A man is usually asked to repeat his visit by the mistress of the house, not by the daughters, or else it is given by their chaperon.
What Not to Do.
Do not, according to the author of "Don't," be in haste to seat yourself; one appears fully as well and talks better, standing for a few moments. A man should always remain standing as long as there are any women standing in the room. A man should never take any article from a woman's hands--book, cup, flower, etc.--and remain seated, she standing. This rule is an imperative one; he must always rise to receive it.
Do not take young children when making formal calls; the hostess will be in terror as to the fate of her bric-à-brac, and the mother in dread as to what her young hopefuls may say or do.
Do not take pet dogs with you into the drawing room. Their feet may be dusty, they may be boisterous in expressing their feelings, and besides, some people have a perfect aversion to dogs, so that your visit, thus accompanied, is likely to be far from pleasant.
Do not meddle with, nor stare at the articles in the room. Do not toss over the cards in the card receiver, if there be one, and, while your name is being announced, do not wander impatiently around the room handling everything within reach.
Do not loll about in your chair, if a gentleman (a lady scarcely needs this caution), keep your feet squarely in front of you, not crossing them; ladies would do well to heed this also. Do not torment pet dogs or cats, or tease the children. Do not call the length of the room if you wish to address any one, but cross the room and speak to him quietly. Neither should you whisper to some one of the company, twist or curl your thumbs or hands, or play with the tassels on the furniture or window curtains, or commit any of the thousand and one blunders that mark the underbred and nervous visitor and render his presence an unwelcome trial.
There are a few other rules that would seem unnecessary to mention here were it not that they are so constantly sinned against. Among others it may be suggested not to do anything disagreeable in company. Do not scratch the head or use a toothpick, earspoon or comb; these are for the privacy of your own apartment. Use a handkerchief whenever necessary, but without glancing at it afterwards, and be quiet and unobtrusive in the action as possible. Do not slam the door, do not tilt your chair back to the loosening of its joints, do not lean your head against the wall, as it will soil the papering; in short, do unto others as you would be done by.
Do not tell long stories, more especially if they are about yourself; do not argue; do not talk scandal, and be sure not to attack the religious beliefs of any one present. Do study the chapter on the "Art of Conversation," and cultivate, as much as possible, that self-repose of manner that is, above all things, a sign of the lady or gentleman.
The Reception-Room.
The arrangement of the reception-room itself has much to do with the pleasure of the visitor. Who does not remember those delightful parlors where the guests dropped into pleasant conversational groups as by magic, and contrast them mentally with those other chilly apartments where a sort of mental frost seems to settle over one's faculties and incapacitate them for use. Much of this may be avoided by a judicious arrangement of chairs and couches, just where people drop naturally into easy groups, or, for the time being, surround their hostess.
Propinquity is a great incentive to pleasant conversation, for there are few people that can talk the pretty nothings and sparkling witticisms, whereof parlor conversation properly consists, across space to people stranded against the opposite wall. Therefore let the hostess, who would have her symposiums remembered with delight, see to it that she has an abundance of chairs, both easy and light, easy ones for the refreshment of the weary in body and light ones that may be quickly moved when the spirit moves toward some other group.
A clever woman, to whom all social arts were long-solved problems, once said that she always observed how the chairs were left in a drawing room where several people had been sitting and put them in the same position next time. A group near the door where the casual caller will naturally drop into one and the hostess into another, without the least effort, will be placed in the best possible position for a little chat. Fulfill these conditions and your drawing room will be often filled and the fame of it will go abroad.
Formal calls, as a rule, are at best but a duty performed that brings a satisfaction in itself, but it sometimes happens that, as a reward for our well-doing, some word may be said, some friend may be met by a happy chance that is like a gleam of sunshine on a cloudy day.
INVITATIONS FORMAL AND INFORMAL
There are certain rules to be observed in the writing of invitations that cannot be transgressed without incurring a just suspicion as to the degree of one's acquaintance with the laws and canons that govern our best society. For instance, Mrs. John Doe issues invitations for a ball or evening party; these, if issued in her own name or in the name of herself and daughter, or lady friend, would, very properly, find them "at home" on a certain evening. Should, however, the invitations be sent out in the name of herself and husband, then it is that "Mr. and Mrs. John Doe request the pleasure of Mr. and Mrs. Richard Roe's company" at a certain date. We will also find that Mr. Dick Roe is never "at home," but "requests the pleasure of your company."
To widely depart from any of these received canons of etiquette is to commit a decided solecism and to discover an utter unfitness for the desired social rank. Fortunately, there is no need, even for those not to the manor born, of displaying any ignorance in this matter when the simple consultation of a standard work on social etiquette will give the needed information and save the credit of the individual.
At first sight, it would seem a very easy thing to invite a friend to come to you at a given day and hour, and to accept or decline said invitation would appear a matter scarcely worth considering. This rash conclusion, however, disappears from view when it is recollected that the proper phrasing, the suitable signature, and the appropriate paper, are all matters of the nicest choice, and indicate with the most unerring accuracy the good or ill breeding of the parties interested.
From two to three persons only are invited from one family to the same entertainment, and, in the event of a small dinner party, two would be the limit. The invitations would be addressed, not to Mr. Coates and family, but one to "Mr. and Mrs. Coates," another to "The Misses Coates," or to "Miss Coates." If there are brothers, and they are to be invited, a separate invitation is required for each one of them; a single one addressed to the "Messrs. Coates" being considered in bad taste. To one son and one daughter a joint invitation may be extended in the name of "Miss Coates and Brother." On rather informal occasions where the family, and perhaps their guests also, are desired to be present, the invitation may be sent in the name of "Mr. and Mrs. James B. Coates and Party."
Note Paper for Invitations.
Note paper for invitations should be plain, unruled, heavy in texture, creamy-white in tint, and of a size to fold once to fit the large, square envelope of the same size and tint. Monogram, if used, or crests, if they may be rightfully claimed, should be stamped or embossed in white directly in the center of the upper portion of the sheet and on the upper flap of the inner envelope only. This envelope should bear the name simply of the invited guest, and is to be enclosed in a perfectly plain, somewhat larger envelope, which bears the entire address and protects the enclosure from the soil of frequent handling by postman or messenger.
Invitation Cards.
Invitation cards, if they are used, should be heavy, creamy-white, and of a size to fit the large, square envelope. Such a card is sufficiently large to contain any ordinary invitation, and should be enclosed, as above, in two envelopes.
Writing the invitation should receive the greatest care, especial attention being given to securing each phrase a line to itself. For instance, the names of host and hostess should never be separated, but given an entire line, the same rule applying to the names of the invited guests.
Invitations written in the third person should always be replied to in the third person, care being taken to permit no change of person from beginning to end of the note. This rule holds good in whatever person the invitation may have been written; regrets or acceptances must be sent in the same manner.
No one, nowadays, "presents his (or her) compliments" in giving or accepting an invitation; neither is "your polite invitation" any longer the best form. "Your kind," or "your very kind invitation," being the most graceful manner of acknowledging the courtesy extended.
Written Regrets.
Always, if possible, accept a first invitation if the new acquaintance is to be kept up. In case inexorable circumstances prevent this acceptance, the regret sent should explain these circumstances fully and be very cordially written; while the earliest opportunity must be taken of extending some courtesy in return.
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