Harmon Whitney
Out of the lights and roar of cities, Drifting down like a spark in Spoon River, Burnt out with the fire of drink, and broken, The paramour of a woman I took in self-contempt, But to hide a wounded pride as well. To be judged and loathed by a village of little minds— I, gifted with tongues and wisdom, Sunk here to the dust of the justice court, A picker of rags in the rubbage of spites and wrongs,— I, whom fortune smiled on! I in a village, Spouting to gaping yokels pages of verse, Out of the lore of golden years, Or raising a laugh with a flash of filthy wit When they bought the drinks to kindle my dying mind. To be judged by you, The soul of me hidden from you, With its wound gangrened By love for a wife who made the wound, With her cold white bosom, treasonous, pure and hard, Relentless to the last, when the touch of her hand, At any time, might have cured me of the typhus, Caught in the jungle of life where many are lost. And only to think that my soul could not react, Like Byron’s did, in song, in something noble, But turned on itself like a tortured snake—judge me this way, O world.
Bert Kessler
I winged my bird, Though he flew toward the setting sun; But just as the shot rang out, he soared Up and up through the splinters of golden light, Till he turned right over, feathers ruffled, With some of the down of him floating near, And fell like a plummet into the grass. I tramped about, parting the tangles, Till I saw a splash of blood on a stump, And the quail lying close to the rotten roots. I reached my hand, but saw no brier, But something pricked and stung and numbed it. And then, in a second, I spied the rattler— The shutters wide in his yellow eyes, The head of him arched, sunk back in the rings of him, A circle of filth, the color of ashes, Or oak leaves bleached under layers of leaves. I stood like a stone as he shrank and uncoiled And started to crawl beneath the stump, When I fell limp in the grass.
Lambert Hutchins
I have two monuments besides this granite obelisk: One, the house I built on the hill, With its spires, bay windows, and roof of slate. The other, the lake-front in Chicago, Where the railroad keeps a switching yard, With whistling engines and crunching wheels And smoke and soot thrown over the city, And the crash of cars along the boulevard,— A blot like a hog-pen on the harbor Of a great metropolis, foul as a sty. I helped to give this heritage To generations yet unborn, with my vote In the House of Representatives, And the lure of the thing was to be at rest From the never—ending fright of need, And to give my daughters gentle breeding, And a sense of security in life. But, you see, though I had the mansion house And traveling passes and local distinction, I could hear the whispers, whispers, whispers, Wherever I went, and my daughters grew up With a look as if some one were about to strike them; And they married madly, helter-skelter, Just to get out and have a change. And what was the whole of the business worth? Why, it wasn’t worth a damn!
Lillian Stewart
I was the daughter of Lambert Hutchins, Born in a cottage near the grist-mill, Reared in the mansion there on the hill, With its spires, bay-windows, and roof of slate. How proud my mother was of the mansion How proud of father’s rise in the world! And how my father loved and watched us, And guarded our happiness. But I believe the house was a curse, For father’s fortune was little beside it; And when my husband found he had married A girl who was really poor, He taunted me with the spires, And called the house a fraud on the world, A treacherous lure to young men, raising hopes Of a dowry not to be had; And a man while selling his vote Should get enough from the people’s betrayal To wall the whole of his family in. He vexed my life till I went back home And lived like an old maid till I died, Keeping house for father.
Hortense Robbins
My name used to be in the papers daily As having dined somewhere, Or traveled somewhere, Or rented a house in Paris, Where I entertained the nobility. I was forever eating or traveling, Or taking the cure at Baden-Baden. Now I am here to do honor To Spoon River, here beside the family whence I sprang. No one cares now where I dined, Or lived, or whom I entertained, Or how often I took the cure at Baden-Baden.
Batterton Dobyns
Did my widow flit about From Mackinac to Los Angeles, Resting and bathing and sitting an hour Or more at the table over soup and meats And delicate sweets and coffee? I was cut down in my prime From overwork and anxiety. But I thought all along, whatever happens I’ve kept my insurance up, And there’s something in the bank, And a section of land in Manitoba. But just as I slipped I had a vision In a last delirium: I saw myself lying nailed in a box With a white lawn tie and a boutonnière, And my wife was sitting by a window Some place afar overlooking the sea; She seemed so rested, ruddy and fat, Although her hair was white. And she smiled and said to a colored waiter: “Another slice of roast beef, George. Here’s a nickel for your trouble.”
Jacob Godbey
How did you feel, you libertarians, Who spent your talents rallying noble reasons Around the saloon, as if Liberty Was not to be found anywhere except at the bar Or at a table, guzzling? How did you feel, Ben Pantier, and the rest of you, Who almost stoned me for a tyrant Garbed as a moralist, And as a wry-faced ascetic frowning upon Yorkshire pudding, Roast beef and ale and good will and rosy cheer— Things you never saw in a grog-shop in your life? How did you feel after I was dead and gone, And your goddess, Liberty, unmasked as a strumpet, Selling out the streets of Spoon River To the insolent giants Who manned the saloons from afar? Did it occur to you that personal liberty Is liberty of the mind, Rather than of the belly?
Walter Simmons
My parents thought that I would be As great as Edison or greater: For as a boy I made balloons And wondrous kites and toys with clocks And little engines with tracks to run on And telephones of cans and thread. I played the cornet and painted pictures, Modeled in clay and took the part Of the villain in the “Octoroon.” But then at twenty-one I married And had to live, and so, to live I learned the trade of making watches And kept the jewelry store on the square, Thinking, thinking, thinking, thinking,— Not of business, but of the engine I studied the calculus to build. And all Spoon River watched and waited To see it work, but it never worked. And a few kind souls believed my genius Was somehow hampered by the store. It wasn’t true. The truth was this: I did not have the brains.
Tom Beatty
I was a lawyer like Harmon Whitney Or Kinsey Keene or Garrison Standard, For I tried the rights of property, Although by lamp-light, for thirty years, In that poker room in the opera house. And I say to you that Life’s a gambler Head and shoulders above us all. No mayor alive can close the house. And if you lose, you can squeal as you will; You’ll not get back your money. He makes the percentage hard to conquer; He stacks the cards to catch your weakness And not to meet your strength. And he gives you seventy years to play: For if you cannot win in seventy You cannot win at all. So, if you lose, get out of the room— Get out of the room when your time is up. It’s mean to sit and fumble the cards And curse your losses, leaden-eyed, Whining to try and try.
Roy Butler
If the learned Supreme Court of Illinois Got at the secret of every case As well as it does a case of rape It would be the greatest court in the world. A jury, of neighbors mostly, with “Butch” Weldy As foreman, found me guilty in ten minutes And two ballots on a case like this: Richard Bandle and I had trouble over a fence And my wife and Mrs. Bandle quarreled As to whether Ipava was a finer town than Table Grove. I awoke one morning with the love of God Brimming over my heart, so I went to see Richard To settle the fence in the spirit of Jesus Christ. I knocked on the door, and his wife opened; She smiled and asked me in. I entered— She slammed the door and began to scream, “Take your hands off, you low down varlet!” Just then her husband entered. I waved my hands, choked up with words. He went for his gun, and I ran out. But neither the Supreme Court nor my wife Believed a word she said.
Searcy Foote
I wanted to go away to college But rich Aunt Persis wouldn’t help me. So I made gardens and raked the lawns And bought John Alden’s books with my earnings And toiled for the very means of life. I wanted to marry Delia Prickett, But how could I do it with what I earned? And there was Aunt Persis more than seventy Who sat in a wheel-chair half alive With her throat so paralyzed, when she swallowed The soup ran out of her mouth like a duck— A gourmand yet, investing her income In mortgages, fretting all the time About her notes and rents and papers. That day I was sawing wood for her, And reading Proudhon in between. I went in the house for a drink of water, And there she sat asleep in her chair, And Proudhon lying on the table, And a bottle of chloroform on the book, She used sometimes for an aching tooth! I poured the chloroform on a handkerchief And held it to her nose till she died.— Oh Delia, Delia, you and Proudhon Steadied my hand, and the coroner Said she died of heart failure. I married Delia and got the money— A joke on you, Spoon River?
Edmund Pollard
I would I had thrust my hands of flesh Into the disk-flowers bee-infested, Into the mirror-like core of fire Of the light of life, the sun of delight. For what are anthers worth or petals Or halo-rays? Mockeries, shadows Of the heart of the flower, the central flame All is yours, young passer-by; Enter the banquet room with the thought; Don’t sidle in as if you were doubtful Whether you’re welcome—the feast is yours! Nor take but a little, refusing more With a bashful “Thank you”, when you’re hungry. Is your soul alive? Then let it feed! Leave no balconies where you can climb; Nor milk-white bosoms where you can rest; Nor golden heads with pillows to share; Nor wine cups while the wine is sweet; Nor ecstasies of body or soul, You will die, no doubt, but die while living In depths of azure, rapt and mated, Kissing the queen-bee, Life!
Thomas Trevelyan
Reading in Ovid the sorrowful story of Itys, Son of the love of Tereus and Procne, slain For the guilty passion of Tereus for Philomela, The flesh of him served to Tereus by Procne, And the wrath of Tereus, the murderess pursuing Till the gods made Philomela a nightingale, Lute of the rising moon, and Procne a swallow Oh livers and artists of Hellas centuries gone, Sealing in little thuribles dreams and wisdom, Incense beyond all price, forever fragrant, A breath whereof makes clear the eyes of the soul How I inhaled its sweetness here in Spoon River! The thurible opening when I had lived and learned How all of us kill the children of love, and all of us, Knowing not what we do, devour their flesh; And all of us change to singers, although it be But once in our lives, or change—alas!—to swallows, To twitter amid cold winds and falling leaves!
Percival Sharp
Observe the clasped hands! Are they hands of farewell or greeting, Hands that I helped or hands that helped me? Would it not be well to carve a hand With an inverted thumb, like Elagabalus? And yonder is a broken chain, The weakest-link idea perhaps— But what was it? And lambs, some lying down, Others standing, as if listening to the shepherd— Others bearing a cross, one foot lifted up— Why not chisel a few shambles? And fallen columns! Carve the pedestal, please, Or the foundations; let us see the cause of the fall. And compasses and mathematical instruments, In irony of the under tenants, ignorance Of determinants and the calculus of variations. And anchors, for those who never sailed. And gates ajar—yes, so they were; You left them open and stray goats entered your garden. And an eye watching like one of the Arimaspi— So did you—with one eye. And angels blowing trumpets—you are heralded— It is your horn and your angel and your family’s estimate. It is all very well, but for myself I know I stirred certain vibrations in Spoon River Which are my true epitaph, more lasting than stone.
Spoon River Anthology · The Wunder Library — complete classics, free to read, with narration.