Another night there was a beautiful afterglow, and being a lover of the beautiful as well as a driver of a truck, I was lost in the wonder of the crimson flush against the western hills.
"Makes me homesick," said the big man beside me, whose home is in the West. "Looks for all the world like one of our Arizona afterglows."
"It is beautiful," I replied, and then we were both lost in silent appreciation of the scene before us, when suddenly we were startled witless.
"Halt!" rang out through the semi-darkness. "Who goes there?"
"Y. M. C. A." we shot back as quick as lightning, for we had learned that it doesn't pay to waste time in answering a sentinel's challenge down within sound of the German guns.
"Pass on, friends," was the grinning reply. That rascal of a sentry had caught us unawares, lost in the afterglow, and he was tickled over having startled us into astonishment.
But even though he did give us a scare, I am sure that the picture of him standing there in the middle of that French road, with his gun raised against the afterglow, will be one of the outstanding silhouettes of the memories of France.
Then there was the old Scotch dominie down at Chateau-Thierry, with the marines. The boys called him "Doc," and loved him, for he had been with them for eight months.
One night, in the midst of the hottest fighting in June, the old secretary thought he would go out in the night and see how the boys were getting along. He walked cautiously along the edge of the woods when suddenly the word "Halt!" shot out in low but distinct tones.
"Who goes there?"
"A friend," the secretary replied.
"Oh, it's you, is it, Doc? Gee, I'm glad to see you! This is a darned weird place to-night. Every time the wind blows I think it's a Boche."
There was a slight noise out in No Man's Land. "What's that, Doc, a Boche?"
"I think not."
"You can't tell, Doc; they're everywhere. If I've seen one, I've seen ten thousand to-night on this watch."
That old gray-haired secretary will never forget that night when he walked among the men in the trenches with his little gifts and his word of cheer, that memorable night before the Americans made themselves heroes forever in the Bois du Belleau. He will never forget the sound of that boy sentry's voice when he said, "Gee, Doc, I'm glad it's you"; nor will he forget the looks of the boy as he stood there in the darkness, the guardian of America's hopes and homes, nor will he forget the firm, warm clasp of the lad's hands as he walked away to greet others of his comrades.
These are Soldier Silhouettes that remain vivid until time dies, until the "springs of the seas run dust," as Markham says:
"Forget it not 'til the crowns are crumbled; 'Til the swords of the Kings are rent with rust; Forget it not 'til the hills lie humbled; And the springs of the seas run dust."
No, we do not forget scenes and moments like these in our lives.
Then there is the silhouette of the profile of the captain of a certain American machine-gun company who, in March, marched with his men into the Somme line. He was an old football-player back in the States, and we were having a last dinner together in Paris, a group of college men. After dinner, when we had finished discussing the dangers of the coming weeks, and he had told us that his major had said to him, "If fifteen per cent of us come out alive, I shall be glad," and after we had drifted back to the old college days, and home and babies, and after he had shown us a picture of his wife and his kiddies, it became strangely quiet in the room, and suddenly he turned his face from us, with just the profile showing against the light of the window, and exclaimed: "My God, fellows, for a half-hour you have made me forget that there is a war, and I have been back on the old campus again playing football, and back with my babies."
Then his jaw set, and I shall never forget the profile of his face as that set look came back and once again he became the captain of a machine-gun company.
Then there was the lone church service that my friend Clarke held one evening at a crossroads of France. He had held seven services that Sunday, one in a machine-gun company's dugout, with six men; another with a group of a dozen men in a front-line trench; another with several officers in an officers' dugout; another with a battery outfit who were "On Call," expecting orders to send over a few shells; another with several men out in No Man's Land, on the sunny side of an old upturned mass of tree roots; one in a listening-post, and finally this service with a lone sentry at a crossroads.
"But how did you do it?" I asked.
"I just saw him there," Clarke replied, "and he looked lonely, and I walked up and said: 'How'd you like to have me read a little out of the Book?'
"'Fine!' he said.
"Then I prayed with him, standing there at the crossroads, and I asked him if he didn't want to pray. He was a church boy back home, and he prayed as fine a prayer as ever I heard. Then we sang a hymn together. It was 'Jesus, Lover of My Soul,' and neither of us can sing much, but as I look back on it, it was the sweetest music that I ever had a part in making. The only thing I didn't do was take up a collection. Outside of that, it was just as if we had gone through a regular church service at home. I even preached a little to him. No, not just preached, but talked to him about the Master."
"Did you even go so far with your lone one-man congregation as to have a benediction?" I asked him.
"No, I just said what was in my heart when we were through, 'God bless and keep you, boy,' and went on."
Soldier Silhouettes on Our Front · The Wunder Library — complete classics, free to read, with narration.