete classics, free to read, with narration.