In respect of military method, we have, firstly, Measurement; secondly, Estimation of quantity; thirdly, Calculation; fourthly, Balancing of chances; fifthly, Victory.
18. 地生度度生量量生數數生稱稱生勝
Measurement owes its existence to Earth; Estimation of quantity to Measurement; Calculation to Estimation of quantity; Balancing of chances to Calculation; and Victory to Balancing of chances.
It is not easy to distinguish the four terms 度量數稱 very clearly. The first seems to be surveying and measurement of the ground, which enable us to 量 form an estimate of the enemy’s strength, and to 數 make calculations based on the data thus obtained; we are thus led to 稱 a general weighing-up, or comparison of the enemy’s chances with our own; if the latter turn the scale, then 勝 victory ensues. The chief difficulty lies in 數, which some commentators take as a calculation of numbers, thereby making it nearly synonymous with 量. Perhaps 量 is rather a consideration of the enemy’s general position or condition (情 or 形勢), while 數 is the estimate of his numerical strength. On the other hand, Tu Mu defines 數 as 機數, and adds: 强弱已定然後能用機變數也 “the question of relative strength having been settled, we can bring the varied resources of cunning into play.” Ho Shih seconds this interpretation, which is weakened, however, by the fact that 稱 is given as logically consequent on 數; this certainly points to the latter being a calculation of numbers. Of Capt. Calthrop’s version the less said the better.
19. 故勝兵若以鎰稱銖敗兵若以銖稱鎰
A victorious army opposed to a routed one, is as a pound’s weight placed in the scale against a single grain.
Literally, “a victorious army is like an 鎰 i (20 oz.) weighed against a 銖 shu (1⁄24 oz.); a routed army as a shu weighed against an i.” The point is simply the enormous advantage which a disciplined force, flushed with victory, has over one demoralised by defeat. Legge, in his note on Mencius, I. 2. ix. 2, makes the 鎰 to be 24 Chinese ounces, and corrects Chu Hsi’s statement that it equalled 20 oz. only. But Li Ch‘üan of the T‘ang dynasty here gives the same figure as Chu Hsi.
20. 勝者之戰民也若決積水於千仞之谿者形也
The onrush of a conquering force is like the bursting of pent-up waters into a chasm a thousand fathoms deep. So much for tactical dispositions.
The construction here is slightly awkward and elliptical, but the general sense is plain. The T‘u Shu omits 民也. A 仞 = 8 尺 or Chinese feet.
V. 埶篇
ENERGY.
埶 here is said to be an older form of 勢; Sun Tzŭ, however, would seem to have used the former in the sense of “power,” and the latter only in the sense of “circumstances.” The fuller title 兵勢 is found in the T‘u Shu and the modern text. Wang Hsi expands it into 積勢之變 “the application, in various ways, of accumulated power;” and Chang Yü says: 兵勢以成然後任勢以取勝 “When the soldiers’ energy has reached its height, it may be used to secure victory.”
1. 孫子曰凡治衆如治寡分數是也
Sun Tzŭ said: The control of a large force is the same in principle as the control of a few men: it is merely a question of dividing up their numbers.
That is, cutting up the army into regiments, companies, etc., with subordinate officers in command of each. Tu Mu reminds us of Han Hsin’s famous reply to the first Han Emperor, who once said to him: “How large an army do you think I could lead?” “Not more than 100,000 men, your Majesty.” “And you?” asked the Emperor. “Oh!” he answered, “the more the better” (多多益辦耳). Chang Yü gives the following curious table of the subdivisions of an army:—5 men make a 列; 2 列 make a 火; 5 火 make a 隊; 2 隊 make a 官; 2 官 make a 曲; 2 曲 make a 部; 2 部 make a 校; 2 校 make a 裨; 2 裨 make a 軍. A 軍 or army corps thus works out at 3200 men. But cf. III. § 1, note. For 曲, see I. § 10. It is possible that 官 in that paragraph may also be used in the above technical sense.
2. 鬥衆如鬥寡形名是也
Fighting with a large army under your command is nowise different from fighting with a small one: it is merely a question of instituting signs and signals.
One must be careful to avoid translating 鬥衆 “fighting against a large number,” no reference to the enemy being intended. 形 is explained by Ts‘ao Kung as denoting flags and banners, by means of which every soldier may recognise his own particular regiment or company, and thus confusion may be prevented. 名 he explains as drums and gongs, which from the earliest times were used to sound the advance and the retreat respectively. Tu Mu defines 形 as 陳形 “marshalling the troops in order,” and takes 名 as the flags and banners. Wang Hsi also dissents from Ts‘ao Kung, referring 形 to the ordering of the troops by means of banners, drums and gongs, and 名 to the various names by which the regiments might be distinguished. There is much to be said for this view.
3. 三軍之衆可使必受敵而無敗者奇正是也
To ensure that your whole host may withstand the brunt of the enemy’s attack and remain unshaken—this is effected by manœuvres direct and indirect.
For 必, there is another reading 畢, “all together,” adopted by Wang Hsi and Chang Yü. We now come to one of the most interesting parts of Sun Tzŭ’s treatise, the discussion of the 正 and the 奇. As it is by no means easy to grasp the full significance of these two terms, or to render them at all consistently by good English equivalents, it may be as well to tabulate some of the commentators’ remarks on the subject before proceeding further. Li Ch‘üan: 當敵爲正傍出爲奇 “Facing the enemy is chêng, making lateral diversions is ch‘i.” Chia Lin: 當敵以正陳取勝以奇兵 “In presence of the enemy, your troops should be arrayed in normal fashion, but in order to secure victory abnormal manœuvres must be employed.” Mei Yao-ch‘ên: 動爲奇靜爲正靜以待之動以勝之 “Ch‘i is active, chêng is passive; passivity means waiting for an opportunity, activity brings the victory itself.” Ho Shih: 我之正使敵視之爲奇我之奇使敵視之爲正正亦爲奇奇亦爲正 “We must cause the enemy to regard our straightforward attack as one that is secretly designed, and vice versâ; thus chêng may also be ch‘i, and ch‘i may also be chêng.” He instances the famous exploit of Han Hsin, who when marching ostensibly against 臨晉 Lin-chin (now 朝邑 Chao-i in Shensi), suddenly threw a large force across the Yellow River in wooden tubs, utterly disconcerting his opponent. [Ch‘ien Han Shu, ch. 34.] Here, we are told, the march on Lin-chin was 正, and the surprise manœuvre was 奇. Chang Yü gives the following summary of opinions on the words: “Military writers do not all agree with regard to the meaning of ch‘i and chêng. 尉繚子 Wei Liao Tzŭ [4th cent. B.C.] says: 正兵貴先奇兵貴後 ‘Direct warfare favours frontal attacks, indirect warfare attacks from the rear.’ Ts‘ao Kung says: ‘Going straight out to join battle is a direct operation; appearing on the enemy’s rear is an indirect manœuvre.’ 李衛公 Li Wei-kung [6th and 7th cent. A.D.] says: ‘In war, to march straight ahead is chêng; turning movements, on the other hand, are ch‘i.’ These writers simply regard chêng as chêng, and ch‘i as ch‘i; they do not note that the two are mutually interchangeable and run into each other like the two sides of a circle [see infra, § 11]. A comment of the T‘ang Emperor T‘ai Tsung goes to the root of the matter: ‘A ch‘i manœuvre may be chêng, if we make the enemy look upon it as chêng; then our real attack will be ch‘i, and vice versâ. The whole secret lies in confusing the enemy, so that he cannot fathom our real intent.’” To put it perhaps a little more clearly: any attack or other operation is 正, on which the enemy has had his attention fixed; whereas that is 奇, which takes him by surprise or comes from an unexpected quarter. If the enemy perceives a movement which is meant to be 奇, it immediately becomes 正.
4. 兵之所加如以碬投卵者虛實是也
That the impact of your army may be like a grindstone dashed against an egg—this is effected by the science of weak points and strong.
虛實, literally “the hollow and the solid,” is the title of chap. VI. 碫 tuan is the T‘u Shu reading, 碬 hsia that of the standard text. It appears from K‘ang Hsi that there has been much confusion between the two characters, and indeed, it is probable that one of them has really crept into the language as a mistake for the other.
5. 凡戰者以正合以奇勝
In all fighting, the direct method may be used for joining battle, but indirect methods will be needed in order to secure victory.
Chang Yü says: 徐發奇兵或擣其旁或擊其後 “Steadily develop indirect tactics, either by pounding the enemy’s flanks or falling on his rear.” A brilliant example of “indirect tactics” which decided the fortunes of a campaign was Lord Roberts’ night march round the Peiwar Kotal in the second Afghan war.
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