Part 19

Stalky thrust an arm to the elbow between the joists.

“No good stayin’ here. I vote we go back and talk it over. It’s a crummy place. ’Must say I’m grateful to King for his water-works.”

They crawled out, brushed one another clean, slid the saloon-pistols down a trouser-leg, and hurried forth to a deep and solitary Devonshire lane in whose flanks a boy might sometimes slay a young rabbit. They threw themselves down under the rank elder bushes, and began to think aloud.

“You know,” said Stalky at last, sighting at a distant sparrow, “we could hide our sallies in there like anything.”

“Huh!” Beetle snorted, choked, and gurgled. He had been silent since they left the dormitory. “Did you ever read a book called ‘The History of a House’ or something? I got it out of the library the other day. A French woman wrote it--Violet somebody. But it’s translated, you know; and it’s very interestin’. Tells you how a house is built.”

“Well, if you’re in a sweat to find out that, you can go down to the new cottages they’re building for the coastguard.”

“My Hat! I will.” He felt in his pockets. “Give me tuppence, some one.”

“Rot! Stay here, and don’t mess about in the sun.”

“Gi’ me tuppence.”

“I say, Beetle, you aren’t stuffy about anything, are you?” said McTurk, handing over the coppers. His tone was serious, for though Stalky often, and McTurk occasionally, manoeuvred on his own account, Beetle had never been known to do so in all the history of the confederacy.

“No, I’m not. I’m thinking.”

“Well, we’ll come, too,” said Stalky, with a general’s suspicion of his aides.

“Don’t want you.”

“Oh, leave him alone. He’s been taken worse with a poem,” said McTurk. “He’ll go burbling down to the Pebbleridge and spit it all up in the study when he comes back.”

“Then why did he want the tuppence, Turkey? He’s gettin’ too beastly independent. Hi! There’s a bunny. No, it ain’t. It’s a cat, by Jove! You plug first.”

Twenty minutes later a boy with a straw hat at the back of his head, and his hands in his pockets, was staring at workmen as they moved about a half-finished cottage. He produced some ferocious tobacco, and was passed from the forecourt into the interior, where he asked many questions.

“Well, let’s have your beastly epic,” said Turkey, as they burst into the study, to find Beetle deep in Viollet-le-Duc and some drawings. “We’ve had no end of a lark.”

“Epic? What epic? I’ve been down to the coastguard.”

“No epic? Then we will slay you, O Beetle,” said Stalky, moving to the attack. “You’ve got something up your sleeve. I know, when you talk in that tone!”

“Your Uncle Beetle”--with an attempt to imitate Stalky’s war-voice--“is a great man.”

“Oh, no; he jolly well isn’t anything of the kind. You deceive yourself, Beetle. Scrag him, Turkey!”

“A great man,” Beetle gurgled from the floor. “You are futile--look out for my tie!--futile burblers. I am the Great Man. I gloat. Ouch! Hear me!”

“Beetle, de-ah”--Stalky dropped unreservedly on Beetle’s chest--“we love you, an’ you’re a poet. If I ever said you were a doggaroo, I apologize; but you know as well as we do that you can’t do anything by yourself without mucking it.”

“I’ve got a notion.”

“And you’ll spoil the whole show if you don’t tell your Uncle Stalky. Cough it up, ducky, and we’ll see what we can do. Notion, you fat impostor--I knew you had a notion when you went away! Turkey said it was a poem.”

“I’ve found out how houses are built. Le’ me get up. The floor-joists of one room are the ceiling-joists of the room below.”

“Don’t be so filthy technical.”

“Well, the man told me. The floor is laid on top of those joists--those boards on edge that we crawled over--but the floor stops at a partition. Well, if you get behind a partition, same as you did in the attic, don’t you see that you can shove anything you please under the floor between the floor-boards and the lath and plaster of the ceiling below? Look here. I’ve drawn it.”