Part 36

But,--more striking and fatal far--the photograph's evidence was not required. No man who saw, as I saw, the faces of Michael Blake and Angus Strachan side by side need wait for other evidence. Often had I seen them thus before--but never in the nakedness of passion.

Passion has the artist's magic hand and her master sketch is ever of her home. As Titian's immortal hills were but the reproduction of his far-off dwelling-place, genius plighting its troth to childhood, so doth passion illumine first the environs of her long time home, how humble so ever it may be. Passion paints the eternal childlike that is in us all. The face is the window through which the vista of a soul's inner life is flashed by her mystic hand, and in that moment the window glows with the unfeigned light of childhood, its simple radiance still unquenched, though long draped by artificial years.

Thus transfigured were the faces of Angus Strachan and Michael Blake--the one with mingled love and fear, the other with unmingled scorn. With that swift intensity of passion came the reversal to their common type, and the great betrayal was complete. The blood they shared together, speaking a kindred language, had turned King's evidence at last, and its unanswerable testimony leaped from face and eye.

For God hath His silent witnesses, like John the Baptist, by us shut up in prison and by us beheaded--but He calleth them to the witness-stand as pleaseth Him; and they live forever in dreadful gospels of love and doom, the latter sharing the power of the former's endless life. Their voice is heard above Herodias' strains of revelry and even sceptred Sadducees tremble at the sound.

Vast is life's mighty forest, but the wronger and the wronged meet somewhere amid its shadowy glades. Surely life's wooded maze might afford a hiding place to those who fly from armed memories--but God's rangers tread its every glen with stealthy step and the foliage of every thicket gleams with the armour of His detective host. A chance meeting, a foundling acquaintance, a stray newspaper, an undestroyed letter, a resurgent memory, a neglected photograph, or, as here, a tell-tale tide of blood--all these have accepted God's retainer and bear the invisible badge that denotes His world-spread Force. All life's apparent discord is harmony itself when He determines the departments and allots to every thing, and to every man, his work!

"You speak of Ettrick! What know you of Ettrick? What is her name that lives there?" I heard Mr. Blake ask in a faltering whisper, unheard by the rigid worshippers.

"She bears no name save that which you defiled--it shall not be spoken here, though I honour it with my deepest heart--but look on this," and Angus held out before him what he had drawn from his bosom as he spoke.

Michael Blake's gaze was fixed upon it, no word or sound coming from his lips. His eyes clung to it with tranquil eagerness, unconscious of all about, still clinging when Angus withdrew it, wrapped it in the paper which had enclosed it, and restored it to its hiding-place.

I know not why, but I held out my hand to him eagerly:

"Let me see it, Angus; my own mother is with God."

He hesitated but a moment, then drew it forth and handed it to me.

"All the world may see it," he said quietly, "it is my mother--you may read the letter if you will."

The portrait was of a woman still rich with girlhood's charm. Of about nineteen years, I should say, tall and graceful and sweet of countenance, with a great wealth of hair, with eyes that no flame but love's could have kindled, her lips, even in a picture, instinct with pure passion, and her whole being evidently fragrant and luscious as Scottish girlhood alone can be. For the sweetest flowers are nourished at the breast of the most rugged hills.

I was still reading the story of love and innocence and hope, all of which were written in the lovely face before me, when Angus said very gently:

"Read the letter, sir."

The writing on the paper which enclosed the picture had escaped my notice. It was a letter from Angus' mother, sent with the daguerreotypes. Its closing words ran thus:

"I send ye this picture o' masel' and the ane o' the man I loved sae weel. No ither picture have I had taken, nor ither shall there be. It was taken for yir faither before the gloamin' settled doon on you and me, ma laddie. It was taken for him, as was every breath I drew, for I loved him wi' every ane.

"Ye maunna think ower hard o' him, laddie, for yir mother canna drive him forth, so ye maun bide thegither in this broken hairt o' mine. And laddie, I am askin' God to keep me pure, for my love will hae its bloom some day far ayont us, like the bonny heather when the winter's bye. And I want to be worthy when it comes. I'm sair soiled, I ken, but love can weave its robe o' white for the very hairt it stained. And I maun be true till the gloamin's gone. So think o' yir mother as aye true to yir faither, and it'll mebbe help yir sorrow to ken there's aye this bond between yir faither and her wha bore ye. And Angus, dinna let him ken, gin ye should ever meet. Yir mother's bearin' her sorrow all alane in Ettrick and her laddie'll bear it ayont the ocean. We're a' in God's guid hands. Your loving mother,

JANET STRACHAN."

I returned the well worn letter to the unhappy hand from which I had received it. He tenderly wrapped it about his mother's picture and thrust the parcel back beside the loyal heart which shared, as it was bidden, the great sorrow and disgrace.

I then cast about in my mind for the next step which should be taken. Ordination I knew there could now be none. The pestilence of anger and shame and sin was upon us all. Dark horror sat upon the faces of the waiting congregation, their eyes still fixed on these two actors of this so sudden tragedy. It may have been that the proof of kinship, as demonstrated by these confronting faces, was finding its way into their hearts. These faces were still fastened the one upon the other, the younger with glowing scorn, the older with mingled love and tenderness, blended with infinite self-reproach.

I could see no course open to me except the dismissal of the congregation, and so announced my purpose.

"The Kirk Session is adjourned sine die," I said, for this is an ancient phrase and the proper forms must be observed. Even when our dearest lies in her coffin, there are certain phrases which announce in cold and heartless print that the heart's life-blood is flowing from its wound, and, however sacred that silent form, the undertaker's hands must have their will with it.

"Moderator." It was Thomas Laidlaw's voice. "Moderator, we hae heard but ae side. There's aye twa sides. Will ye no' let the accused speak for himsel'? Fair play is bonny play."

A moment's thought was enough to assure me as to what was right.

"By all means," I answered, sadly enough, for I had but little hope that any defense could be offered. "Mr. Blake may certainly speak if he wishes--it is but fair. Have you anything to say, Mr. Blake?"

As I turned towards the older man the younger withdrew his eyes from the face on which they had so long been fixed, and slowly rising, Angus walked down the aisle towards the door, conscious that he himself had proclaimed his bitter shame; but his mother's name seemed written on his forehead, redeemed by the sacrifice of his own. He had gone but a quarter of the way or so, when a trembling voice was heard.

"Angus, wait," it said; the voice was faint and tremulous like a birdling's note--but Angus heard it and stood still. He turned towards the pew whence it came, and a face met his own, a woman's face, blanched and pale, except for two burning spots upon her cheeks where the heart had unfurled its banners. It was a woman's voice, I say, and the eyes that looked out from it sought his own with a great caress of loyalty and love. The glowing eyes, and the parted lips, and the quick flowing breath, all spoke the bridal passion; for the bride's glory is in surrender, the bodily sacrifice but the pledge of her blended and surrendered life, lost in another's mastering love.