"It started this way," Clay began, carefully. He was anxious to be quite fair to Miss Langham, but he found it difficult to give her point of view correctly, while he was hungering for a word that would re-establish him in his own good opinion. "Your sister said she did not think very much of what I had done, but she explained kindly that she hoped for better things from me. But what troubles me is, that I will never do anything much better or very different in kind from the work I have done lately, and so I am a bit discouraged about it in consequence. You see," said Clay, "when I come to die, and they ask me what I have done with my ten fingers, I suppose I will have to say, 'Well, I built such and such railroads, and I dug up so many tons of ore, and opened new countries, and helped make other men rich.' I can't urge in my behalf that I happen to have been so fortunate as to have gained the good-will of yourself or your sister. That is quite reason enough to me, perhaps, for having lived, but it might not appeal to them. I want to feel that I have accomplished something outside of myself--something that will remain after I go. Even if it is only a breakwater or a patent coupling. When I am dead it will not matter to any one what I personally was, whether I was a bore or a most charming companion, or whether I had red hair or blue. It is the work that will tell. And when your sister, whose judgment is the judgment of the outside world, more or less, says that the work is not worth while, I naturally feel a bit discouraged. It meant so much to me, and it hurt me to find it meant so little to others."
Hope remained silent for some time, but the rigidity of her attitude, and the tightness with which she pressed her lips together, showed that her mind was deeply occupied. They both sat silent for some few moments, looking down toward the distant lights of the city. At the farther end of the double row of bushes that lined the avenue they could see one of King's sentries passing to and fro across the roadway, a long black shadow on the moonlit road.
"You are very unfair to yourself," the girl said at last, "and Alice does not represent the opinion of the world, only of a very small part of it--her own little world. She does not know how little it is. And you are wrong as to what they will ask you at the end. What will they care whether you built railroads or painted impressionist pictures? They will ask you 'What have you made of yourself? Have you been fine, and strong, and sincere?' That is what they will ask. And we like you because you are all of these things, and because you look at life so cheerfully, and are unafraid. We do not like men because they build railroads, or because they are prime ministers. We like them for what they are themselves. And as to your work!" Hope added, and then paused in eloquent silence. "I think it is a grand work, and a noble work, full of hardships and self-sacrifices. I do not know of any man who has done more with his life than you have done with yours." She stopped and controlled her voice before she spoke again. "You should be very proud," she said.
Clay lowered his eyes and sat silent, looking down the roadway. The thought that the girl felt what she said so deeply, and that the fact that she had said it meant more to him than anything else in the world could mean, left him thrilled and trembling. He wanted to reach out his hand and seize both of hers, and tell her how much she was to him, but it seemed like taking advantage of the truths of a confessional, or of a child's innocent confidences.
"No, Miss Hope," he answered, with an effort to speak lightly, "I wish I could believe you, but I know myself better than any one else can, and I know that while my bridges may stand examination--I can't."
Hope turned and looked at him with eyes full of such sweet meaning that he was forced to turn his own away.
"I could trust both, I think," the girl said.
Clay drew a quick, deep breath, and started to his feet, as though he had thrown off the restraint under which he had held himself.
It was not a girl, but a woman who had spoken then, but, though he turned eagerly toward her, he stood with his head bowed, and did not dare to read the verdict in her eyes.
The clatter of horses' hoofs coming toward them at a gallop broke in rudely upon the tense stillness of the moment, but neither noticed it. "How far," Clay began, in a strained voice, "how far," he asked, more steadily, "could you trust me?"
Hope's eyes had closed for an instant, and opened again, and she smiled upon him with a look of perfect confidence and content. The beat of the horses' hoofs came now from the end of the driveway, and they could hear the men at the rear of the house pushing back their chairs and hurrying toward them. Hope raised her head, and Clay moved toward her eagerly. The horses were within a hundred yards. Before Hope could speak, the sentry's voice rang out in a hoarse, sharp challenge, like an alarm of fire on the silent night. "Halt!" they heard him cry. And as the horses tore past him, and their riders did not turn to look, he shouted again, "Halt, damn you!" and fired. The flash showed a splash of red and yellow in the moonlight, and the report started into life hundreds of echoes which carried it far out over the waters of the harbor, and tossed it into sharp angles, and distant corners, and in an instant a myriad of sounds answered it; the frightened cry of night-birds, the barking of dogs in the village below, and the footsteps of men running.
Clay glanced angrily down the avenue, and turned beseechingly to Hope.
"Go," she said. "See what is wrong," and moved away as though she already felt that he could act more freely when she was not near him.
The two horses fell back on their haunches before the steps, and MacWilliams and Stuart tumbled out of their saddles, and started, running back on foot in the direction from which the shot had come, tugging at their revolvers.
"Come back," Clay shouted to them. "That's all right. He was only obeying orders. That's one of King's sentries."
"Oh, is that it?" said Stuart, in matter-of-fact tones, as he turned again to the house. "Good idea. Tell him to fire lower next time. And, I say," he went on, as he bowed curtly to the assembled company on the veranda, "since you have got a picket out, you had better double it. And, Clay, see that no one leaves here without permission--no one. That's more important, even, than keeping them out."
"King, will you--" Clay began.
"All right, General," laughed King, and walked away to meet his sailors, who came running up the hill in great anxiety.
MacWilliams had not opened his lips, but he was bristling with importance, and his effort to appear calm and soldierly, like Stuart, told more plainly than speech that he was the bearer of some invaluable secret. The sight filled young Langham with a disquieting fear that he had missed something.
Stuart looked about him, and pulled briskly at his gauntlets. King and his sailors were grouped together on the grass before the house. Mr. Langham and his daughters, and Clay, were standing on the steps, and the servants were peering around the corners of the house.
Stuart saluted Mr. Langham, as though to attract his especial attention, and then addressed himself in a low tone to Clay.
"It's come," he said. "We've been in it since dinner-time, and we've got a whole night's work cut out for you." He was laughing with excitement, and paused for a moment to gain breath. "I'll tell you the worst of it first. Mendoza has sent word to Alvarez that he wants the men at the mines to be present at the review to-morrow. He says they must take part. He wrote a most insolent letter. Alvarez got out of it by saying that the men were under contract to you, and that you must give your permission first. Mendoza sent me word that if you would not let the men come, he would go out and fetch them in him self."
"Indeed!" growled Clay. "Kirkland needs those men to-morrow to load ore-cars for Thursday's steamer. He can't spare them. That is our answer, and it happens to be a true one, but if it weren't true, if to-morrow was All Saints' Day, and the men had nothing to do but to lie in the sun and sleep, Mendoza couldn't get them. And if he comes to take them to-morrow, he'll have to bring his army with him to do it. And he couldn't do it then, Mr. Langham," Clay cried, turning to that gentleman, "if I had better weapons. The five thousand dollars I wanted you to spend on rifles, sir, two months ago, might have saved you several millions to-morrow."
Clay's words seemed to bear some special significance to Stuart and MacWilliams, for they both laughed, and Stuart pushed Clay up the steps before him.
"Come inside," he said. "That is why we are here. MacWilliams has found out where Burke hid his shipment of arms. We are going to try and get them to-night." He hurried into the dining-room, and the others grouped themselves about the table. "Tell them about it, MacWilliams," Stuart commanded. "I will see that no one overhears you."
MacWilliams was pushed into Mr. Langham's place at the head of the long table, and the others dragged their chairs up close around him. King put the candles at the opposite end of the table, and set some decanters and glasses in the centre. "To look as though we were just enjoying ourselves," he explained, pleasantly.
Mr. Langham, with his fine, delicate fingers beating nervously on the table, observed the scene as an on-looker, rather than as the person chiefly interested. He smiled as he appreciated the incongruity of the tableau, and the contrast which the actors presented to the situation. He imagined how much it would amuse his contemporaries of the Union Club, at home, if they could see him then, with the still, tropical night outside, the candles reflected on the polished table and on the angles of the decanters, and showing the intent faces of the young girls and the men leaning eagerly forward around MacWilliams, who sat conscious and embarrassed, his hair dishevelled, and his face covered with dust, while Stuart paced up and down in the shadow, his sabre clanking as he walked.
"Well, it happened like this," MacWilliams began, nervously, and addressing himself to Clay. "Stuart and I put Burke safely in a cell by himself. It was one of the old ones that face the street. There was a narrow window in it, about eight feet above the floor, and no means of his reaching it, even if he stood on a chair. We stationed two troopers before the door, and sent out to a café across the street for our dinners. I finished mine about nine o'clock, and said 'Good night' to Stuart, and started to come out here. I went across the street first, however, to give the restaurant man some orders about Burke's breakfast. It is a narrow street, you know, with a long garden-wall and a row of little shops on one side, and with the jail-wall taking up all of the other side. The street was empty when I left the jail, except for the sentry on guard in front of it, but just as I was leaving the restaurant I saw one of Stuart's police come out and peer up and down the street and over at the shops. He looked frightened and anxious, and as I wasn't taking chances on anything, I stepped back into the restaurant and watched him through the window. He waited until the sentry had turned his back, and started away from him on his post, and then I saw him drop his sabre so that it rang on the sidewalk. He was standing, I noticed then, directly under the third window from the door of the jail. That was the window of Burke's cell. When I grasped that fact I got out my gun and walked to the door of the restaurant. Just as I reached it a piece of paper shot out through the bars of Burke's cell and fell at the policeman's feet, and he stamped his boot down on it and looked all around again to see if any one had noticed him. I thought that was my cue, and I ran across the street with my gun pointed, and shouted to him to give me the paper. He jumped about a foot when he first saw me, but he was game, for he grabbed up the paper and stuck it in his mouth and began to chew on it. I was right up on him then, and I hit him on the chin with my left fist and knocked him down against the wall, and dropped on him with both knees and choked him till I made him spit out the paper--and two teeth," MacWilliams added, with a conscientious regard for details. "The sentry turned just then and came at me with his bayonet, but I put my finger to my lips, and that surprised him, so that he didn't know just what to do, and hesitated. You see, I didn't want Burke to hear the row outside, so I grabbed my policeman by the collar and pointed to the jail-door, and the sentry ran back and brought out Stuart and the guard. Stuart was pretty mad when he saw his policeman all bloody. He thought it would prejudice his other men against us, but I explained out loud that the man had been insolent, and I asked Stuart to take us both to his private room for a hearing, and, of course, when I told him what had happened, he wanted to punch the chap, too. We put him ourselves into a cell where he could not communicate with any one, and then we read the paper. Stuart has it," said MacWilliams, pushing back his chair, "and he'll tell you the rest." There was a pause, in which every one seemed to take time to breathe, and then a chorus of questions and explanations.
Soldiers of Fortune · The Wunder Library — complete classics, free to read, with narration.