The chairs were resurrected from the débris in the family attic. There are two heavy old-fashioned ones of curly maple, and they are cushioned with a brocaded green and gold material that exactly match the green of the furniture. Then there is a comfortable little rocking chair cushioned with the same material and painted in green with many stripes of gold.
But it is the dressing table that is the most charming of all the unique devices that make the room attractive. It was a battered old washstand at first, but now it is a work of art. It is painted, of course, in green and gilt, and there is a spray of wild roses on the front. Above it is a green and gilt framed mirror with a spray of the favorite wild roses again overhanging the top part. Over mirror and washstand and all is draped a canopy of white muslin. Among the other articles that find place on the table is a little fairy lamp with a shade of green tissue paper that gives the softest light imaginable.
A comfortable green window seat in the corner is well supplied with pillows covered in green and gold brocade, and up and around the window there clambers an old English ivy.
There is an oddly fashioned bookcase in another corner. You would never guess it, of course, but it was constructed out of two dry goods boxes. It is painted green inside and out and fitted up with four shelves. A green silk curtain hangs from a brass rod, and about the edge of the bookcase is a gilt cornice. The top is covered with bric-à-brac.
For pictures there is an etching or two on the wall in green and gold frames, and you have a room the very sight of which is cool and refreshing, and which cost its owner some time and some planning, but very little money.
Pictures.
Be careful of the pictures and their relations to the walls. Rooms should rather be a setting for a beautiful moving picture of the shifting groups of people in it.
Too much gilding, too many gaudy oil paintings attract the eye and distract the mind.
There is a simple picture in my room, red curtains, a white-robed child kneeling, that is all, but everything in it harmonizes, and it harmonizes with the furnishings of the room, and my eye is often drawn toward it.
One authority objects to portraits as a decoration. "Their presence, if at all impressive, is too stimulating."
Picture frames should never be so gorgeous as to distract the mind from the picture. "Frames are to protect the picture and relate it to the walls."
Group etchings together and put engravings in the portfolio. Over low bookcases pictures should be large, and in this form they give a style to the room. Water colors look admirable if treated in this manner, and if two bookcases are put together so as to form one, divide the pictures by a bracket, on which place a jar of some unique pattern.
Small rooms require medium-size pictures, which can be hung one above the other, and three may even be placed on line with good effect. For an ideal head in oil the frame should be of broad gilt. Hang it in a good light, and on one side group two small water-color pieces in the fashionable white band frame. For an oblong picture a small sketch under it looks well equipped.
A very large and beautiful picture sometimes sets the keynote of color for the apartment. Otherwise, subordinate them as decorations to the colorings of the room, as in the ivory and gold room.
In a room where there are to be many pictures, give rather a neutral color to the walls, merely as a picture background. Where there are finely decorated walls pictures are rather out of place, since one decoration spoils the effect of the other.
Mottoes.
The motto, whose revival is noted in the above title, is the expression in architecture of some sentiment suitable to the place to which it is applied. It is more frequently and more noticeably in domestic architecture than elsewhere that the motto is found. Scarcely a country house of sufficient size to boast a hall and fireplace but announces in script or text a welcome to all guests or some appreciation of the comforts of its four walls. The favorite place for this motto is over the fireplace, either above or below the mantel shelf, and of all the old ones, "East or west, home is best," with its variety of expressions, is the favorite. "A man's house is his castle."
"Home is the resort Of love, of joy, of peace."
"A man's best things are nearest him;" "Our house is ever at your service;" "You are very welcome;" "Take the goods the gods provide thee"--any one of these will as appropriately welcome the stranger as the friend.
Over the mantel of one's private room the restful motto, "Duty done is the soul's fireside," may find appropriate place.
How to be Beautiful.
To begin at the beginning: to insure a good complexion strict attention must be paid to the diet. Wholesome, well-cooked food must be eaten; regular exercise in the open air is another point, and the body must be bathed three hundred and sixty-five times a year. It may be considered almost supererogatory to remark that not any amount of cerates, washes or powders will cover or obliterate blotches, pimples and blackheads caused by unwholesome food or uncleanly habits. We may not be able to afford elegantly-appointed bath-rooms, but we all can indulge in a daily bath.
A quick and simple method for the busy housekeeper, which need only occupy a few moments, is as follows: buy a yard of coarse Turkish toweling, and make of it two mittens. Have a bowl of warm water, in which dissolve some borax. This is soothing to tired nerves, besides rendering the skin soft and white. When ready, slip on one of the mittens, wet it thoroughly, rub well with soap, and quickly wash the body all over. All the impurities of the body are now on this mitten. Lay it to one side. Put on the other mitten, and wash the body again. The mittens may be washed and hung to dry, ready for the next bath. Rub the skin briskly with a rough towel until it glows.
If this treatment is followed daily, with a tub-bath weekly, you will not complain of those tired, nervous headaches, your face will lose its sallowness, and your walk will gain in sprightliness. Here let us say, for the benefit of those who are obliged to live in rented houses, or who have no facilities for a bath-room, that a folding bathtub is now offered. It folds up somewhat after the manner of a folding bed. When closed it looks like a cabinet, and is nicely finished in oak. In connection with it is a tank and heating apparatus. The water may be heated with gas, kerosene or gasoline.
Lemon juice, diluted, is a famous whitener for the skin, as are all vegetable acids, such as tomato, cucumber and watermelon. Oftentimes something is needed to heal as well as whiten. For this, take two tablespoonfuls of oatmeal and cook it with enough water to form a thin gruel, strain, and when cool add to two tablespoonfuls of the gruel one tablespoonful of lemon juice. Wash the face with this at night, allowing it to dry on the skin. This is excellent for a shiny face.
Another very soothing preparation to use at night is made of one ounce of glycerine, half an ounce of rosemary (fluid), and twenty drops of carbolic acid. This is excellent for any irritation of the skin, and also for prickly heat. The face must always be well washed with water and pure soap before applying any of these preparations. If the skin is oily, bathe with diluted camphor (a teaspoonful to a pint of water), but it is injurious to a naturally dry skin.
Treatment for a Rough Skin.
A wash for a rough face is two ounces of water, one ounce of glycerine, one ounce of alcohol, and half an ounce of gum of benzoin, to be dissolved in the alcohol first. Apply at night. For wrinkles--do we see some of you looking interested?--take some clippings of sheep's wool and steep in hot alcohol. It is said that the grease thus obtained is identical with an element found in the human bile. I know that if rubbed on the skin it not only removes but prevents wrinkles, making the skin soft and pliable. These remedies all have the merit of being harmless, which cannot be said of all cosmetics.
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