Part 20

Harney had found an old bench at the back door and dragged it into the house. Charity sat on it, leaning her head against the wall in a state of drowsy lassitude. He had guessed that she was hungry and thirsty, and had brought her some tablets of chocolate from his bicycle-bag, and filled his drinking-cup from a spring in the orchard; and now he sat at her feet, smoking a cigarette, and looking up at her without speaking. Outside, the afternoon shadows were lengthening across the grass, and through the empty window-frame that faced her she saw the Mountain thrusting its dark mass against a sultry sunset. It was time to go.

She stood up, and he sprang to his feet also, and passed his arm through hers with an air of authority. “Now, Charity, you're coming back with me.”

She looked at him and shook her head. “I ain't ever going back. You don't know.”

“What don't I know?” She was silent, and he continued: “What happened on the wharf was horrible--it's natural you should feel as you do. But it doesn't make any real difference: you can't be hurt by such things. You must try to forget. And you must try to understand that men... men sometimes...”

“I know about men. That's why.”

He coloured a little at the retort, as though it had touched him in a way she did not suspect.

“Well, then... you must know one has to make allowances.... He'd been drinking....”

“I know all that, too. I've seen him so before. But he wouldn't have dared speak to me that way if he hadn't...”

“Hadn't what? What do you mean?”

“Hadn't wanted me to be like those other girls....” She lowered her voice and looked away from him. “So's 't he wouldn't have to go out....”

Harney stared at her. For a moment he did not seem to seize her meaning; then his face grew dark. “The damned hound! The villainous low hound!” His wrath blazed up, crimsoning him to the temples. “I never dreamed--good God, it's too vile,” he broke off, as if his thoughts recoiled from the discovery.

“I won't never go back there,” she repeated doggedly.

“No----” he assented.

There was a long interval of silence, during which she imagined that he was searching her face for more light on what she had revealed to him; and a flush of shame swept over her.

“I know the way you must feel about me,” she broke out, “...telling you such things....”

But once more, as she spoke, she became aware that he was no longer listening. He came close and caught her to him as if he were snatching her from some imminent peril: his impetuous eyes were in hers, and she could feel the hard beat of his heart as he held her against it.

“Kiss me again--like last night,” he said, pushing her hair back as if to draw her whole face up into his kiss.

XII

ONE afternoon toward the end of August a group of girls sat in a room at Miss Hatchard's in a gay confusion of flags, turkey-red, blue and white paper muslin, harvest sheaves and illuminated scrolls.

North Dormer was preparing for its Old Home Week. That form of sentimental decentralization was still in its early stages, and, precedents being few, and the desire to set an example contagious, the matter had become a subject of prolonged and passionate discussion under Miss Hatchard's roof. The incentive to the celebration had come rather from those who had left North Dormer than from those who had been obliged to stay there, and there was some difficulty in rousing the village to the proper state of enthusiasm. But Miss Hatchard's pale prim drawing-room was the centre of constant comings and goings from Hepburn, Nettleton, Springfield and even more distant cities; and whenever a visitor arrived he was led across the hall, and treated to a glimpse of the group of girls deep in their pretty preparations.

“All the old names... all the old names....” Miss Hatchard would be heard, tapping across the hall on her crutches. “Targatt... Sollas... Fry: this is Miss Orma Fry sewing the stars on the drapery for the organ-loft. Don't move, girls... and this is Miss Ally Hawes, our cleverest needle-woman... and Miss Charity Royall making our garlands of evergreen.... I like the idea of its all being homemade, don't you? We haven't had to call in any foreign talent: my young cousin Lucius Harney, the architect--you know he's up here preparing a book on Colonial houses--he's taken the whole thing in hand so cleverly; but you must come and see his sketch for the stage we're going to put up in the Town Hall.”

One of the first results of the Old Home Week agitation had, in fact, been the reappearance of Lucius Harney in the village street. He had been vaguely spoken of as being not far off, but for some weeks past no one had seen him at North Dormer, and there was a recent report of his having left Creston River, where he was said to have been staying, and gone away from the neighbourhood for good. Soon after Miss Hatchard's return, however, he came back to his old quarters in her house, and began to take a leading part in the planning of the festivities. He threw himself into the idea with extraordinary good-humour, and was so prodigal of sketches, and so inexhaustible in devices, that he gave an immediate impetus to the rather languid movement, and infected the whole village with his enthusiasm.

“Lucius has such a feeling for the past that he has roused us all to a sense of our privileges,” Miss Hatchard would say, lingering on the last word, which was a favourite one. And before leading her visitor back to the drawing-room she would repeat, for the hundredth time, that she supposed he thought it very bold of little North Dormer to start up and have a Home Week of its own, when so many bigger places hadn't thought of it yet; but that, after all, Associations counted more than the size of the population, didn't they? And of course North Dormer was so full of Associations... historic, literary (here a filial sigh for Honorius) and ecclesiastical... he knew about the old pewter communion service imported from England in 1769, she supposed? And it was so important, in a wealthy materialistic age, to set the example of reverting to the old ideals, the family and the homestead, and so on. This peroration usually carried her half-way back across the hall, leaving the girls to return to their interrupted activities.

The day on which Charity Royall was weaving hemlock garlands for the procession was the last before the celebration. When Miss Hatchard called upon the North Dormer maidenhood to collaborate in the festal preparations Charity had at first held aloof; but it had been made clear to her that her non-appearance might excite conjecture, and, reluctantly, she had joined the other workers. The girls, at first shy and embarrassed, and puzzled as to the exact nature of the projected commemoration, had soon become interested in the amusing details of their task, and excited by the notice they received. They would not for the world have missed their afternoons at Miss Hatchard's, and, while they cut out and sewed and draped and pasted, their tongues kept up such an accompaniment to the sewing-machine that Charity's silence sheltered itself unperceived under their chatter.

In spirit she was still almost unconscious of the pleasant stir about her. Since her return to the red house, on the evening of the day when Harney had overtaken her on her way to the Mountain, she had lived at North Dormer as if she were suspended in the void. She had come back there because Harney, after appearing to agree to the impossibility of her doing so, had ended by persuading her that any other course would be madness. She had nothing further to fear from Mr. Royall. Of this she had declared herself sure, though she had failed to add, in his exoneration, that he had twice offered to make her his wife. Her hatred of him made it impossible, at the moment, for her to say anything that might partly excuse him in Harney's eyes.

Harney, however, once satisfied of her security, had found plenty of reasons for urging her to return. The first, and the most unanswerable, was that she had nowhere else to go. But the one on which he laid the greatest stress was that flight would be equivalent to avowal. If--as was almost inevitable--rumours of the scandalous scene at Nettleton should reach North Dormer, how else would her disappearance be interpreted? Her guardian had publicly taken away her character, and she immediately vanished from his house. Seekers after motives could hardly fail to draw an unkind conclusion. But if she came back at once, and was seen leading her usual life, the incident was reduced to its true proportions, as the outbreak of a drunken old man furious at being surprised in disreputable company. People would say that Mr. Royall had insulted his ward to justify himself, and the sordid tale would fall into its place in the chronicle of his obscure debaucheries.

Charity saw the force of the argument; but if she acquiesced it was not so much because of that as because it was Harney's wish. Since that evening in the deserted house she could imagine no reason for doing or not doing anything except the fact that Harney wished or did not wish it. All her tossing contradictory impulses were merged in a fatalistic acceptance of his will. It was not that she felt in him any ascendancy of character--there were moments already when she knew she was the stronger--but that all the rest of life had become a mere cloudy rim about the central glory of their passion. Whenever she stopped thinking about that for a moment she felt as she sometimes did after lying on the grass and staring up too long at the sky; her eyes were so full of light that everything about her was a blur.

Each time that Miss Hatchard, in the course of her periodical incursions into the work-room, dropped an allusion to her young cousin, the architect, the effect was the same on Charity. The hemlock garland she was wearing fell to her knees and she sat in a kind of trance. It was so manifestly absurd that Miss Hatchard should talk of Harney in that familiar possessive way, as if she had any claim on him, or knew anything about him. She, Charity Royall, was the only being on earth who really knew him, knew him from the soles of his feet to the rumpled crest of his hair, knew the shifting lights in his eyes, and the inflexions of his voice, and the things he liked and disliked, and everything there was to know about him, as minutely and yet unconsciously as a child knows the walls of the room it wakes up in every morning. It was this fact, which nobody about her guessed, or would have understood, that made her life something apart and inviolable, as if nothing had any power to hurt or disturb her as long as her secret was safe.