Part 40

But at night, after the clock had struck eleven, he heard distinctly a knock at his door; and when he opened it, with the expectation of some deadly and lucrative accident requiring his skill, he beheld the buried Willibald in propriâ persona.

‘My bag-pipe,’ said he, very composedly, and passing by the trembling sexton, he took it from the wall where it was hung up; then he returned to his tombstone, and began to blow. The guests, invited by the tune, came like the preceding night, and were preparing for their midnight dance in the churchyard. But this time the musician began to march forward, and proceeded with his numerous and ghastly suite through the gate of the churchyard to the town, and led his nightly parade through all the streets, till the clock struck twelve, when all returned again to their dark abodes.

The inhabitants of Neisse now began to fear lest the awful night wanderers might shortly enter their own houses. Some of the chief magistrates earnestly entreated the mayor to lay the charm by making good his word to the bag-piper. But the mayor would not listen to it; he even pretended that Robert shared in the infernal arts of the old piper, and added, ‘The son deserves rather the funeral pile than the bridal bed.’

But in the following night the dancing spectres came again into the town, and although no music was heard, yet it was easily seen by their motions that the dancers went through the figure of the ‘Grandfather’s Dance.’ This night they behaved much worse than before, for they stopped at the house wherein a betrothed damsel lived, and here they turned in a wild whirling dance round a shadow, which resembled perfectly the spinster in whose honour they moved the nightly bridal dance. Next day the whole town was filled with mourning, for all the damsels whose shadows were seen dancing with the spectres had died suddenly. The same thing happened again the following night. The dancing skeletons turned before the houses, and wherever they had been, there was, next morning, a dead bride lying on the bier.

The citizens were determined no longer to expose their daughters and mistresses to such an imminent danger. They threatened the mayor to carry Brunhelda away by force and to lead her to Robert, unless the mayor would permit their union to be celebrated before the beginning of the night. The choice was a difficult one, for the mayor disliked the one just as much as the other, but as he found himself in the uncommon situation where a man may choose with perfect freedom, he, as a free being, declared freely his daughter to be Robert’s bride.

Long before the spectre hour the guests sat at the wedding table. The first stroke of the bell sounded, and immediately the favourite tune of the well-known bridal dance was heard. The guests, frightened to death, and fearing the spell might still continue to work, hastened to the windows, and beheld the bag-piper, followed by a long row of figures in white shrouds, moving to the wedding-house. He remained at the door and played, but the procession went on slowly, and proceeded even to the festive hall. Here the strange pale guests rubbed their eyes, and looked about them full of astonishment, like sleep walkers just awakened. The wedding guests fled behind the chairs and tables; but soon the cheeks of the phantoms began to colour, their white lips became blooming like young rosebuds; they gazed at each other full of wonder and joy, and well-known voices called friendly names. They were soon known as revived corpses, now blooming in all the brightness of youth and health: and who should they be but the brides whose sudden death had filled the whole town with mourning, and who, now recovered from their enchanted slumber, had been led by Willibald with his magic pipe out of their graves to the merry wedding feast. The wonderful old man blew a last and cheerful farewell tune, and disappeared. He was never seen again.

Robert was of opinion, the bag-piper was no other than the famous Spirit of the Silesian Mountains. The young painter had originally met him once when he travelled through the hills, and acquired his goodwill by rendering him some service, for the old man was, or pretended to be, in great distress, and Robert gave him wine and food, and housed him for many days. Then suddenly the strange piper disappeared, but shortly returned and promised the youth he would grant him anything he wished if he could, and he declared that with his magic pipes he could subdue anyone to his will. Then it was that Robert beseeched him to help him to win the consent of the Mayor of Neisse to wed his daughter. Willibald promised the youth to assist him in his love-suit, and he kept his word, although after his own jesting fashion.

Robert remained all his lifetime a favourite with the Spirit of the Mountains. He grew rich, and became celebrated. His dear wife brought him every year a handsome child, his pictures were sought after even in Italy and England; and the ‘Dance of the Dead,’ of which Basil, Antwerp, Dresden, Lubeck, and many other places boast, are only copies or imitations of Robert’s original painting, which he had executed in memory of the real ‘Dance of the Dead at Neisse!’ But, alas! this picture is lost, and no collector of paintings has yet been able to discover it, for the gratification of the cognoscenti, and the benefit of the history of the art.

The Spirit of the Silesian Mountains plays a great part in the German Popular Tales. He always appears full of mirth and whims. The people know him best by his nickname Rubezahl, the turnip counter. The accident which gave rise to this nickname has been related in a masterly manner in Musäus’s German Popular Tales.

XIV

THE MYSTIC SPELL

A WEIRD STORY OF BRAZIL

TOLD BY SIGNOR DON ALONZO RODERICK, SPANISH CONSUL AT RIO DE JANEIRO.

Rio and its neighbourhood is perhaps one of the most beautiful spots on the face of the globe. Indeed, I am not sure but what it may claim to be absolutely without a rival, for it has features that are unique. Nature would almost seem to have exhausted her efforts to build up a scene which lacks no single detail necessary for imposing pictorial effect, though, as most people know, hidden beneath all this entrancing beauty death lurks in a hundred forms; and he who is not wary and ever on his guard is liable to be struck down with appalling suddenness.

My predecessor had suffered much in his health, and succumbed at last to the scourge of yellow fever. When I arrived to take up his work I found everything in such confusion that I had to labour very hard to reduce chaos to order and put the consular business shipshape. It thus came about that for many months I was unable to leave my post in Rio, and as a consequence my health began to suffer. Soon after my arrival I made the acquaintance of a Portuguese gentleman named Azevedo Souza, a merchant of high standing in Rio. His business was of a very mixed character, and amongst other things he was an orchid exporter. In this branch of his trading he had been exceptionally successful. Through his instrumentality collectors had had brought under their notice some wonderful and hitherto unknown specimens of these marvels of nature. His collecting station was far up north in the interior. He spoke of it enthusiastically as an earthly paradise, and gave me many pressing invitations to be his guest, when he paid his periodical visits to look after his affairs in that region.

Senhor Souza was an estimable gentleman, and very highly respected. He had a charming family, amongst them being a daughter, Juliette by name, and one of the sweetest young ladies I have ever had the pleasure of associating with. At this period Juliette was about seven-and-twenty, and as the apple of his eye to her father. She was invaluable to him in his business, at any rate to the orchid branch of it; for not only had she an all-round cleverness, but probably she knew more about orchids than any living woman. She herself was the means of introducing to the scientific world an entirely new orchid, the flower of which was of such transcendent beauty that the Brazilians, used as they are to floral glories, said that this particular bloom must have been ‘specially cultivated in God’s own garden.’ Juliette made a most arduous and hazardous journey into the depths of virgin forests in search of this plant, and narrowly escaped losing her life.

Perhaps, when I say that I was a bachelor the reader will readily guess that my acquaintance with Juliette aroused in me an admiration which I devoutly hoped would find its consummation in a happy union, for she was by no means indifferent to my attentions. Not only was she highly cultivated, but had astonishing linguistic powers, and spoke many languages fluently. She was perfectly acquainted with Spanish, and had read the beautiful literature of Spain extensively. Senhor Souza encouraged my suit, and at last the time came when I was emboldened to tell Juliette she was the one woman in the world who could make me happy. Ah, I shall never forget that night until the grave closes over me. We were seated in the veranda of Senhor Souza’s splendid villa, situated just on the outskirts of the town, and commanding an enchanting view of the bay of Rio, with its remarkable Sugar Loaf Mountain and the marvellous range beyond it. And what a night it was! The glory of the stars, shining as they can only shine in the tropics; the sparkling moonlit sea; the soft, flower-perfumed breeze that stirred the foliage to a languorous susurrus; the fireflies that like living jewels filled the air, begot in one a feeling of reverence, and strengthened one’s faith in the Great God who created such a world of beauty. Those who have never experienced such a night under a tropical sky know nothing of what the true poetry of nature means. It stirs one with a ravishing, ecstatic feeling of delight which is a foretaste of the joys of heaven.

I had been sitting for some time with Juliette’s hand in mine. We were silent, being deeply impressed with the magical beauty of the night, for we both had poetical instincts; indeed, Juliette’s was a highly strung romantic temperament, and she was able to express her thoughts in language that could stir the pulses and move to tears.

But this night of all nights was a night for love, and as I pressed her hand I asked her to crown my happiness by becoming my wife. To my astonishment she shuddered, sighed deeply, and then in a tone of the most touching pathos exclaimed:

‘Oh, why--oh, why have you asked me that?’

‘Juliette,’ I answered in amazement, ‘is it not a natural question for a man to ask a woman sooner or later, when every beat of his heart tells him that he loves her?’

‘Yes, yes,’ she replied in distressful tones, and shuddering again violently, ‘but, but----’

‘But what?’ I asked as she paused.

‘I pray you press me not for an answer.’

‘This is extraordinary!’ I remarked, feeling distressed beyond the power of words to express; and yet, distressed as I was, she was infinitely more troubled; she sobbed like one whose heart was rent. ‘You know that I love you, Juliette,’ I went on. ‘You have encouraged me. You have tacitly bidden me to hope; and now----’

‘Oh, yes, yes,’ she cried with a catching of her breath, and a spasmodic closing of her fingers round mine. ‘And I love you, I love you. But I have been living in a fool’s paradise. I have been dreaming dreams. I thought that the sweet delicious time would go on indefinitely. You waken me now abruptly, and I no longer dream. I must not, cannot be your wife.’

‘Juliette, what is this mystery?’ I exclaimed, growing excited, for I was sure some extraordinary influence was at work, and that she was under a spell.

She laughed, though it wasn’t the light laugh of joy peculiar to her, but a little forced spasmodic laugh of bitterness and despair.