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Some Summer Days in Iowa

by Frederick John Lazell

By Frederick John Lazell · Science · Public domain

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Some Summer Days in Iowa is a public-domain classic of science by Frederick John Lazell.

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Author
Frederick John Lazell
Length
18,515 words · about 2 hours to read
Chapters
5
Price
Free — public domain

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Some Summer Days in Iowa

Frederick John Lazell

A book of the seasons, each page of which should be written in its own season and out of doors, or in its own locality, wherever it may be.--THOREAU

CEDAR RAPIDS, IOWA THE TORCH PRESS NINETEEN HUNDRED NINE

COPYRIGHT 1909 BY FRED J. LAZELL

PREFACE

Like the two preceding little volumes of this series, this book seeks to show something of what Iowa has to offer to the man who loves the out-of-doors. There is nothing very unusual in it. The trees and the flowers, the birds and the small wild animals which it mentions and describes are such as may be seen in the Iowa fields and woods by anyone who cares enough about them to walk amid their haunts. The illustrations are such as the ordinary nature lover may "take" for himself with his pocket kodak. The woodthrush built in a thicket by the bungalow and borrowed a paper napkin for her nest. The chipmunk came every morning for his slice of bread. And then the woodchuck learned to be unafraid.

It has long been the author's belief that Iowa has just as much to offer the nature lover as any other part of the world--that she has indeed a richer flora than many states--and that every true Iowan ought to know something of her trees and shrubs and herbs, her birds and animals, and to feel something of the beauty of her skies and her landscapes. There is so much beauty all around us, every day of the year, shall we not sometimes lift our eyes to behold it?

The majority of Iowa people still find pleasure in the simple life, still have the love for that which Nature so freely bestows. They find time to look upon the beauty of the world. Many a busy man finds his best recreation in the woods and fields. It may be only a few hours each week, but it is enough to keep the music of the flowing waters ever in his ears and the light of the sunshine in his eyes. It is enough to give the men and the women of the state wholesome views of life, happy hearts and broad sympathies. Some few find in the woods and fields thoughts and feelings which are, to them, almost akin to religion. If this little book helps such lovers of the out-of-doors ever so little; if it shall help others to see for themselves the beauty and the joy and the goodness of this world in which we live, the author will feel that it has been worth while.

VII.--AN OLD ROAD IN JULY

In the old woods road a soft haze hung, too subtle to see save where its delicate colorings were contrasted against the dark green leaves of the oaks beyond the fence. Not the tangible, vapory haze of early morning, but a tinted, ethereal haze, the visible effluence of the summer, the nimbus of its power and glory. From tall cord grasses arching over the side of the road, drawing water from the ditch in which their feet were bathed and breathing it into the air with the scent of their own greenness; from the transpiration of the trees, shrubs and vines, flowers and mosses and ferns, from billions of pores in acres of leaves it came streaming into the sunlight, vanishing quickly, yet ever renewed, as surely as the little brook where the grasses drank and the grackles fished for tadpoles and young frogs, was replenished by the hidden spring. Mingled with it and floating in it was another stream of life, the innumerable living organisms that make up the dust of the sunshine. Pink and white, black and yellow spores from the mushrooms over the fence in the pasture; pollen pushed from the glumes of the red top grasses and the lilac spires of the hedge nettle and germander by the roadside; shoals of spores from the mosses and ferns by the trees and in the swamp; all these life particles rose and floated in the haze, giving it tints and meanings strangely sweet. When a farmer's buggy passed along the old road the haze became a warm pink, like some western sky in the evening, slowly clearing again to turquoise as the dust settled. Viewed in this way, the haze became a mighty, broad-mouthed river of life, fed by billions of tiny streams and moving ever toward the vast ocean of the sunlight. Faintly visible to the discerning eye, it was also audible to the attentive ear, listening as one listens at the edge of a field in the night time to hear the growing of the corn. If all the millions of leaves had ceased their transpiration, if this flow of life had been shut off, as the organist pushes in the tremolo stop, the sound of the summer would not have been the same. Something of the strength and joy of the summer was in it. Drinking deeply of it the body was invigorated and the heart grew glad. In it the faith of the winter's buds and the hope of the spring's tender leaves found rich fulfillment. Theirs was a life of hope and promise that the resurrection should come; this was the glorious life after the resurrection, faith lost in sight and patient hope crowned.

* * * * *

Slender white minarets of the Culver's root, rising from green towers above the leafy architecture of the woodland undergrowth and reaching toward the light of the sky, told the time of the year as plainly as if a muezzin had appeared on one of its leafy balconies and proclaimed a namaz for the middle of July. Beholding them from afar, honey bees came on humming wings for the nectar lying deep in their tiny florets. Eager stamens reached out far beyond the blossoms to brush the bees' backs with precious freights of pollen to be transported to the stigmas of older flowers. Playing each its part in the plan of the universe, flower and insect added its mite to the life and the loveliness of the summer. From the sunshine and the soil-water the long leaves manufactured food for the growth of the plant. Prettily notched, daintily tapering, and arranged in star-like whorls about the stem, they enhanced the beauty of the flowers above them and attracted the observer to the exquisite order governing their growth. When the leaves were arranged in whorls of four, the floral spires were quadruple, like the pinnacles on a church tower; if the green towers were hexagonal, then six white minarets pointed to the sky. The perfect order of the solar system and the majesty of the Mind which planned it, was manifested in this single plant. So does beauty lead the way to the mountain tops of truth. By the road of earthly beauty we may always reach religion and truth is ever beckoning us to new and nobler visions. That "thread of the all-sustaining beauty, which runs through all and doth all unite" gently leads us from the things which are tangible and temporal to the truths which are spiritual and eternal; from the beauty of the concrete to the beauty of the abstract, onward along the road of beauty and farther up the heights of truth until our admiration for the beauty of the sunrise, the snow crystal, the graceful spray of the trees in winter, the exquisite order and harmony of the universe from the orbit of the largest planet to the flow of life in the tiniest leaf, develops into a lasting love for beauty in life and in character; and still farther up the heights into an atmosphere of intelligent, rational, genuine love for the Great First Cause of all beauty. As the heart opens to receive the beauty of the world, as the mind and soul strive, like the plants, for the highest development, so is the world redeemed from error and crime and the perfection of the race is attained. If one soul finds this truth more quickly and easily here amid the trees and flowers, for him is the old road greater than religious dogmas or social systems.

* * * * *

Always beautiful and interesting, in these long days of mid-July the old road is at its best. No length of day can measure its loveliness or encompass its charm. Very early in the morning there is a faint rustle of the leaves, a delicate flutter through the woods as if the awakening birds are shaking out their wings. Shrubs and bushes and trunks of trees have ghostly shapes in the few strange moments that are neither the darkness nor the dawn. As the light steals through the woods their forms grow less grotesque. In the half light a phoebe begins her shrill song. A blue-jay screams. The quail sounds his first "Bob White." Brown thrashers in the thicket--it is past their time of singing--respond with a strange, sibilant sound, a mingled hiss and whistle, far different from his ringing songs of May, now only memories; different also from her scoldings when she was disturbed on her nest and from her tender crooning calls to her babies during June.

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Contents — all 5 chapters

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