Part 4

"I saw a room," chanted the inspired one, "a room in a large city. I can see it now. It is a bedroom. There are blue rugs on the floor, and the furniture is oak. It has two windows. There is a canary bird in one, and the other has a seat with blue cushions."

"Why, that is my mother's room, Dorothea! You know it is."

"In the bed a woman is lying. She is sick. She is turning from one side to the other--she says, `Oh, where is my daughter? I want my daughter! Why doesn't she come back to me?'"

"Oh, Dorothea!" Jennie, tearful and excited, began to draw on her clothes. "That was my mother! It must have been! Oh, Dorothea!"

The sybil drove in the fine point again. "`Why doesn't she come back to me?'" she reiterated.

The program that had proceeded so smoothly now received an unexpected hitch. Jennie paused suddenly in her garmenting, relief growing in her face.

"After all," she observed, "I don't believe mother had anything more than one of her sick-headaches. She has them all the time. I wouldn't go home just for that. I do believe that is it, Dorothea."

It was time for rapid thought. Another moment and the fine dramatic work of the morning would have gone for naught. For a moment Dorothea staggered, but for a moment only. "I didn't tell you everything," she said mysteriously. "Your mother is not alone in the bed. She is holding something in her arms. She is saying--" she paused to give her climax its full effect-- "`Oh, why doesn't Jennie come home to see her little sister?'"

"Her little--?--Dorothea!"

It behooves the villain to be without conscience. No slightest shame visited the brazen one's heart at the sight of Jennie's instant joy and excitement. Modestly she accepted the tribute to her uncanny power; obligingly she assisted her friend to pack; martyr-like she acquiesced in Jennie's decision that the first train after breakfast would be none too early to bear her to that long-coveted delight--a baby sister. Moreover, she cannily advised her friend as to the mode of proceeding. "If you tell them downstairs why you are going, they may not let you. They don't know about visions. Just tell them that you're going home and NOTHING ELSE."

This advice, followed to the letter, produced no little agitation at the breakfast table. Jennie simply announced her intention of immediate departure; all questions as to her health, happiness, and possible reasons were met only with a parrot-like repetition of the fact. Upon closer pressing she gave way to hysterical tears, Dorothea the while assisting the scene with round, innocent eyes and the bewildered air of one suddenly made aware of an impending event.

The solution was presently found by a sympathetic and consoling circle--the child was homesick; she wanted her mother. Assuredly that explained everything. The lure of sails and picnics having failed, Dorothea's mother came to a decision with sympathetic tears in her eyes and a glance toward her own innocent. "She shall take the first train home if she wants to. The child sha'n't be miserable. No, don't urge her, Bob. I was homesick myself once, and I understand perfectly."

Dorothea reposed in the shade of the bulkhead, sand on her person and a great peace in her heart, upon which the Monster, departing, had left no scar. Under her head was the Godey's Lady's Book, in which, over the picture of a brocaded pelisse, she had recently finished a poem in which "lover" rhymed-- with "forever." Amiel, cross-legged on the sand beside her, was whistling gently as he industriously whittled at a bit of driftwood, little suspecting that at the moment he was taking tea in a bower with Lady Ursula.

Presently he drew a letter from his pocket and flipped it over to Dorothea. "Your mother asked me to give you this," he said. "She thought it might be from that pretty little friend of yours."

Dorothea opened the letter with some trepidation. Presently a bland smile over- spread her countenance. The day of reckoning that she expected to dawn upon her next meeting with her victim melted cloud-like as she read:

Dear Dorothea:

I arrived home safely. It's just as well I did, because my aunt was waiting to take me to Lake George, but you made a mistake in the vision. It wasn't my mother. It was Mrs. Gray across the street and hers is a boy, but I think that was very near.

I think the vision was perfectly wonderful, but I am glad I don't have them. My mother says I can come again later if your mother wants me. I didn't tell her why I came home, because she doesn't believe in them either.

She presented her love to several people and added in a postscript, "Let me know at Lake George if you have another."

Dorothea tore the letter into minute scraps and gave them over to the sea breeze.

"Well," queried Amiel idly, "what does she say?"

"She says she arrived safely," said Dorothea.

***************************************************************** Vol. XXIII No.1 JULY 1910

{pages 44-55} THE GOLD BRICK AND THE GOLD MINE

Fake Mining Schemes that Steal the People's Savings

By EMERSON HOUGH

Author of "The Mississippi Bubble," "54-40 or Fight," etc.

EDITOR'S NOTE.--It is time vigorous efforts were made to stop the cruel frauds perpetrated on the name of one of the world's greatest industries. Mining is a legitimate and honorable enterprise. It contributes immensely to the national wealth. It has been the source of some of our great fortunes. Because there is something magical in the suggestion of gold or coal or copper taken out of the ground, sharpers have made mining an instrument of successful deception. They have tricked people into investing their savings in worthless or even non-existent mines. Perhaps you who read this have bitten at an advertisement in a reputable publication, which pretended to place the wealth of some western El Dorado at your feet for a few hundred dollars. Doubtless your money has disappeared. It is for the purpose of giving you the protection of a knowledge both of legitimate mining and of the ways of thieves that this article is published.