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Part 31

Sigurd Our Golden Collie, and Other Comrades of the Road · Katharine Lee Bates — chapter 31 of 34 · ~2,359 words · public domain

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As the kittens grew older, they had the run of the house, which they filled with elfin mirth of motion and reels of Puckish revel. Placed in a row on my desk, they would watch the moving pen with fascinated eyes, till one shy paw after another would steal out to investigate and presently there would be a flurry of funny antics all over a blotted page. By autumn they had all gone their ways to different households, except Esther's Daisy, whom we kept, but the joy of kittenhood was the only life they had. Doom, like a black cat hunting mice, speedily caught them all, unless, perchance, dogs and motors were kinder than we fear to Cinder, who, one winter day, after her morning saucer of milk, struck blithely out into the sunshine from the best of homes and never, though search, inquiry and advertisement did their utmost, was heard of again. Little Bub proved so puny that he was left with Polly, reinstated, much to her content, in her own kingdom, but not even her puzzled solicitude, varied by cuffings, could keep him alive. As for Topsy and Daisy, I have not the heart to tell how they perished, but though I say it as should not, Daisy was too bad for this world. An incarnate imp, she mocked all discipline and scorned all affection, capering into new mischief at every rebuke and scratching herself free from caresses. Despising laps and cushions, she took to the air like an aeroplane, forever on the leap from one forbidden shelf, mantel or flower-pot to another. Her agility was supernatural. She would hang from a curtain cord, spring thence to the top of a door, pounce on a bowing caller's back, and, within ten seconds fill the hall with such skurry and commotion that Hecate and all her witches could have done no more. She could not keep quiet, even at night, until Housewife Honeyvoice devised the plan of putting her to bed in a basket, with a cork dangling from the handle for her to play with in her dreams.

Joy-of-Life was ill that winter and, because the kitten's pranks would now and then divert a suffering hour, we bore with Daisy as long as patience could, until, indeed, she forsook the house and set up an independent establishment with a battered ruffian of a cat under our south porch. Before forsaking the house, she had derided everything in it. She had, indeed, an uncanny gift of singling out for her most profane attentions the special objects that humankind holds sacred. On the top of my desk stands a small Florentine bust of Dante, whose austere countenance she loved to slap. Beyond it hangs a cross of inlaid olivewood from Jerusalem, apparently inaccessible, but this infant athlete, precariously balancing with one foot on the curved woodwork of the desk and two feet clawing the wall, would stretch herself out like an elastic until her free foot could give the lower tip of the cross a smart rap and set it swinging. Punished, she would strike back, hitting us in the face with an absurd, soft paw; called, she would run away; caught, she would kick and bite. Our most tactful cajolery she met with suspicion and disdain, if not with open ridicule. Graceful as a whirling leaf, she was untamable as the wind that whirls it,--the wildest wisp of kittenhood that ever left an aching memory.

Since the tragic exit of Daisy, whose confidence I could never win,--and her cynical little ghost bids me admit that her distrust was borne out by the event,--I have counted myself unworthy to take any kitten to hearth and home. I doubt if any would come. My neighbors across the way have a lordly old Thomas, who, smelling dog on my skirts, spits at me as I mount the steps. My neighbors of the cross-cut have a glossy black puss in a resplendent red collar, who politely but unrelentingly evades all my advances. The feline heart has found me out. Yet I still cherish a wistful regard for these delicate-footed, wary creatures, who develop so suddenly from madcap frolic into dignity, discretion and reserve, keeping even in the most domestic surroundings a latent sense of a free life elder than civilization, when, as Swinburne tells his silken crony:

"Wild on woodland ways your sires Flashed like fires."

A friend of mine, a scholar, and therefore proud in thought and poor in purse, living at the top of a London apartment house, had a cherished cat by name of Fettles, who never touched the ground from September to June. Rooms and corridor limited his promenades, except for a long box of plants that filled the diminutive balcony. To the casual eye he seemed well content with his cloistered life, purring on cozy cushions, performing painstaking toilets, cuddling down on the table close to the arm of his mistress as she read and wrote, even condescending, for her pleasure, to play with a tassel or ball, but I noted that my arrivals brought to Fettles a quivering excitement. It was not my conversation, which he ignored, nor my gifts, for after his first scandalous orgy on American catnip I was forbidden to bring him anything more tempting than a chocolate mouse. It was my boots, especially if I had been walking across Regent Park and brought in honest earth instead of pavement scraps and taxi smells. Fettles would rush to my feet and sniff at sole and heel and toe, arching his back and lashing his tail when the odors brought him peculiarly thrilling tidings of the strange world so far below his balcony. In the summer he was the guest of a Devonshire cottage, but for the first week or two he would be frightened by the vastness and queerness of out-of-doors. He would crouch for hours on the threshold, looking out with mingled ecstasy and terror on the garden, now and then reaching down a dubious paw to touch the warm brown earth. By degrees he could be coaxed to join his mistress at afternoon tea under the plum trees, cautiously placing himself in touch of the hem of her gown. The summer would be half over before he was at ease in his brief Paradise.

Fettles, by the way, was succeeded by Thomas Heywood, and Tommy Heywood by Sisi, the only Londoner I know who enjoyed the air-raids. Whenever a Zeppelin alarm scared the lodgers out of their "honey-heavy dew of slumber," Sisi had the sport of his life. Knowing that his mistress, even if a bomb were crashing through her ceiling, would not abandon him, he would dash hither and yon in a rapture of disobedience, now under the bed, now behind a bookcase, continually evading her frenzied clutches. Slippered feet went skurrying past the door, but still Sisi sprang and scampered, even wheeling about in giddy circles as if this were the chance of chances for a kitten to catch its tail. My friend, with Sisi clasped to her panting breast, was invariably the last lodger to reach the refuge of the cellar.

The cats of legend are not as many as one would suppose, or perhaps the fault is still mine. Even here they evade me. I can call but few to mind, Puss in Boots, Sir Tybalt in the animal epic of Reynard the Fox, the Kilkenny cats of tragic fame, the grinning Cheshire cat--for whose like I vainly looked in Cheshire--the mysterious Knurremurre of Norway, and the far-fabled "King of the Cats." English chronicles, none too authentic, tell of a busy mouser that made Dick Whittington mayor of London, and of a faithful puss who ventured down a chimney of The Tower to cheer her imprisoned master, the Earl of Southampton, by a call. More worthy of credit is John Locke's account, preserved by Hakluyt, of an honorable incident in his voyage to Jerusalem, undertaken in the spring of 1553. The pilgrim ship was about fifty miles from Jaffa, when it "chanced by fortune that the Shippes Cat lept into the Sea, which being downe, kept her selfe very valiauntly above water, notwithstanding the great waves, still swimming, the which the master knowing, he caused the Skiffe with halfe a dosen men to goe towards her and fetch her againe, when she was almost halfe a mile from the shippe, and all this while the ship lay on staies. I hardly beleeve they would have made such haste and meanes if one of the company had been in the like perill. They made the more haste because it was the patrons cat. This I have written onely to note the estimation that cats are in, among the Italians, for generally they esteeme their cattes, as in England we esteeme a good Spaniell."

Petrarch and Tasso are eminent witnesses to the Italian fondness for cats. The French, too, have long been famed as cat lovers; Montaigne, Chateaubriand, Gautier, Pierre Loti, Jules Lemaitre, Baudelaire, La Fontaine, Champfleury, Michelet have all written charmingly of the Fireside Sphinx, leaving it to a Belgian poet, Maeterlinck, to present poor pussy as a stage villain. English literature takes less account of her, though Chaucer keenly expresses the friar's choice of a comfortable seat by telling how

"fro the bench he droof awey the cat,"

and Skelton has poured invective on the slayer of Philip Sparow, calling down vengeance

"On all the hole nacyon Of cattes wilde and tame; God send them sorowe and shame!"

No reader of Tudor drama needs to be reminded of Gammer Gurton's Gyb, crouching in the fireplace, where her eyes, mistaken for sparks of fire, refused to be blown out. Shakespeare's frequent references to the "harmless, necessary cat" are as accurate as they are nonchalant, but Milton does not mention her in his account of the creation, although she would certainly have been more comforting to Eve, at least, than "Behemoth, biggest born of earth," or "the parsimonious emmet." Indeed, an Arabic story of the creation claims that the dog and cat were allowed to accompany Adam and Eve, for their protection and solace, into the waste beyond the flaming sword. Herrick's "green-eyed kitling;" Walpole's Selima of

"The fair round face, the snowy beard, The velvet of her paws, Her coat that with the tortoise vies, Her ears of jet and emerald eyes,"

--charms all forfeit to her longing for stolen goldfish; Arnold's Atossa

--"So Tiberius might have sat, Had Tiberius been a cat,"--

have made their way into poetry, but prose, especially the familiar prose of letters, has kept green the memory of many a pussy more. We love Dr. Johnson the better for his consideration of Hodge "for whom," reports Boswell, "he himself used to go out and buy oysters, lest the servants, having that trouble, should take a dislike to the poor creature." Of course the tender-hearted Cowper cared for cats, and even the industrious Southey would turn his epic-blunted quill to accounts of Rumpelstilzchen and Hurlyburlybuss,--sonorous cat-names closely pressed upon by Mark Twain's Sour Mash, Apollinaris, Zoroaster and Blatherskite, while Canon Liddon's Tweedledum and Tweedledee of Amen Corner are not far behind.

No portrait of a cat in English verse is more vivid than that given in the sestette of Mrs. Marriott Watson's oft-praised sonnet:

"Sphinx of my quiet hearth! who deign'st to dwell Friend of my toil, companion of mine ease, Thine is the lore of Ra and Rameses; That men forget dost thou remember well, Beholden still in blinking reveries, With somber, sea-green gaze inscrutable."

It is pleasant to think that the race memory of puss goes farther back in time and farther east in geography than the witchcraft cruelties of Christendom. The Mohammedan faith has been kinder to her than ours. Persia has ever held her in affection. Mahomet cut off the flowing edge of his sleeve rather than disturb Muezza's nap. But most of all her inherent aristocracy springs from those shining centuries by the Nile, when under the protection of the moon-eyed goddess Pasht she was honored in life and embalmed in death. The supreme Ra, the Sun God, was addressed as "the Great Cat," and The Book of the Dead holds the mystic text: "I have heard the mighty word which the Ass spake unto the Cat in the House of Hapt-re."

TO HAMLET, A COLLIE

Strange dog, with terror planted in your heart, At your dim root of life a piteous dread Foreboding evil doom, a panic bred Of some fierce shock to puppy nerves! No art Home kindness can devise prevents your start, Wild stare and panting breath at each new tread; Your anxious eyes keep watch, uncomforted By our poor love, too weak to take your part Against that fatal menace which, for us No less than you, lurks in the coming springs. Of all our creeds and dreams incredulous, Thrilled by these sudden agonies, you quake Through all your lithe young body. What should make A collie know the grief of mortal things?

HAMLET AND POLONIUS

"There's something in his soul O'er which his melancholy sits on brood."

--Shakespeare's Hamlet.

It was a beautiful morning, whose beauty could only hurt, of the first June since Joy-of-Life went away. All green paths were desolate for lack of her glad step. And the stately kennel that had been known from the first as "Sigurd's House" stood silent, its green door closed on bare floor and cobwebbed walls. Stray cats passed it unconcerned and hoptoads took their ease on the edges of "Sigurd's Drinking-cup" hollowed out in the adjacent rock. In an hour when the pain of living seemed wellnigh unbearable, the Angel of Healing called me up by telephone. His voice was gruff, but kindly.

"Say, you miss that old dog of yours a sight, don't you?"

I could feel the confidential pressure of Sigurd's golden head against my knee as I briefly assented, recognizing the speaker as the proprietor of certain collie kennels not far distant.

"He had a right good home, that dog had, and you must have got pretty well used to collie ways."

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