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Part 43

Tales From Shakespeare · Charles Lamb — chapter 43 of 54 · ~1,426 words · public domain

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Viola’s good friend, the captain, when he had transformed this pretty lady into a gentleman, having some interest at court, got her presented to Orsino under the feigned name of Cesario. The duke was wonderfully pleased with the address and graceful deportment of this handsome youth, and made Cesario one of his pages, that being the office Viola wished to obtain; and she so well fulfilled the duties of her new station, and showed such a ready observance and faithful attachment to her lord, that she soon became his most favored attendant. To Cesario Orsino confided the whole history of his love for the lady Olivia. To Cesario he told the long and unsuccessful suit he had made to one who, rejecting his long services and despising his person, refused to admit him to her presence; and for the love of this lady who had so unkindly treated him the noble Orsino, forsaking the sports of the field and all manly exercises in which he used to delight, passed his hours in ignoble sloth, listening to the effeminate sounds of soft music, gentle airs, and passionate love-songs; and neglecting the company of the wise and learned lords with whom he used to associate, he was now all day long conversing with young Cesario. Unmeet companion no doubt his grave courtiers thought Cesario was for their once noble master, the great Duke Orsino.

It is a dangerous matter for young maidens to be the confidantes of handsome young dukes; which Viola too soon found, to her sorrow, for all that Orsino told her he endured for Olivia she presently perceived she suffered for the love of him, and much it moved her wonder that Olivia could be so regardless of this her peerless lord and master, whom she thought no one could behold without the deepest admiration, and she ventured gently to hint to Orsino, that it was a pity he should affect a lady who was so blind to his worthy qualities; and she said:

“If a lady were to love you, my lord, as you love Olivia (and perhaps there may be one who does), if you could not love her in return) would you not tell her that you could not love, and must she not be content with this answer?”

But Orsino would not admit of this reasoning, for he denied that it was possible for any woman to love as he did. He said no woman’s heart was big enough to hold so much love, and therefore it was unfair to compare the love of any lady for him to his love for Olivia. Now, though Viola had the utmost deference for the duke’s opinions, she could not help thinking this was not quite true, for she thought her heart had full as much love in it as Orsino’s had; and she said:

“Ah, but I know, my lord.”

“What do you know, Cesario?” said Orsino.

“Too well I know,” replied Viola, “what love women may owe to men. They are as true of heart as we are. My father had a daughter loved a man, as I perhaps, were I a woman, should love your lordship.”

“And what is her history?” said Orsino.

“A blank, my lord,” replied Viola. “She never told her love, but let concealment, like a worm in the bud, feed on her damask cheek. She pined in thought, and with a green and yellow melancholy she sat like Patience on a monument, smiling at Grief.”

The duke inquired if this lady died of her love, but to this question Viola returned an evasive answer; as probably she had feigned the story, to speak words expressive of the secret love and silent grief she suffered for Orsino.

While they were talking, a gentleman entered whom the duke had sent to Olivia, and he said, “So please you, my lord, I might not be admitted to the lady, but by her handmaid she returned you this answer: Until seven years hence the element itself shall not behold her face; but like a cloistress she will walk veiled, watering her chamber with her tears for the sad remembrance of her dead brother.”

On hearing this the duke exclaimed, “Oh, she that has a heart of this fine frame, to pay this debt of love to a dead brother, how will she love when the rich golden shaft has touched her heart!”

And then he said to Viola: “You know, Cesario, I have told you all the secrets of my heart; therefore, good youth, go to Olivia’s house. Be not denied access; stand at her doors and tell her there your fixed foot shall grow till you have audience.”

“And if I do speak to her, my lord, what then?” said Viola.

“Oh, then,” replied Orsino, “unfold to her the passion of my love. Make a long discourse to her of my dear faith. It will well become you to act my woes, for she will attend more to you than to one of graver aspect.”

Away then went Viola; but not willingly did she undertake this courtship, for she was to woo a lady to become a wife to him she wished to marry; but, having undertaken the affair, she performed it with fidelity, and Olivia soon heard that a youth was at her door who insisted upon being admitted to her presence.

“I told him,” said the servant, “that you were sick. He said he knew you were, and therefore he came to speak with you. I told him that you were asleep. He seemed to have a foreknowledge of that, too, and said that therefore he must speak with you. What is to be said to him, lady? for he seems fortified against all denial, and will speak with you, whether you will or no.”

Olivia, curious to see who this peremptory messenger might be, desired be might be admitted, and, throwing her veil over her face, she said she would once more hear Orsino’s embassy, not doubting but that he came from the duke, by his importunity. Viola, entering, put on the most manly air she could assume, and, affecting the fine courtier language of great men’s pages, she said to the veiled lady:

“Most radiant, exquisite, and matchless beauty, I pray you tell me if you are the lady of the house; for I should be sorry to cast away my speech upon another; for besides that it is excellently well penned, I have taken great pains to learn it.”

“Whence come you, sir?” said Olivia.

“I can say little more than I have studied,” replied Viola, and that question is out of my part.”

“Are you a comedian?” said Olivia.

“No,” replied Viola; “and yet I am not that which I play,” meaning that she, being a woman, feigned herself to be a man. And again she asked Olivia if she were the lady of the house.

Olivia said she was; and then Viola, having more curiosity to see her rival’s features than haste to deliver her master’s message, said, “Good madam, let me see your face.” With this bold request Olivia was not averse to comply, for this haughty beauty, whom the Duke Orsino had loved so long in vain, at first sight conceived a passion for the supposed page, the humble Cesario.

When Viola asked to see her face, Olivia said, “Have you any commission from your lord and master to negotiate with my face?” And then, forgetting her determination to go veiled for seven long years, she drew aside her veil, saying: “But I will draw the curtain and show the picture. Is it not well done?”

Viola replied: “It is beauty truly mixed; the red and white upon your cheeks is by Nature’s own cunning hand laid on. You are the most cruel lady living if you lead these graces to the grave and leave the world no copy.”

“Oh, sir,” replied Olivia, “I will not be so cruel. The world may have an inventory of my beauty. As, item, two lips, indifferent red; item, two gray eyes with lids to them; one neck; one chin; and so forth. Were you sent here to praise me?”

Viola replied, “I see what you are: you are too proud, but you are fair. My lord and master loves you. Oh, such a love could but be recompensed though you were crowned the queen of beauty; for Orsino loves you with adoration and with tears, with groans that thunder love, and sighs of fire.”

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