Part 3

And meanwhile the violet, which was among the plants sacred to Aphrodite, was also appealing to this master poet, who was born this month, as were Wordsworth, George Herbert, John Keble, Anthony Trollope, David Hume, and Edward Gibbon, and who died this month as did Edward Young, who wrote Night Thoughts, and Abraham Lincoln, who freed a race and saved a nation. Who can ever forget the month of Lincoln's death after he has once read that exquisite description of an April day and the song of the hermit thrush, written by Whitman to commemorate the funeral of his friend?

The violets have been especially loved by the poets. Theocritus placed them foremost in his coronals and put them into Thyrsis's song of Daphnis's fatal constancy. Chaucer had them in his garlands, and Spenser's "flock of nymphes" gather them "pallid blew" in a meadow by the river side. In Percy's Reliques they are the "violets that first appear, by purple mantles known." Milton allows Zephyr to find Aurora lying "on beds of violet blue." Shakespeare places them upon Ophelia's grave and says they are "sweeter than the lids of Juno's eyes." Wordsworth, Tennyson, and all our own poets have loved them.

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But we have lingered too long among our flowers and thoughts in the April woods. The filmy haze which veiled the sun has thickened into threatening clouds, and as we look across the meadow to where the silver blue haze rested on the delectable mountain in the morning we see instead the rain-fringe, veiling and obscuring the landscape. The wind has died to a dead calm and the river is still. As the shower comes nearer the whole landscape is shrouded in an ever darkening gray and presently big round drops splash upon the surface of the river. In a moment we are surrounded by the rain. How beautiful is the first spring rain! It does not run down the slope as in the winter when the ground was frozen, but the thirsty earth seems eager to drink every drop. The unfolding leaves of the shrubs are bathed in it and the tender firstlings of the flowers are revelling in it. It dims the singing of the birds, but the robins and the meadow larks carol on and the spring music of the frogs in the nearby pond has not yet ceased.

What makes the raindrops round? And why are the drops at the beginning of the shower much larger than those which follow? We do not know. Perhaps it is well. Walt Whitman says that "you must not know too much or be too scientific about these things." He holds that a little indefiniteness adds to the enjoyment, a hazy borderland of thought as it were, like that which rests in April mornings on enchanted highlands away across the river, which we have never yet--as Thoreau says--"tarnished with our feet."

And, anyway, before we can reason it out, the rain has ceased and the last rays of the descending sun come through an opening in the clouds in that beautiful phenomenon known as a "sunburst.'[TN-3] The white beams come diagonally through the moisture-laden air, as if in a good-night smile to the tender flowers and buds.

Warming with the sunshine and watering with the showers--that is Miss April making her flower garden grow.

MAY--PERFECTION OF BEAUTY

V. MAY--PERFECTION OF BEAUTY

Among the changing months May stands confessed The sweetest and in fairest colors dressed. --THOMSON.

Surely the poet sang truly. We would not forget Lowell's challenge "What is so rare as a day in June," but as we sit here on the top of a limestone cliff nearly a hundred feet above the bed of the creek, and watch the red sun brightening the gray of the eastern sky, while the robins and the meadow larks are singing joyous matins we steep our senses in the delicate colorings of earth and sky that signalize the awakening of another day and the real revival of another year. April was encouraging, but there were many bare boughs and many of the last year's leaves still clung to the oaks and made a conspicuous feature of the landscape. The leafy month of June will show us more foliage, but it will be of a darker and more uniform shade of green. Now, as the sun rises higher and sends his rays through both the woodlands and the brushlands we thrill with delight at the kaleidoscope of color. There are no withered leaves to mar the beauty now. Seen in mass, and at a distance, the woodlands are a soft cinerous purple. But the tops, where the ruddy rays of the sun are glancing, are a hazy cloud of tender green, pink, yellow and pale purple. Nearer trees show in their opening leaves pale tints of the same gorgeous colors which we see in the fall. The maple keys and the edges of the tender leaves glow blood-red in the morning sun. The half-developed leaves of the birch and the poplar are a yellowish-green, not unlike the yellow which they show in autumn. The neatly plaited folds of the leaves of the oak display a greenish or cinerous purple, a soft and delicate presentment of the stronger colors which come in October, just as the overture gives us faint voicings of the beauty which the opera is to bring; just as Lowell's organist gives us

"The faint auroral flushes sent Along the wavering vista of his dream."

The edge of the cliff is lined with shad-trees. Each twig is a plume of feathery dainty white The drooping racemes of white blossoms, with the ruby and early-falling bracts among them look like gala decorations to fringe the way of Flora as she travels up the valley. The shad-trees have blossomed rather late. In them and under them it is fully spring. There is a sound of bees and a sense of sweetness which make us forget all the cold days and think only of the glory of the coming summer. There comes a song sparrow and perches on one of the twigs. He throws back his little head, opens his mouth and pours forth a flood of melody. Next comes a myrtle warbler, eager to show us the yellow on his crown, on his two sides and the lower part of his back. He is one of the most abundant of the warblers and one of the most charming and fearless. He perches on a hop hornbeam tree from which the catkins have just shed their yellow pollen and goes over it somewhat after the manner of a chickadee or a nuthatch, showing us as he does so the white under his chin, the two heavy black marks below that, the two white cross bars on his wings, and his coat of slate color, striped and streaked with black. He goes over every twig of the little tree and then flies off to another, first pausing, however, to give his little call note "tschip, tschip" and then his little song, "Tschip-tweeter-tweeter." A pair of kingfishers, showing their blue wings and splendid crests, fly screaming down the creek. Their nest is in a tunnel four feet in the clay banks on the opposite side.

Purple finches, a bit late in the season, are feeding on the seeds of the big elm. The snows of late April and early May must have delayed their journey northward. When the bird-designer made this bird he set out to make a different kind of sparrow, but then had pity upon the amateur ornithologist who finds the sparrows even now almost as difficult to classify as the amateur botanists do their asters; so he dipped the bird in some raspberry juice--John Burroughs says pokeberry juice--and the finch came out of the dye with a wash of raspberry red on his head, shoulders and upper breast, brightest on the head and the lower part of his back. Otherwise he looks much like an English sparrow.

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Now the belated April flowers are seen at their best, mingled with many of the May arrivals. It is such a day as that when Bryant wrote "The Old Man's Counsel." On the sloping hillsides, around the leafing hazel "gay-circles of anemones dance on their stalks." In the more open places the little wind flower, with its pretty leaves and solitary white blossoms, blooms in cheerful companionship with its fellows, and the more sterile parts of the hillside are snowed with the white plumes of the plantain-leaved everlasting. Downy yellow violets and the common blue violets grow everywhere and down on the sand near the river the birdfoot violet, with its quaintly cut leaves and handsome blossoms grows abundantly for the children who love to gather the "sand violets." On the bottom which was flooded in March the satiny yellow flowers of the marsh buttercup shine and the beautiful green of the uplands is spotted with the pure gold of the buttercup. There is no longer need to be satisfied with a few pretty flowers. May scatters her brightest and best in abundance. On the rocky slopes the wild ginger shows its red-brown, long-eared urns, the white baneberry its short white plumes, the branchlets of the bladdernut are breaking into white clusters and columbine soon will "sprinkle on the rocks a scarlet rain" as it did in Bayard Taylor's time, although the "scarlet rain," like that of the painted cup in the lowlands, grows less and less each year. The white glory of the plum thickets at its height and the hawthornes, whose young leaves have been a picture of pink and red, will soon break into blossom and vie with the crabapple thickets in calling attention to the beauty of masses of color when arranged by the Master Painter.

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The carpet of the woodlands grows softer and thicker, and more varied each day. Ferns and brakes are coming thickly. The flowers grow more splendid. The large, wholesome looking leaves of the blue bell are a fitting setting for the masses of bloom which show pink in the bud, then purple, and lastly a brilliant blue. Jack-in-the-pulpits make us smile with keen pleasure as memories of happy childhood days come crowding thickly upon us. The pretty pinnate leaves of the blue-flowered polemonium are sufficient explanation for the common name Jacobs-ladder, even though that name does not properly belong to our species. The purple trilliums, like the Dutchman's breeches, felt the effects of the many April and early May frosts but now they are coming into their beauty. Great colonies of umbrella-leaved May-apple are breaking into white flowers. The broad, lily-like leaves of the true and false Solomon's seal are even more attractive than their blossoms. Ferns, bellwort, wild sarsaparilla, all help to soften our footfalls, while overhead the light daily grows more subdued as the leaf-buds break and the leaves unfold. The throb of the year's life grows stronger. All the blossoms and buds which were formed last summer now break quickly into beauty. And, already, before the year has fairly started, there are signs of preparation for the following year. The dandelion is pushing up its fairy balloons, waiting for the first breeze. The shepherd's purse already shows many mature seeds below its little white blossoms. The keys of the soft maple will soon be ready to fall and send out rootlets, and the winged seeds of the white elm already lie thickly beneath the leafing branches.

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Each flower invites admiration and study. Dig up the root of the Solomon's seal, a rootstock, the botanists call it. It is long, more or less thickened and here and there is a circular scar which marks the place from which former stems have arisen. When these leaf-bearing stems die down they leave on this rootstock down in the ground, a record of their having lived. The scar looks something like a wax seal and the man who gave the plant the name of Solomon's seal had probably read that tale in the Arabian Nights, where King Solomon's seal penned up the giant genie who had troubled the fishermen.

Then there's the May-apple. Who does not remember his childhood days when he pulled the little umbrellas? Even now as they come up in little colonies, they call up memories of the fairy tales of childhood and we almost expect to see a fairy, or a brownie, or Queen Mab herself, coming from under them, when the summer shower, which makes their tops so beautifully moist gray, has passed. And they also bring to mind that charming first edition of Dr. Gray's botany, which had in it much of the man's humor as well as his learning. Too bad that the learned scientists who succeeded him have cut it out. "Common Honesty, very rare in some places," he wrote, speaking of that plant. "Ailanthus, Tree of Heaven, flowers smell of anything but heaven," was his comment on the blossoms of our picturesque importation from China. And when he came to the May-apple he wrote that the sweetish fruit was "eaten by pigs and boys." This made William Hamilton Gibson remember his own boyish gorgings and he wrote: "Think of it boys. And think of what else he says of it: 'Ovary ovoid, stigma sessile, undulate, seeds covering the lateral placenta, each enclosed in an aril.' Now it may be safe for pigs and billy-goats to tackle such a compound as that, but we boys all like to know what we are eating, and I cannot but feel that the public health officials of every township should require this formula of Dr. Gray's to be printed on every one of these big loaded pills, if that is what they are really made of."

Another interesting plant is the trillium erectum, which with the trillium recurvatum, is now to be found in the woods hereabouts. The flowers of the trillium erectum are ill scented, carrion scented, if you please. Now the botanists have found that this odor, which is so unpleasant to the human nostrils, does the plant a real service by attracting the common green flesh-flies, such as are seen in the butchershops in the summer-time. They eat the pollen, which is supposed to taste as it smells and thus as they go from flower to flower they carry pollen from one blossom to another and so secure for the plant cross-pollination.

So we may walk from one flower to another until the morning wears to a bright noon and the afternoon wanes into a songful sunset.

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In the swamp, where the red-winged blackbird is building her bulky nest between the stems of the cat tail, and the prairie marsh wren is making her second or third little globular nest in a similar place, there is a blaze of yellow from the marsh marigolds which make masses of succulent stems and leaves, crowned with pale gold, as far up the marsh as the eye can reach. In Iowa, it is in May, rather than in June, that "the cowslip startles the meadows green" and "the buttercup catches the sun in its chalice." And it is in late April or early May that "the robin is plastering his house hard by." By the way, ought not the poet to have made it "her" house? It is the mother bird who seems to do the plastering. Both birds work on the structure, but it appears to be the female who carries most of the mud and who uses her faded red apron for a trowel as she moves round in her nest pushing her breast against the round wall of the adobe dwelling to spread the mud evenly. The work on one particular nest was done in late April when there was nothing on the elm but the seed fringes to screen the builder as she worked. Then the four light greenish-blue eggs were laid. A red squirrel got one of them one day. Disregarding the squeakings and scoldings of the anxious robins, he sat on a limb holding the egg in his forepaws and bit a hole in one side of it. Then he drained the contents, dropped the shell to the ground and was about to get another egg when he was driven off. Apparently he forgot the location of the nest after that, for the other three eggs hatched out safely.

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The air is filled with bird music. It began with the larks, closely followed by the robins, and then the noise of the crows. No change in the program since the days of Shakespeare's Troilus and Cressida when:

"The busy day Wak'd by the lark, hath roused the ribald crows."