Part 41

"Where's Stingaree?" screamed the sergeant, pulling up. And the galloper drew rein at the driven horse's head.

"Dead!" said he, thickly. "He was worse than we thought. You fetch him while I----"

But this time the sergeant knew that voice too well, and his right hand had flown to the back of his belt. Stingaree's shot was only first by a fraction of a second, but it put a bullet through the brain of the horse between the shafts, so that horse and shafts came down together, and the sergeant fired into the earth as he fell across the splashboard.

Stingaree pressed soft heels into the thoroughbred's ribs and thundered on and on. Soon there was a gate to open, and when he listened at that gate all was still behind him and before; but far ahead the rolling plain was faintly luminous in the dusk, and as this deepened into night a cluster of terrestrial lights sprang out with the stars. Stingaree knew the handful of gaunt, unsheltered huts the lights stood for. They were an inn, a store, and police-barracks: Clear Corner on the map. The bushranger galloped straight up to the barracks, but skirted the knot of men in the light before the veranda, and went jingling round into the yard. The young constable in charge ran through the building and met him dismounted at the back.

"What's the matter, sir?"

"He's gone!"

"Stingaree?"

"He was worse than we thought. Your man all right?"

"No trouble whatever, sir. Only sick and sorry and saying his prayers in a way you'd never credit. Come and hear him."

"I must come and see him at once. Got a fresh horse in?"

"I have so! In and saddled in the stall. I thought you might want one, sir, and ran up Barmaid, Stingaree's own mare, that was sent out here from the station when we had the news."

"That was very thoughtful of you. You'll get on, young man. Now lead the way with that lamp."

This time Stingaree had spoken in gasps, like a man who had ridden very far, and the young constable, unlike his sergeant, did not know his voice of old. Yet it struck him at the last moment as more unlike the voice of Superintendent Cairns than the hardest riding should have made it, and with the key in the door of the cell the young fellow wheeled round and held the lamp on high. That instant he was felled to the floor, the lamp went down and out with a separate yet simultaneous crash, and Stingaree turned the key.

"Howie! Not a word--out you come!"

The burly ruffian crept forth with outstretched hands apart.

"What! Not even handcuffed?"

"No; turned over a new leaf the moment we left you, and been praying like a parson for 'em all to hear!"

"This chap can do the same when he comes to himself. Lies pretty still, doesn't he? In with him!"

The door clanged. The key was turned. Stingaree popped it into his pocket.

"The later they let him out the better. Here's the best mount you ever had. And my sweetheart's waiting for me in the stable!"

Outside, in front, before the barracks veranda, an inquisitive little group heard first the clang of the door within, and presently the clatter of hoofs coming round from the yard. Stingaree and Howie--a white flash and a bay streak--swept past them as they stood confounded. And the dwindling pair still bobbed in sight, under a full complement of stars, when a fresh outcry from the cell, and a mighty hammering against its locked door, broke the truth to one and all.

The Villain-Worshipper

There was no more fervent admirer of Stingaree and all bushrangers than George Oswald Abernethy Melvin. Despite this mellifluous nomenclature young Melvin helped his mother to sell dance-music, ballads, melodeons, and a very occasional pianoforte, in one of the several self-styled capitals of Riverina; and despite both facts the mother was a lady of most gentle blood. The son could either teach or tune the piano with a certain crude and idle skill. He endured a monopoly of what little business the locality provided in this line, and sat superior on the music-stool at all the dances. He had once sung tenor in Bishop Methuen's choir, but, offended by a word of wise and kindly advice, was seen no more in surplice or in church. It will be perceived that Oswald Melvin had all the aggressive independence of Young Australia without the virility which leavens the truer type.

Yet he was neither a base nor an unkind lad. His bane was a morbid temperament, which he could no more help than his sallow face and weedy person; even his vanity was directly traceable to the early influence of an eccentric and feckless father with experimental ideas on the upbringing of a child. It was a pity that brilliantly unsuccessful man had not lived to see the result of his sedulous empiricism. His wife was left to bear the brunt--a brave exile whose romantic history was never likely to escape her continent lips. None even knew whether she saw any or one of those aggravated faults of an only child which were so apparent to all her world.

And yet the worst of Oswald Melvin was known only to his own morbid and sensitive heart. An unimpressive presence in real life, on his mind's stage he was ever in the limelight with a good line on his lips. Not that he was invariably the hero of these pieces. He could see himself as large with the noose round his neck as in coronet or halo; and though this inward and spiritual temper may be far from rare, there had been no one to kick out of him its outward and visible expression. Oswald had never learned to gulp down the little lie which insures a flattering attention; his clever father had even encouraged it in him as the nucleus of imagination. Imagination he certainly had, but it fed on strong meat for an unhealthy mind; it fattened on the sordid history of the earlier bushrangers; its favorite fare was the character and exploits of Stingaree. The sallow and neurotic face would brighten with morbid enthusiasm at the bare mention of the desperado's name. The somewhat dull, dark eyes would lighten with borrowed fires: the young fool wore an eye-glass in one of them when he dared.

"Stingaree," he would say, "is the greatest man in all Australia." He had inherited from his father a delight in uttering startling opinions; but this one he held with unusual sincerity. It had come to all ears, and was the subject of that episcopal compliment which Oswald took as an affront. The impudent little choristers supported his loss by calling "Stingaree!" after him in the street: he was wise to keep his eye-glass for the house.

There, however, with a few even younger men who admired his standpoint and revelled in his store of criminous annals, or with his patient, inscrutable mother, Oswald Melvin was another being. His language became bright and picturesque, his animation surprising. A casual customer would sometimes see this side of him, and carry away the impression of a rare young dare-devil. And it was one such who gave Oswald the first great moment of his bush life.

"Not been down from the back-blocks for three years?" he had asked, as he showed a tremulous and dilapidated bushman how to play the instrument that he had bought with the few shillings remaining out of his check. "Been on the spree and going back to drive a whim until you've enough to go on another? How I wish you'd tell that to our high and mighty Lord Bishop of all the Back-Blocks! I should like to see his face and hear him on the subject; but I suppose he's new since you were down here last? Never come across him, eh? But, of course, you heard how good old Stingaree scored off him the other day, after he thought he'd scored off Stingaree?"