“‘They were two bonny, bonny lambs, That played upon the daisied lea, And loudly mourned their woolly dams Above the drumly flowing Dee.’
“How touchingly simple!” continued the junior reporter, buckling up his sleeves to enjoy himself, and feeling himself born to be a “Saturday Reviewer.”
“Mark the local colour, the wool and the dirty water of the Dee--without doubt a name applied to one of their bigger ditches down there. Mark also the over-fervency of the touching line,
“‘And loudly mourned their woolly dams,’
“Which, but for the sex of the writer and her evident genius, might be taken for an expression of a strength hardly permissible even in the metropolis.”
The junior reporter filled his two columns and enjoyed himself in the doing of it. He concluded with the words: “The authoress will make a great success. If she will come to the capital, where genius is always appreciated, she will, without doubt, make her fortune. Nay, if Miss Bal--but again we cannot proceed for the want of an interpreter--if Miss B., we say, will only accept a position at Cleary’s Waxworks and give readings from her poetry, or exhibit herself in the act of pronouncing her own name, she will be a greater draw in this city than Punch and Judy, or even the latest American advertising evangelist, who preaches standing on his head.”
The junior reporter ceased here from very admiration at his own cleverness in so exactly hitting the tone of the masters of his craft, and handed his manuscript in to the editor.
It was the gloaming of a long June day when Rob Affleck, the woodman over at Barbrax, having been at New Dalry with a cart of wood, left his horse on the roadside and ran over through Gavin’s old short cut, now seldom used, to Janet’s cottage with a paper in a yellow wrapper.
“Leave it on the step, and thank you kindly, Rob,” said a weak voice within; and Rob, anxious about his horse and his bed, did so without another word. In a moment or two Janet crawled to the door, listened to make sure that Rob was really gone, opened the door, and protruded a hand wasted to the hard, flat bone--an arm that ought for years to have been full of flesh and noble curves.
When Janet got back to bed it was too dark to see anything except the big printing at the top of the paper.
“Two columns of it!” said Janet, with great thankfulness in her heart, lifting up her soul to God who had given her the power to sing. She strained her prematurely old and weary eyes to make out the sense. “A genuine source of pride to every native of the ancient province,” she read.
“The Lord be praised!” said Janet, in a rapture of devout thankfulness; “though I never really doubted it,” she added, as though asking pardon for a moment’s distrust. “But I tried to write these poems to the glory of God and not to my own praise, and He will accept them and keep me humble under the praise of men as well as under their neglect.”
So clutching the precious paper close to her breast, and letting tears of thankfulness fall on the article, which, had they fallen on the head of the junior reporter, would have burned like fire, she patiently awaited the coming dawn.
“I can wait till the morning now to read the rest,” she said.
So hour after hour, with her eyes wide, staring hard at the gray window-squares, she waited the dawn from the east. About half-past two there was a stirring and a moaning among the pines, and the roar of the sudden gust came with the breaking day through the dark arches. In the whirlwind there came a strange expectancy and tremor into the heart of the poetess, and she pressed the wet sheet of crumpled paper closer to her bosom, and turned to face the light. Through the spaces of the Long Wood of Barbrax there came a shining visitor, the Angel of the Presence, he who comes but once and stands a moment with a beckoning finger. Him she followed up through the wood.
They found Janet on the morning of the second day after, with a look so glad on her face, and so natural an expectation in the unclosed eye, that Rob Affleck spoke to her and expected an answer. The “Night Hawk” was clasped to her breast with a hand that they could not loosen. It went to the grave with her body. The ink had run a little here and there, where the tears had fallen thickest.
God is more merciful than man.
A DOCTOR OF THE OLD SCHOOL, By Ian Maclaren
I A GENERAL PRACTITIONER
Drumtochty was accustomed to break every law of health, except wholesome food and fresh air, and yet had reduced the psalmist’s furthest limit to an average life-rate. Our men made no difference in their clothes for summer or winter, Drumsheugh and one or two of the larger farmers condescending to a top-coat on Sabbath, as a penalty of their position, and without regard to temperature. They wore their blacks at a funeral, refusing to cover them with anything, out of respect to the deceased, and standing longest in the kirkyard when the north wind was blowing across a hundred miles of snow. If the rain was pouring at the junction, then Drumtochty stood two minutes longer through sheer native dourness till each man had a cascade from the tail of his coat, and hazarded the suggestion, half-way to Kildrummie, that it had been “a bit scrowie,” and “scrowie” being as far short of a “shoor” as a “shoor” fell below “weet.”
This sustained defiance of the elements provoked occasional judgments in the shape of a “hoast” (cough), and the head of the house was then exhorted by his women folk to “change his feet” if he had happened to walk through a burn on his way home, and was pestered generally with sanitary precautions. It is right to add that the gudeman treated such advice with contempt, regarding it as suitable for the effeminacy of towns, but not seriously intended for Drumtochty. Sandy Stewart “napped” stones on the road in his shirt-sleeves, wet or fair, summer and winter, till he was persuaded to retire from active duty at eighty-five, and he spent ten years more in regretting his hastiness and criticising his successor. The ordinary course of life, with fine air and contented minds, was to do a full share of work till seventy, and then to look after “orra” jobs well into the eighties, and to “slip awa’” within sight of ninety. Persons above ninety were understood to be acquitting themselves with credit, and assumed airs of authority, brushing aside the opinions of seventy as immature, and confirming their conclusions with illustrations drawn from the end of last century.
When Hillocks’s brother so far forgot himself as to “slip awa’” at sixty, that worthy man was scandalised, and offered laboured explanations at the “beerial.”
“It’s an awfu’ business ony wy ye look at it, an’ a sair trial tae us a’. A’ never heard tell of sic a thing in oor family afore, an’ it ‘s no easy accoontin’ for ‘t.
“The gudewife was sayin’ he wes never the same sin’ a weet nicht he lost himsel’ on the muir and slept below a bush; but that’s neither here nor there. A’ ‘m thinkin’ he sappit his constitution thae twa years he wes grieve aboot England. That wes thirty years syne, but ye’re never the same after thae foreign climates.”
Drumtochty listened patiently to Hillocks’s apologia, but was not satisfied.
“It’s clean havers aboot the muir. Losh keep’s, we’ve a’ sleepit oot and never been a hair the waur.
“A’ admit that England micht hae dune the job; it’s no canny stravagin’ yon wy frae place tae place, but Drums never complained tae me as if he hed been nippit in the Sooth.”
The parish had, in fact, lost confidence in Drums after his wayward experiment with a potato-digging machine, which turned out a lamentable failure, and his premature departure confirmed our vague impression of his character.
Stories by English Authors: Scotland (selected by Scribners) · The Wunder Library — complete classics, free to read, with narration.