Part 5

Their absence at the present day is not a matter for surprise, as stones of this class weather badly, and when exposed to the action of frost and cold rapidly disintegrate.

7. Argillaceous Flagstones and Slates.--As in the case of the Grey Wackes, fragments only of these stones exist to tell the story of the uprights which have vanished under atmospheric changes.

8. Glanconitic Sandstone (possibly Upper Greensand?).--Traces of this rock have been discovered at Stonehenge by Mr. Cunnington. Professor Judd suggests the possibility of a boulder of this material having been found and used by the builders of Stonehenge.

9. Flints.--These of course are naturally found in abundance throughout the district. Most of those found within Stonehenge are broken fragments struck off in the process of repointing flint chisels during the erection of the circle.

The above catalogue of stones may not convey very much to the ordinary visitor, and has only been inserted for the sake of completeness; or for the information of geologists who may be concerned with this aspect of the history of the monument. The conclusions to be drawn from such a list, however, are not without interest to the general reader. From the varied fragments found, it is apparent that some six, or perhaps seven, different classes of stone were used for the small uprights, but that only the harder and more durable rocks (the diabase, rhyolite, etc.) have survived. The softer rocks (basic tuffs, grey wackes, flagstones, and slates), being more easily broken, have fallen victims to the souvenir hunter, and to the action of the weather, rain, and frost. Originally, as has already been stated, the foreign stones numbered forty-five, disposed as follows: thirty in the outer circle, and fifteen in the inner horseshoe. To-day only nineteen exist in the outer circle, and eleven in the inner horseshoe.

A very striking proof that many of these foreign stones have disappeared, is to be found in the wide gaps which exist to-day in certain parts of the circle. That such gaps were originally filled by standing stones is beyond question, indeed, the base of a "schistose" stone (see Class 3 in the Lithology above) was actually discovered by Mr. Cunnington in the course of his investigations into the nature of the rocks composing Stonehenge. It is highly probable that careful and scientific excavation may add greatly to our knowledge in this direction.

There is yet one other point of interest in connection with these foreign stones. On entering the circle from the north-east (the usual path taken by visitors) a recumbent foreign stone will be noticed on the left-hand side, which has two cavities worked in it. This is the only worked foreign stone in the whole monument, and at first sight these cavities may possibly suggest themselves as "mortise holes" similar to those on the Sarsen trilithons, to be described later. It has even been suggested that the small uprights once carried imposts, or lintel stones similar to the trilithons, on the evidence of this one stone. Such a theory, however attractive, should be accepted with due caution, for the cavities on the stone are far from the ends, and situated too close together to justify a comparison with the existing Sarsen trilithons of the outer circle. This stone has never yet been explained and its position defined, consequently it is omitted from the frontispiece.

THE STONES WITHOUT THE CIRCLE

Outside the circle of Trilithons stand three stones which have not as yet been described in detail, since they do not fall within the geometrical arrangement of the circle. They are, however, of the highest importance, as it is from them, and from their position, that it is possible to gather some conclusions as to one use to which the structure may have been put.

Within the circular earthwork, lying in a line north-west and south-east, are two small untrimmed Sarsens, while outside the earthwork stands yet another unworked Sarsen, already referred to as the "Hele Stone" or "Friar's Heel." The fact that these three Sarsens are unworked, while all the others show very marked traces of dressing and trimming, is one that should be remembered. These three stones occupy no haphazard position either. As already stated, the "Hele Stone" marks the rising of the sun on the Summer Solstice. The remaining two mark both its rising on the Winter Solstice, and its setting on the Summer Solstice.

THE HELE STONE OR FRIAR'S HEEL

This stone, as being the largest of this group of three, and such a conspicuous feature in the structure, demands something more than mere passing mention. It is a monolith of unwrought stone standing sixteen feet high. Such untrimmed stones are to be found all the world over in connection with religious rites. Even the Jews were not untainted with this early cult of stone worship.

"Among the smooth stones of the valley is thy portion; they are thy lot; even to them hast thou poured a drink offering, hast thou offered a meat offering," writes Isaiah.

In Christian times the custom continued. The Council of Tours as late as A.D. 657 categorically excluded from Christianity all worshippers of upright stones; while later, Canute forbade the barbarous worship of stones, trees, fountains, and heavenly bodies. At once, therefore, this huge unwrought monolith suggests religion, and probably one of the earliest, and most primitive forms of worship. And thus being obviously connected with non-Christian rites, it is not surprising to find that it has a "devil-legend" attaching to it.

THE LEGEND OF THE FRIAR'S HEEL

The devil, so the story runs, determined one day to undertake some great and stupendous work, for the like of which he is famous throughout the world. In this devil we can still discern the Scandinavian "giant" legend, which in later Christian times became "devil" legends. The work had to be great, puzzling, and amazing to all beholders, for as the Wiltshire story-teller adds, "he had let an exciseman slip through his fingers." In the course of his wanderings up and down the earth, he had noticed some huge stones in the garden of an old crone in Ireland; and he determined, therefore, to transport them to the stoneless waste of Salisbury Plain as being the most unlikely spot in which to find such things. There yet remained the old woman's permission to be obtained before he could commence his labour. His request was at first met with a flat negative, but eventually the devil so played upon her cupidity, by the assurance that she could have as much money as she could count and add up while he was engaged in the work of removal, that she readily gave her consent. As usual the devil had the best of the bargain, for he, knowing her powers of arithmetic to be but scanty, handed her a number of pieces of money, whose value was fourpence halfpenny, and twopence three-farthings. The dame had barely managed to add the first two coins together, when the devil called upon her to stop, and looking round she saw the stones were all removed, and had been tied with a withe band into a neat bundle which was slung upon his shoulder. Away flew the devil towards Salisbury Plain, but as he sped onwards the withe cut deep into his shoulder, so heavy were the stones. He endured it as long as he could, but just towards the end of his journey, while passing over the valley of the Avon, he winced, and re-adjusted his burden; in so doing one of the stones fell down and plunged into the river at Bulford, where it remains at the present day, as witness to the veracity of this legend. Right glad to be rid of his burden when he reached the Plain, the devil made haste to set up the stones, and so delighted was he with the result of his first efforts, and with the progress he was making, that he cried aloud with glee, "Now I'll puzzle all men, for no one knows, nor ever will know, how these stones have come here." Unluckily this bold boast was overheard by a holy friar walking near, who straightway replied in right Wiltshire fashion, "That's more than thee can tell"; and then realising who the builder was, turned and fled for his life. Enraged at his discovery by the friar, and perceiving that his scheme had failed, the devil, who had just taken up a stone to poise it upon its two uprights, hurled it at the holy man, and struck him on the uplifted heel as he made haste to run. The friar's sanctity was evidently greater than his personal courage, for it was the stone and not the friar which suffered most from the impact. Even to-day the huge impress of the Friar's heel is to be seen upon the stone. At this juncture the sun rose, and the devil had perforce to relinquish his task. This accounts for the present scattered appearance of the stones.

Turning from fancy to fact, the word Hele, from which the stone takes its name, is probably derived from the Anglo-Saxon verb helan = "to conceal," and is so applied to the stone because it conceals the sun at rising on the day of the Summer Solstice.

THE "SLAUGHTERING STONE"

In all matters of archaeology it is constantly found that certain questions are better left in abeyance, or bequeathed to a coming generation for solution. The "Slaughtering Stone" appears to be an admirable example of this class. Just within the area enclosed by the earthwork circle, lies a prostrate Sarsen Stone, to which this name has been given. The idea of its having been used as a place of slaughter for the victim intended for sacrifice in the "Temple" of Stonehenge, seems to rest upon a very bare foundation. It is probably a picturesque piece of nomenclature devised by certain bygone antiquaries to whom Stonehenge was a "Druidical" monument, and who, therefore, having the idea of human sacrifice, and "wicker figures" prominently before them, naturally jumped at the idea of providing a slaughtering stone for the numberless human victims whom they imagined had been slain there. Nevertheless, the stone is curious because of the row of holes which have been worked across one corner, which certainly is unshapely, and which would square up the stone very nicely if it were removed along the line of these holes. The indentations are somewhat oval, suggesting that they were made by "pecking" with a sharp instrument, rather than drilled by a rotating one, which would make a circular incision. Having recorded this, however, there is little to add, except that Mr. Gowland, who minutely examined the stone in 1901, is of opinion that the oval indentations referred to are more recent than the building of Stonehenge. Had they been contemporaneous with the erection of the Trilithons, he is convinced that the action of the water in the holes, combined with frost, would have caused a very much greater amount of disintegration than exists to-day. Yet another difficulty arises. At the meeting of the British Archaeological Association at Devizes in 1880, a visit was paid to Stonehenge, and there were, as usual at such gatherings, papers and discussions dealing with it. Mr. William Cunnington, F.S.A., specially put on record the fact that his grandfather, Mr. H. Cunnington, and Sir R.C. Hoare, remembered this stone as standing erect. Here at all events are three conflicting statements. Under these circumstances it is well to leave the Slaughtering Stone as a problem for posterity.

THE EARTHWORK

Visitors entering Stonehenge are apt in their eagerness to reach the stones to overlook a definite banked Avenue leading from the north-east towards the Hele Stone, and entering the circular earthwork enclosure. This earthwork is not very considerable to-day, but in the Stonehenge of yesterday it was probably far more marked and imposing. This Avenue extends from Stonehenge in a straight line northwards for about five hundred yards, where it divides into two branches, one going eastward towards the Avon, where there is an ancient ford, the other continuing northward until it joins yet another earthwork, generally known as the Cursus, about half a mile distant. The whole Avenue has suffered greatly in recent years and is fast disappearing entirely. Both the circular form of the earthwork enclosing Stonehenge, as well as the straight and parallel banks of the Avenue, are specially worthy of notice. They belong to a class of earthwork quite unlike the usual planning of cattle enclosures, and defensive works, and exhibit a precision in setting out which is only associated with the sepulchral and religious earthworks of prehistoric times in this country.

THE BUILDING OF STONEHENGE

The question is often asked, "How did they build Stonehenge?" There is a refreshing simplicity about that indefinite word "they," but for the present, whoever "they" may be, it is possible to some extent, at all events, to furnish an answer to this ever recurring query. In the first place, however, it may be well to recapitulate very briefly the conclusions already arrived at, before entering into a more detailed description of the tools which were employed in the work of erection, and the methods by which the huge Sarsens were reared into position.

Stonehenge is a circular monument, enclosed by a circular earthwork, and approached by an avenue lying north-east and south-west. Without the circle lie four Sarsen stones. The Hele Stone, and two smaller stones unworked, occupying definite sites with reference to the rising and setting of the sun at the Summer and Winter Solstices; and the so-called Slaughtering Stone, the use of which is at present a matter of speculation. The monument proper, consisting of a circle of Sarsen Trilithons, enclosing a circle of upright foreign stones. Within these, five detached Sarsen Trilithons, of graduated height. These five Trilithons are set horseshoe wise. Before them a standing horseshoe of foreign stones, and in the front of the great Trilithon a flat slab or altar stone. From this stone it is possible to look outwards towards the Hele Stone, which lies in line with the axis of the monument drawn through the centre of the Altar Stone. The Sarsen stones were obtained from the immediate neighbourhood, the foreign stones must have been imported from a very considerable distance. All the stones, with the exception of the four specially indicated, have been worked. The question naturally arises how were they worked? The answer to this may be given without the least hesitation: with stone tools. For many years the method of working the stones was a matter of great debate, and the uncertainty then prevailing permitted many theorists to speculate on the "Roman" origin of the structure. Now, however, the entire absence of any metal which resulted from Mr. Gowland's excavations in 1901, at once precludes the possibility of the builders being anything but a primitive people, to whom the use of metal was unknown, or only partly known. The stone tools in use in the construction of Stonehenge were of four kinds.

i. Axes of rude form roughly chipped, and with a cutting edge.

ii. Hammer-axes, chipped to an edge on one side and flat on the other.

iii. Rounded hammer-stones; many of which show signs of bruising and hard wear. The material used in these three classes was flint. All of these tools would have been used in the hand, and not set in a handle.

iv. Rounded hammer-stones of Sarsen, varying from one pound to six and a half pounds in weight. They would have been used for the surface dressing of the stones, to which reference will be made later.