Part 8

Words of Salutation.

Verbal greetings ought always to be quiet and respectful; they should never be shouted across streets, nor called when the parties are at any distance from each other. Nicknames should not be used publicly and promiscuously, in short, all possible respect should be paid to the feelings of other persons on public occasions.

The phrases, "Good morning," "Good evening," "Good afternoon," "How do you do?" "How are you?" are the usual forms employed. Sometimes the name of the person addressed is added, thus: "Good morning, Mrs. Smith."

Replies to these salutations are sometimes simply a bow from a lady to a gentleman, or perhaps a bow and a repetition of his greeting, as: "Good morning, Mr. Jones." "How do you do," should be replied to by the same phrase, never, as is often the case with the novice in social arts, by: "I am very well, thank you." A special inquiry after one's health, however, as: "How do you do, Mrs. Jones?" followed, after her acknowledgment, by: "How are you?" or, "How is your health?" should receive the response, "I am very well, thank you." After an acquaintance has been ill, the first inquiry by a friend should be one concerning health. This is a rule that should never be neglected; to do so would be an oversight.

Kissing is a custom which the code of English and American etiquette relegates as much as possible to the privacy of home. A kiss, the outward expression of our closest affection and our warmest love, should never be made a public show whereat the outside world may smile. Hence, the effusive kissing between girls and women at their meeting and their parting, is to be regretted as a specimen, to say the least, of very bad taste on their part. Indiscriminate kissing of children and infants is also objectionable on the score of health. Happily, kisses and embraces among men are never seen in this country, though, in some parts of Europe they are constantly to be observed, both in public and private.

ART of CONVERSATION

"Talk often," says Lord Chesterfield, "but never long; in that case if you do not please, at least you are sure not to tire your hearers. Pay your own reckoning, but do not treat the entire company: this being one of the very few cases in which people do not care to be treated, every one being fully convinced that he has the wherewithal to pay."

All other arts pale before the art of conversation as a source of popularity, and no other accomplishment tends so much toward social success. The contact of many minds is a constant stimulus to mental activity and its outward expression in animated conversation. It lends new power to brilliancy of talent, and quickens, to a certain extent, even the lowest and dullest of intellects.

Everyone has been surprised and delighted at times by some unexpectedly brilliant remark that has flashed from his lips during the course of some animated exchange of badinage and repartee, and there is no one but realizes how the mind acquires breadth and the opinions grow tolerant as one converses with persons of intelligence and culture.

Since, however, according to Cicero, "Silence is one of the greatest arts of conversation," there may be added, with equal wisdom, to the above counsel, "Listen often and well." Be not an impatient listener, nor yet an impassive one, but pay the compliment of attention and interest to the subject in hand, and your company will be sought as an acquisition.

Any lady, by profound attention to, and a pleased interest in the subject under consideration, may promote the conversation most skillfully and delightfully. Knowledge of the subject is not always necessary. An English savant, deeply interested in Egyptology, once escorted a young lady out to dinner. His conversation, as a matter of course, turned entirely upon excavations, hieroglyphics, and kindred topics. Upon all these the young lady was profoundly ignorant, but, if unversed in Egyptian lore, she was most thoroughly versed in conversational arts, and, by her speaking glances of intelligence and her pleased smile, so fascinated the man of science that he enthusiastically declared afterward that "Miss L---- was one of the best conversationalists and the most intelligent young lady he had ever met, and that her knowledge of Egyptology was something wonderful." This, to one who had sat opposite them at table, and could have vouched that the lady in question had not spoken a single word through the entire dinner, was slightly amusing. So strong however, was the impression left upon the mind of the savant by her interested attention, that it would have been difficult to convince him of the fact.

The Good Listener.

This, even if an exception, shows what attentive listening may accomplish toward social success. Let it be mentioned here, however, that no one individual should be so carried away by a pet hobby as to force conversation into a monologue. A very well bred man, no matter how great his interest in or eloquence upon any topic may be, always catches at the slightest hint to close the conversation.

A man will always bear in mind that the greatest compliment he can pay a woman is a respectful, deferential attention to her words. There are men whose very manner of listening conveys, in itself, the most delicate flattery.

A woman, in her turn, should always remember that, however interesting her conversation may be, there is always danger that a man may possibly weary of its protracted continuance, and so she should forebear leaving him no loophole for escape. Louise Chandler Moulton enjoins one thing on women which they would do well to recollect, and that is, "if they want a man to stay with them to make it evidently and entirely easy for him to get away. There is something lawless and rebellious in even the best of men; they hate doing things because they are obliged."

Suitable Topics.

To render conversation agreeable, suitable topics for the company present, if possible, must be chosen. Neither soar above the level of their conversation, nor sink so far beneath it, as to lead them to infer that you possess a very slight opinion of their merits.

In conversing, too many educated men fall into the error of talking commonplaces to all women alike, as if "small talk," to the exclusion of all weightier matters, were the only species of conversation suited to a woman's ear. On the contrary, she is more often either hurt or angered at your evident condescension, or, on the other hand, she credits you with just the amount of knowledge that you have evinced in your conversation with her.

In the search after suitable topics it is well to remember that all are pleased by a display of interest in their especial affairs. Thus, by leading the artist to talk of his pictures, the lady amateur of her music, the prima donna of her successes, the mother of her children, the author of his book, you may rest assured that they will always speak of you as a person of great discrimination and a very interesting conversationalist. They in their turn, unless extremely devoid of tact and eminently selfish, will display sufficient regard for your feelings to give an opportunity for waxing eloquent on your part over your own pet topics. Be very careful then not to fall into that besetting fault of good talkers, a monologue, which is fatal to all conversation.

Richard Steele gave a most desirable maxim for conversation when he said: "I would establish one great rule in conversation, which is this, that men should not talk to please themselves, but those that hear them--adapting their words to the place where, the time when, and the person to whom they are spoken."

Misuse of Quotations.

Do not use classical quotations before a woman unless you know that, by virtue of a classical education on her own part, she is capable of appreciating the point. Remember, too, that there are a great many men who, not having enjoyed your educational advantages, are annoyed, rather than edified by your display of learning.

Do not make a point of exhibiting your learning aggressively anywhere. "Classical quotation is the literary man's parole the world over," says Dr. Samuel Johnson, but he savored somewhat of the pedant, and his imitators, by too frequent an indulgence in this habit, may run the risk of aping his pedantry without possessing his genius. Neither is it well to interlard conversation with too frequent quotations from English authors, no matter how well they may fit the occasion. This is a habit that easily becomes tiresome.

"Small Talk."

The current change of society is the light coin of "small talk" that breaks with chink and shimmer the heavy bills of large denomination, that else would overwhelm social conversation with their size.

Wiseacres may meet and learnedly discourse on all manner of sage subjects, but that is discussion, debate, argument, what you will, not conversation. Conversation is light, brilliant, and tossed back and forth from one to another with the grace and ease of the feathered shuttlecock.

A lady of high literary attainments was seen in a gay gathering sitting quietly by herself in a corner, and, being questioned by a friend as to her silence, replied, half bitterly, "I have no 'small change,' and my bank bills are all of too large denomination for the occasion." This is a difficulty that one should strive to overcome, for, after all, it is small change, rather than bank bills, that society in general requires.

Given the foundation of even a moderate education, the aspirant for social success will gain more ideas from modern fiction than from any other source whatever. No historian presents the social manners and customs of his time with half the accuracy displayed by our best fiction writers. A well known society woman, familiar with its usages both at home and abroad, declares that "a course of Anthony Trollope is as good as a London season," and we all know that Howells and James and other authors of that ilk have lifted the portières of our own drawing rooms and shown us what is transpiring therein. Gail Hamilton says that to be "well-smattered" is next best to being deeply learned, and nowhere can a smattering of almost everything be better gained than from the modern works of fiction.