Part 4

The boredom is apparently greatest at rouge-et-noir, where the circle is more aristocratic and thousands can be lost and won in a night. Everybody looks tired, absent, inattentive; nobody takes much notice of his neighbour or of the spectators looking on; nobody cares to speak; a finger suffices to direct the croupier to push the stake on to the desired spot, a nod or a look to indicate the winner. The game goes on in a dull uniformity; nobody varies his stake; a few napoleons are added to or subtracted from the heaps before each as the minutes go on; sometimes a little sum is done on a paper beside the player; but there is the same impassive countenance, the same bored expression everywhere. Now and then one player gets quietly up and another sits quietly down. But there is nothing startling or dramatic, no frenzies of hope or exclamations of despair, nothing of the gambler of fiction with "his hands clasped to his burning forehead," and the like. To any one who is not fascinated by the mere look of rolls of napoleons pushed from one colour to another, or of gold raked about in little heaps, there is something very difficult to understand in the spell which a gaming-table exercises. Roulette is a little more amusing, as it is more intelligible to the looker-on. The stakes are smaller, the company changes oftener, and is socially more varied. There is not such a dead, heavy earnestness about these riskers of five-franc pieces as about the more desperate gamblers of rouge-et-noir; the outside fringe of lookers-on bend over with their stakes to back "a run of luck," and there is a certain quiet buzz of interest when the game seems going against the bank. There is always someone going and coming, over-dressed girls lean over and drop their stake and disappear, young clerks bring their quarter's salary, the casual visitor "doesn't mind risking a few francs" at roulette.

But even the excitement of roulette is of the gravest and dullest order. The only player who seems to throw any kind of vivacity into his gambling is a gaudy little Jew with heavy watch-chain, who vibrates between one table and another, sees nothing of the game save the dropping his stake at roulette and then rushing off to drop another stake at rouge-et-noir, and finds time in his marches to spare a merry little word to a friend or two. But he is the only person who seems to know anybody. Men who sit by one another year after year never exchange a word. There is not even the air of reckless adventure to excite one. The player who dashes down his all on any part of the table and trusts to fortune is a mere creature of fiction; the gambler of fact is a calculator, a man of business, with a contempt for speculation and a firm belief in long-studied combination. Each has his little card, and ticks off the succession of numbers with the accuracy of a ledger. It is in the careful study of these statistics that each believes he discovers the secret of the game, the arrangement which, however it may be defeated for a time by inscrutable interference of ill-luck, must in the end, if there is any truth in statistics, be successful. One looks in vain for the "reckless gambler" one has read about and talked about, for "reckless" is the very last word by which one would describe the ring of business-like people who come day after day with the hope of making money by an ingenious dodge.

Their talk, if one listens to it over the dinner-table, turns altogether on this business-like aspect of the question. Nobody takes the least interest in its romantic or poetic side, in the wonderful runs of luck or the terrible stories of ruin and despair which form the stock-in-trade of the novelist. The talk might be that of a conference of commercial travellers. Everybody has his infallible nostrum for breaking the bank; but everybody looks upon the prospect of such a fortune in a purely commercial light. The general opinion of the wiser sort goes against heavy stakes, and "wild play" is only talked about with contempt. The qualities held in honour, so far as we can gather from the conversation, are "judgment," which means a careful study of the little cards and a certain knowledge of mathematics, and "constancy"--the playing not from caprice but on a definite plan and principle. Nobody has the least belief in "luck." A winner is congratulated on his "science." The loser explains the causes of his loss. A portly person who announces himself as one of a company of gamblers who have invested an enormous capital on a theory of winning by means of low stakes and a certain combination excites universal interest. Most of the talkers describe themselves frankly as men of business. No doubt at Monaco, as elsewhere, there is the usual aristocratic fringe--the Russian prince who flings away an estate at a sitting, the half-blind countess from the Faubourg St. Germain, the Polish dancer with a score of titles, the English "milord." But the bulk of the players have the look and air of people who have made their money in trade. It is well to look on at such a scene, if only to strip off the romance which has been so profusely showered over it. As a matter of fact nothing is more prosaic, nothing meaner in tone, nothing more utterly devoid of interest, than a gambling-table. But as a question of profit the establishment of M. Blanc throws into the shade the older piracy of Monaco. The Venetian galleons, the carracks of Genoa, the galleys of Marseilles, brought infinitely less gold to its harbour than these two little groups of the fools of half a continent.

SKETCHES IN SUNSHINE.

IV.

THE WINTER RETREAT.

It is odd, when one is safely anchored in a winter refuge to look back at the terrors and reluctance with which one first faced the sentence of exile. Even if sunshine were the only gain of a winter flitting, it would still be hard to estimate the gain. The cold winds, the icy showers, the fogs we leave behind us, give perhaps a zest not wholly its own to Italian sunshine. But the abrupt plunge into a land of warmth and colour sends a strange shock of pleasure through every nerve. The flinging off of wraps and furs, the discarding of greatcoats, is like the beginning of a new life. It is not till we pass in this sharp, abrupt fashion from the November of one side the Alps to the November of the other that we get some notion of the way in which the actual range and freedom of life is cramped by the "chill north-easters" in which Mr. Kingsley revelled. The unchanged vegetation, the background of dark olive woods, the masses of ilex, the golden globes of the orange hanging over the garden wall, are all so many distinct gains to an eye which has associated winter with leafless boughs and a bare landscape. One has almost a boyish delight in plucking roses at Christmas or hunting for violets along the hedges on New Year's Day. There are chill days of course, and chiller nights, but cold is a relative term and loses its English meaning in spots where snow falls once or twice in a year and vanishes before midday. The mere break of habit is delightful; it is like a laughing defiance of established facts to lounge by the seashore in the hot sun-glare of a January morning. And with this new sense of liberty comes little by little a freedom from the overpowering dread of chills and colds and coughs which only invalids can appreciate. It is an indescribable relief not to look for a cold round every corner. The "lounging" which becomes one's life along the Riviera or the Bay of Naples is only another name for the ease and absence of anxiety which the mere presence of constant sunshine gives to life.

Few people, in fact, actually "lounge" less than the English exiles who bask in the sun of Italy. Their real danger lies in the perpetual temptation to over-exertion which arises from the sense of renewed health. Every village on its hilltop, every white shrine glistening high up among the olives, seems to woo one up the stony paths and the long hot climb to the summit. But the relief from home itself, the break away from all the routine of one's life, is hardly less than the relief from greatcoats. It is not till our life is thoroughly disorganized, till the grave mother of a family finds herself perched on a donkey, or the habitué of Pall Mall sees himself sauntering along through the olive groves, that one realizes the iron bounds within which our English existence moves. Every holiday of course brings this home to one more or less, but the long holiday of a whole winter brings it home most of all. England and English ways recede and become unreal. Old prepossessions and prejudices lose half their force when sea and mountains part us from their native soil. It is hard to keep up our vivid interest in the politics of Little Pedlington, or to maintain our old excitement over the matrimonial fortunes of Miss Hominy. It becomes possible to breakfast without the last telegram and to go to bed without the news of a fresh butchery. One's real interest lies in the sunshine, in the pleasure of having sunshine to-day, in the hope of having sunshine to-morrow.

But really to enjoy the winter retreat one must keep as much as possible out of the winter retreat itself. Few places are more depressing in their social aspects than these picturesque little Britains. The winter resort is a colony of squires with the rheumatism, elderly maidens with delicate throats, worn-out legislators, a German princess or two with a due train of portly and short-sighted chamberlains, girls with a hectic flush of consumption, bronchitic parsons, barristers hurried off circuit by the warning cough. The life of these patients is little more than the life of a machine. As the London physician says when he bids them "good-bye," "The nearer you can approach to the condition of a vegetable the better for your chances of recovery." All the delicious uncertainties and irregularities that make up the freedom of existence disappear. The day is broken up into a number of little times and seasons. Dinner comes at midday, and is as exact to its moment as the early breakfast or the "heavy tea." And between each meal there are medicines to be taken, inhalations to be gone through, the due hour of rest to be allotted to digestion, the other due hour to exercise.

The air of the sick-room lingers everywhere about the place; one catches, as it were, the far-off hush of the Campo Santo. Life is reduced to its lowest expression; people exist rather than live. Every one remembers that every one else is an invalid. Voices are soft, conversation is subdued, visits are short. There is a languid, sickly sweetness in the very courtesy of society. Gaiety is simply regarded as a danger. Every hill is a temptation to too long and fatiguing a climb. No sunshine makes "the patient" forget his wraps. No coolness of delicious shade moves him to repose. His whole energy and watchfulness is directed to the avoidance of a chill. Life becomes simply barometrical. An east wind is the subject of public lamentation; the vast mountain range to the north is admired less for its wild grandeur than for the shelter it affords against the terrible mistral. Excitement is a word of dread. Distance itself takes something of the sharpness and vividness off from the old cares and interests of home. The very letters that reach the winter resort are doctored, and "incidents which might excite" are excluded by the care of correspondents: Mamma only hears of Johnny's measles when Johnny is running about again. The young scapegrace at Oxford is far too considerate to trouble his father, against the doctor's orders, with the mention of his failure in the schools. News comes with all colour strained and filtered out of it through the columns of 'Galignani.' The neologian heresy, the debate in Convocation which would have stirred the heart of the parson at home, fall flat in the shape of a brown and aged 'Times.' There are no "evenings out." The first sign of eve is the signal for dispersion homewards, and it is only from the safe shelter of his own room that the winter patient ventures to gaze on the perilous glories of the sunset. The evenings are in fact a dawdle indoors as the day has been a dawdle out, a little music, a little reading of the quiet order, a little chat, a little letter-writing, and an early to bed.

It is this calm monotony of day after day at which the world of the winter resort deliberately aims, a life like that of the deities of Epicurus, untouched by the cares or interests of the world without. The very gaiety is of the same subdued and quiet order--drives, donkey-rides, picnics of the small and early type. An air of slow respectability pervades the place; the bulk of the colonists are people well-to-do, who can afford the expense of a winter away from home and of a villa at £150 the season. The bankrupt element of Boulogne, the half-pay element of Dinan or Avranches, is as rare on the Riviera as the loungers who rejoice in the many-changing toilets of Arcachon or Biarritz. The quiet humdrum tone of the parson best harmonises with that of the winter resort, and parsons of all sorts abound there.

But the chaplain is not here, as in other little Britains, the centre of social life; he is superseded by the doctor. The winter resort in fact owes its origin to the doctor. The little village or the country town looks with awe upon the man who has discovered for it a future of prosperity, at whose call hosts of rich strangers come flocking from the ends of the earth, at whose bidding villas rise white among the olives, and parades stretch along the shore. "I found it a fishing hamlet," the doctor may say with Augustus, "and I leave it a city." It is amusing to see the awful submission which the city-builder expects in return. The most refractory of patients trembles at the threat of his case being abandoned. The doctor has his theories about situation. You are lymphatic, and are ordered down to the very edge of the sea; you are excitable, and must hurry from your comfortable lodgings to the highest nook among the hills. He has his theories about diet, and you sink obediently to milk and water. His one object of hostility and contempt is your London physician. He tears up his rival's prescriptions with contempt, he reverses the treatment. He sighs as you bid him farewell to return to advice which is so likely to prove fatal. The London physician, it is true, hints that though the oracle of the winter resort is a clever man he is also a quack. But a quack soars into a greatness beyond criticism when he creates cities and rules hundreds of patients with his nod.

SKETCHES IN SUNSHINE.

SAN REMO.

San Remo, though youngest in date, bids fair to become the most popular of all the health resorts of the Riviera. At no other point along the coast is the climate so mild and equable. The rural quiet and repose of the place form a refreshing contrast with the Brighton-like gaiety of Nizza or Cannes; even Mentone looks down with an air of fashionable superiority on a rival almost destitute of promenades, and whose municipality sighs in vain for a theatre. To the charms of quiet and sunshine the place adds that of a peculiar beauty. The Apennines rise like a screen behind the amphitheatre of soft hills that enclose it--hills soft with olive woods, and dipping down into gardens of lemon and orange, and vineyards dotted with palms. An isolated spur juts out from the centre of the semicircle, and from summit to base of it tumbles the oddest of Italian towns, a strange mass of arches and churches and steep lanes, rushing down like a stone cataract to the sea. On either side of the town lie deep ravines, with lemon gardens along their bottoms, and olives thick along their sides. The olive is the characteristic tree of San Remo. As late as the sixteenth century the place was renowned for its palms; a palm tree stands on the civic escutcheon, and the privilege of supplying the papal chapel with palm branches in the week before Easter is still possessed by a family of San Remese. But the palm has wandered off to Bordighera, and the high price of oil during the early part of this century has given unquestioned supremacy to the olive. The loss is after all a very little one, for the palm, picturesque as is its natural effect, assumes any but picturesque forms when grown for commercial purposes, while the thick masses of the olive woods form a soft and almost luxurious background to every view of San Remo.

What strikes one most about the place in an artistic sense is its singular completeness. It lies perfectly shut in by the circle of mountains, the two headlands in which they jut into the sea, and the blue curve of the bay. It is only by climbing to the summit of the Capo Nero or the Capo Verde that one sees the broken outline of the coast towards Genoa or the dim forms of the Estrelles beyond Cannes. Nowhere does the outer world seem more strangely far-off and unreal. But between headland and headland it is hardly possible to find a point from which the scene does not group itself into an exquisite picture with the white gleaming mass of San Remo for a centre. Small too as the space is, it is varied and broken by the natural configuration of the ground; everywhere the hills fall steeply to the very edge of the sea and valleys and ravines go sharply up among the olive woods. Each of these has its own peculiar beauty; in the valley of the Romolo for instance, to the west of the town, the grey mass of San Remo perched on a cliff-like steep, the rocky bed of the torrent below, the light and almost fantastic arch that spans it, the hills in the background with the further snow range just peeping over them, leave memories that are hard to forget. It is easy too for a good walker to reach sterner scenes than those immediately around; a walk of two hours brings one among the pines of San Romolo, an hour's drive plunges one into the almost Alpine scenery of Ceriana. But for the ordinary frequenters of a winter resort the chief attractions of the place will naturally lie in the warmth and shelter of San Remo itself. Protected as it is on every side but that of the sea, it is free from the dreaded mistral of Cannes and from the sharp frost winds that sweep down the torrent-bed of Nizza. In the earlier part of the first winter I spent there the snow, which lay thick in the streets of Genoa and beneath even the palms of Bordighera, only whitened the distant hilltops at San Remo. Christmas brought at last a real snowfall, but every trace of it vanished before the sun-glare of midday. From sunset to sunrise indeed the air is sometimes bitterly cold, but the days themselves are often pure summer days.

What gives a special charm to San Remo, as to the other health-stations along the Cornice, is the fact that winter and spring are here the season of flowers. Roses nod at one over the garden-walls, violets peep shyly out along the terraces, a run uphill brings one across a bed of narcissus. It is odd to open one's window on a January morning and count four-and-twenty different kinds of plants in bloom in the garden below. But even were flowers absent, the character of the vegetation excludes from northern eyes the sense of winter. The bare branches of the fig-tree alone remind one that "summer is over and gone." Every homestead up the torrent-valleys is embosomed in the lustrous foliage of its lemon gardens. Every rivulet is choked with maiden-hair and delicate ferns. The golden globes of the orange are the ornament of every garden. The dark green masses of the olive, ruined by strong winds into sheets of frosted silver, are the background of the whole. And right in front from headland to headland lie the bright waters of the Mediterranean, rising and sinking with a summer's swell, and glancing with a thousand colours even in the gloomiest weather.

The story of San Remo begins with Saracenic inroads from Corsica and Sardinia in the ninth century, to which Nizza, Oneglia, and Genoa owed their walls. But before this time the wild Ligurian coast had afforded hermitages to the earlier bishops of Genoa; to Siro who became its apostle, to Romolo who was destined to give his name to the territory of the town. San Romolo is indeed its invariable designation till the fifteenth century, and it has been conjectured that its present name is owing to no fanciful punning on Romulus and Remus but to a popular contraction of its full ecclesiastical title, "Sancti Romuli in eremo." It was in this "waste," left without inhabitants by the Saracenic inroads, that Theodulf, bishop of Genoa, settled a little agricultural colony round the Carolingian fort and lands which, though within the feudal jurisdiction of the Counts of Ventimiglia, were the property of his see. Two centuries passed quietly over the little town ere the sudden rise of the Consulate here, as at Genoa and Milan, gave it municipal liberty. The civil authority of the bishops passed to the communal Parliament, the free assembly of the citizens in the church of San Stefano; all civil administration, even the right of peace and war, or of alliance, was exercised with perfect freedom from episcopal intervention. The rights of the bishop in fact were reduced to the nomination of the judicial magistrates of the town and the reception of certain fees; rights which were subsequently sold to the Dorias, and transferred by the Dorias to the Republic of Genoa.

This great communal revolution, itself a result of the wave of feeling produced by the Crusades, left its characteristic mark in the armorial bearings of the town, the Crusaders' Palm upon its shield. While its neighbours, Ventimiglia and Albenga, sank into haunts of a feudal noblesse, San Remo became a town of busy merchants, linked by treaties of commerce with the trading cities of the French and Italian coasts. The erection of San Siro marked the wealth and devotion of its citizens. Ruined as it is, like all the churches of the Riviera, by the ochre and stucco of a tasteless restoration, San Siro still retains much of the characteristic twelfth-century work of its first foundation. The alliance of the city with Genoa was that of a perfectly free State. The terms of the treaty which was concluded between the two Republics in 1361 in the Genoese basilica of San Lorenzo are curious as illustrating the federal relations of Italian States. It was in effect little more than a judicial and military convention. Internal legislation, taxation, rights of independent warfare, peace, and alliance were left wholly in the power of the free commune. San Remo was bound to contribute ships and men for service in Genoese warfare, but in return its citizens shared the valuable privileges of those of Genoa in all parts of the world. Genoa, as purchaser of the feudal rights of its lords, nominated the podesta and other judicial officers, but these officers were bound to administer the laws passed or adopted by the commune. The red cross of Genoa was placed above the palm tree of San Remo on the shield of the Republic; and on these terms the federal relations of the two States continued without quarrel or change for nearly four hundred years.

The town continued to prosper till the alliance of Francis I. with the Turks brought the scourge of the Moslem again on the Riviera. The "Saracen towers" with which the coast is studded tell to this day the tale of the raids of Barbarossa and Dragut. The blow fell heavily on San Remo. The ruined quarter beneath its wall still witnesses to the heathen fury. San Siro, which lay without the walls, was more than once desecrated and reduced to ruin. A special officer was appointed by the town to receive contributions for the ransom of citizens carried off by the corsairs of Algiers or Tunis. These terrible razzias, which went on to the very close of the last century, have left their mark on the popular traditions of the coast. But the ruin which they began was consummated by the purposeless bombardment of San Remo by an English fleet during the war of the Austrian Succession, and by the perfidy with which Genoa crushed at a single blow the freedom she had respected for so many centuries. The square Genoese fort near the harbour commemorates the extinction of the liberty of San Remo in 1729. The French revolution found the city ruined and enslaved, and the gratitude of the citizens for their deliverance by Buonaparte was shown by a sacrifice which it is hard to forgive them. A row of magnificent ilexes, which stretched along the ridge from the town to San Romolo, is said to have been felled for the construction of vessels for the French navy.

Some of the criticism which has been lavished on San Remo is fair and natural enough. To any one who has been accustomed to the exquisite scenery around Cannes its background of olives seems tame and monotonous. People who are fond of the bustle and gaiety of Nizza or Mentone in their better days can hardly find much to amuse them in San Remo. It is certainly quiet, and its quiet verges upon dulness. A more serious drawback lies in the scarcity of promenades or level walks for weaker invalids. For people with good legs, or who are at home on a donkey, there are plenty of charming walks and rides up into the hills. But it is not everybody who is strong enough to walk uphill or who cares to mount a donkey. Visitors with sensitive noses may perhaps find reason for growls at the mode of cultivation which is characteristic of the olive groves. The town itself and the country around is, like the bulk of the Riviera, entirely without architectural or archæological interest. There is a fine castle within a long drive at Dolceacqua, and a picturesque church still untouched within a short one at Ceriana, but this is all. Beneficial as the reforms of Carlo Borromeo may have been to the religious life of the Cornice, they have been fatal to its architecture. On the other hand, any one with an artistic eye and a sketch-book may pass his time pleasantly enough at San Remo. The botanist may revel day after day in new "finds" among its valleys and hill-sides. The rural quiet of the place delivers one from the fashionable bustle of livelier watering-places, from the throng of gorgeous equipages that pour along the streets of Nice, or from picnics with a host of flunkeys uncorking the champagne.

The sunshine, the colour, the beauty of the little town, secure its future. The time must soon come when the whole coast of the Riviera will be lined with winter resorts; but we can hardly hope that any will surpass the happy blending of warmth and interest and repose which makes the charm of San Remo.

THE POETRY OF WEALTH.

There is one marvellous tale which is hardly likely to be forgotten so long as men can look down from Notre Dame de la Garde on the sunny beauty of Marseilles. Even if the rest of Dumas' works sink into oblivion, the sight of Château d'If as it rises glowing from the blue waters of the Mediterranean will serve to recall the wonders of 'Monte Christo.' But the true claim of the book to remembrance lies not in its mere command over the wonderful but in the peculiar sense of wonder which it excites. It was the first literary attempt to raise the mere dead fact of money into the sphere of the imagination, and to reveal the dormant poetry of wealth. There has as yet been only a single age in the world's history when wealth has told with any force upon the imagination of men. Unpoetic as the Roman mind essentially was, the sudden burst upon it of the accumulated riches of the older world kindled in senators and proconsuls a sense of romance which, wild and extravagant as it seems, has in some of its qualities found no parallel since. The feast of Lucullus, the gluttony of Heliogabalus, the sudden upgrowth of vast amphitheatres, the waste of millions on the sport of a day, the encounters of navies in the mimic warfare of the Coliseum, are the freaks of gigantic children tossing about wildly the slowly-hoarded treasures of past generations; but they are freaks which for the first time revealed the strange possibilities which lay in the future of wealth.

It is hard to say whether such a time will ever return. No doubt the world is infinitely richer now than it was in the time of the Romans, and no doubt too there are at least a dozen people in London alone whose actual income far exceeds that of the wealthiest of proconsuls. But the wealth of the modern capitalist is a wealth which has grown by slow accumulations, a wealth which has risen almost insensibly into its enormous mass, and the vastness of which its owner has never had brought home to him with the same sort of shock as that which Lucullus must have felt when he fronted the treasures of Mithridates, or Clive when he threaded his way among the sacks of jewels in the royal vaults of Moorshedabad. So far indeed is wealth from stimulating the imagination nowadays that a banker is the very type of the unimaginative man, and the faintest suspicion of genius is enough to render a financier an object of suspicion to the money market. But it is conceivable in the odd freaks of things that we may yet see the advent of the Poet-Capitalist. It is almost impossible to say what new opportunities the possession of fabulous resources might not add to the fancy of a dreamer or to the speculations of a philanthropist. It is not till after a little thought that we realize how materially the course of human progress is obstructed by sheer want of money at critical moments, or how easily the sum of human happiness might be increased by the sudden descent of a golden shower on the right people at the right time.

There are dreams which men have been dreaming for generation after generation which require nothing for their realization but the appearance of such a capitalist as we have imagined. To take what may seem perhaps an odd instance, just because it is an odd instance, let us remember what a wonderful amount of hope and anticipation has been thrown by a great religious party into the restoration of the Jews. Rightly or wrongly, it is the one theme which sends a throb of excitement through the life of quiet parsonages and kindles a new fire even in the dreariest May meetings at Exeter Hall. But in point of actual fact there is not the slightest necessity to await any great spiritual revolution for the accomplishment of such a dream if its accomplishment were really desirable. A league of Evangelical bankers who fully believed in the prophecies they are so fond of quoting could turn the wildest fancies of Dr. Cumming into sober earnest with very little trouble indeed. Any emigration agent would undertake the transport of Houndsditch bodily to Joppa; the bare limestone uplands of Judæa could be covered again with terraces of olive and vine at precisely the same cost of money and industry as is still required to keep up the cultivation of the Riviera; and Mr. Fergusson would furnish for a due consideration plans and estimates for a restoration of the Temple on Zion. We are not suggesting such a scheme as an opportunity for investing money to any great profit, but it is odd to live in a world of wealthy people who believe firmly that its realization would make this world into a little heaven below and yet never seem to feel that they have the means of bringing it about in their cheque-books. Or to take a hardly less odd instance, but one which has actually been brought a little nearer to practical realization. Some time ago a body of Welsh patriots determined to save the tongue and literature of the Cymry from extinction by founding a new Welsh nation on the shores of Patagonia. Nothing but Welsh was to be spoken, none but Welsh books were to be read, and the laws of the colony were to be an amalgam of the codes of Moses and of Howel the Good. The plan failed simply because its originators were poor and unable to tide over the first difficulties of the project. But conceive an ardent capitalist with a passion for nationalities embracing such a cause, and at the cost of a few hundreds of thousands creating perhaps a type of national life which might directly or indirectly affect the future of the world. Such a man might secure himself a niche in history at less cost and with less trouble than he could obtain a large estate and a share in the commission of the peace for a midland county.

But there is no need to restrict ourselves simply to oddities, although oddities of this sort acquire a grandeur of their own at the touch of wealth. The whole field of social experiment lies open to a great capitalist. The one thing required, for instance, to render the squalor and misery of our larger towns practically impossible would be the actual sight of a large town without squalor or misery; and yet if Liverpool were simply handed over to a great philanthropist with the income of half-a-dozen Dukes of Westminster such a sight might easily be seen. Schemes of this sort require nothing but what we may term the poetic employment of capital for their realization. It is strange that no financial hero makes his appearance to use his great money-club to fell direr monsters than those which Hercules encountered, and by the creation of a city at once great, beautiful, and healthy to realize the conception of the Utopia and the dream of Sir Thomas More. Or take a parallel instance from the country. Those who have watched the issues of the co-operative system as applied to agriculture believe they see in it the future solution of two of our greatest social difficulties--those, we mean, which spring from the increasing hardships of the farmer's position, and those which arise from the terrible serfage of the rural labourer. But the experiments which have been as yet carried on are on too small a scale either to produce any influence on the labour market as a whole, or to make that impression on the public imagination which could alone raise the matter into a "question of the day." What is wanted is simply that two or three dukes should try the experiment of peasant co-operation on a whole county, and try it with a command of capital which would give the experiment fair play. Whether it succeeded or not, such an attempt would have a poetic and heroic aspect of a different order from the usual expenditure of a British peer.

Or we may turn to a wholly different field, the field of art. We are always ready to cry out against "pot boilers" as we wander through the galleries of the Academy, and to grumble at the butchers' bills and bonnet bills which stand between great artists and the production of great works. But the butchers' bills and bonnet bills of all the forty Academicians might be paid by a great capitalist without any deep dip into his money bags, and a whole future opened to English art by the sheer poetry of wealth. There are hundreds of men with special faculties for scientific inquiry who are at the present moment pinned down to the daily drudgery of the lawyer's desk or the doctor's consulting-room by the necessities of daily bread. A Rothschild who would take a score of natural philosophers and enable them to apply their whole energies to investigation would help forward science as really as Newton himself, if less directly. But there are even direct ways in which wealth on a gigantic scale might put out a poetic force which would affect the very fortunes of the world. There are living people who are the masters of twenty millions; and twenty millions would drive a tunnel under the Straits of Dover. If increased intercourse means, as is constantly contended, an increase of friendship and of mutual understanding among nations, the man who devoted a vast wealth to linking two peoples together would rise at once to the level of the great benefactors of mankind. An opportunity for a yet more direct employment of the influence of wealth will some day or other be found in the field of international politics. Already those who come in contact with the big-wigs of the financial world hear whispers of a future when the destinies of peoples are to be decided in bank parlours, and questions of peace and war settled, not by the diplomatist and statesman, but by the capitalist. But as yet these are mere whispers, and no European Gould has risen up to "finance" Downing Street into submission, or to meet the boldest move of Prince Bismarck by a fall of the Stock Exchange. Of all the schemes however which we have suggested, this is probably the nearest to practical realization. If not we ourselves, our children at any rate may see International Congresses made possible by a few people quietly buttoning their breeches-pockets, and the march of "armed nations" arrested by "a run for gold."