What to make of it, however, that she told me only about ten days ago, she didn't like him? Yet I am forgetting. We have it on good authority that "'tis best to begin with a little aversion."
I ought to have known that a daughter of Ellaline de Nesville and Frederic Lethbridge couldn't develop into the star-high being this girl has seemed to me; and I must make the best of it that she's something less in soul than, in my first burst of astonished admiration, I was inclined to appraise her. After all, why feel bitter against people because they have disappointing shortcomings, if not defects, instead of the dazzling virtues that glittered in your imagination? Cream always rises to the top, yet we don't think less of it because there's nothing but milk underneath.
Yes, if I find out that she likes this hypnotic cuckoo I mustn't despise her for it. But I must find out as soon as I can. Suspense is the one unbearable pain. And you are at liberty to laugh at me as I hope I shall soon be laughing at myself.
L. P.
AUDRIE BRENDON TO HER MOTHER
Osborne Hotel, Torquay, August 6th
Ma Petite Minerve-de-Mere: A hundred and six and a half thanks for your counsels and consolations. I needed both, and not a bit the less because I'm not unhappy now. I'm violently happy. It won't last, but I love it--this happiness. I keep it sitting on my shoulder and stroking its wings, so it mayn't remember when it's time to fly away.
That letter I wrote you was silly. I was a regular cry-baby to write it. But I'm so glad you answered quickly. I don't know how I should have borne it if the man at the Poste Restante window had said: "Nothing for you, miss." I might have responded with blows.
There was a letter from Ellaline, too. I'd sent her the "itinerary" as far as I knew it, and Torquay was the last place on the list. I was wondering if anything were the matter, but there isn't--though there is news. She waited to write, she says, so that her plans might be decided and she could tell them to me.
The military manoeuvres go on; and the news has nothing directly to do with the adored Honore. But Ellaline has made a confidante--a Scotch girl she has met. I don't mean she's told everything; far from that, apparently. She has kept the fraudulent part, about me, secret, and only confided the romantic part, about herself. What she says she has told is, that she's run away from cruel persons who want to have all her money, and to prevent her from having any happiness. That she's hiding till the man she's engaged to can take her to Scotland and have a Scotch marriage--at Gretna Green, if possible, because it would be romantic, and her mother was married there. The Scotch girl, with northern coldness of reason, has pointed out that Gretna Green is nowadays like any other place, but Ellaline is not weaned from the idea. She appears to have fascinated her new friend (as she did her old ones), in spite of the northern coldness, and has received a pressing invitation to visit at the girl's house in Scotland until Honore can claim her.
There is a mother, as well as a girl, but only a stepmother, and apparently a detail; for the girl has the money and the strength of will. The two are stopping in a pension near Madame de Blanchemain's house. The girl is a Miss McNamarra, with freckles and no figure, but engaged to an officer, and consequently sympathetic. She has advised Ellaline that, if she travels from France to Scotland with Honore, on the way to be married, he mayn't respect her as much as if she had friends and chaperons, and a nice place to wait for him. Ellaline is too French at heart not to feel that this advice is good--though she adds in her letter that she, of course, trusts darling Honore completely;--so she has accepted the invitation.
The only trouble is, she wants more money at once. She must let golden louis run through her fingers like water, for I sent her nearly all Sir Lionel handed me before we started on the trip. I shall have to ask him for more, and I'll hate doing that, because, though I shall be gone out of his life so soon, I'm too vain and self-conscious (it must be that!) to like making a bad impression on his mind while we're together.
I shan't hate it as much, however, as I should, supposing that something which happened last night hadn't happened. I'm coming to that part presently. It's the thing that's made me happy--the thing that won't last long.
We left adorable little Sidmouth days ago--I almost forget how many, coming as far as Exeter along a lovely road. But then, everything is lovely in Devonshire. It is almost more beautiful than the New Forest, only so different that, thank goodness, it isn't necessary to compare the two kinds of scenery.
Perhaps Devonshire, stripped of its bold, red rocks, drained of its brilliant blue sea, and despoiled of its dark moors, might be too sugary sweet with its flower-draped cottages, and lanes like green-walled conservatories; but it is so well balanced, with its intimate sweetnesses, and its noble outlines. I think you are rather like Devonshire, you're so perfect, and you are the most well-balanced person I was ever introduced to--except Dad. I'm proud that his ancestors were Devonshire men. And oh, the junket and Devonshire cream are even better than he used to tell me! I haven't tasted the cider yet, because I can't bear to miss the cream at any meal; and the chambermaid at Sidmouth warned me that they "didn't mix."
Bits of Devonshire are like Italy, I find. Not only is the earth deep red in the meadows, where the farmers have torn open its green coat, and many of the roads a pale rose-pink--dust and all--but lots of houses and cottages are pink, a real Italian pink, so that whole villages blush as you look them in the face. Sometimes, too, there's a blue or a green, or a golden-ochre house; here and there a high, broken wall of rose or faded yellow, with torrential geraniums boiling over the top. And the effect of this riot of colour, in contrast with the silver gray of the velvety thatch, or lichen-jewelled slate roofs, under great, cool trees, is even more beautiful than Italy. If all England is a park, Devonshire is a queen's garden.
From Sidmouth we went to Budleigh Salterton (why either, but especially both?), quaintly pretty, and rather Holland-like with its miniature bridges and canal. Then to Exmouth, with its flowering "front," its tiny "Maison Carree" (which would remind one more of Nimes if it had no bay windows), and its exquisite view across silver river, and purple hills that ripple away into faint lilac shadows in the distance. Then we struck inland, to Exeter, and at Exeter we stopped two days, in the very oldest and queerest but nicest hotel imaginable.
I wasn't so very happy there, because the Thing I'm going to tell you about in good time hadn't happened yet. But I'm not sure that I wasn't more in tune with Exeter than if I had been as happy as I am now. The scenery here suits my joyous mood; and the grave tranquillity of the beautiful old cathedral town calmed my spirit when I needed calm.
I've given up expecting to love any other cathedral as I loved Winchester. Chichester I've half forgotten already--except some of the tombs. Salisbury was far more beautiful, far more impressive in its proportions than Winchester, yet to me not so impressive in other ways; and Exeter Cathedral struck me at first sight as curiously low, almost squat. But as soon as I lived down the first surprise of that effect I began to love it. The stone of which the Cathedral is built may be cold and gray; but time and carvings have made it solemn, not depressing. I stood a long time looking up at the west front, not saying a word; but something in me was singing a Te Deum. And how you would love the windows! You used always to say, when we were in Italy and France, that it was beautiful windows which made you love a cathedral or church, as beautiful eyes make one love a face.
This Cathedral has unforgettable eyes, and a tremendously long history, beginning as far back as nine hundred and something, when Athelstan came to Exeter and drove out the poor British who thought it was theirs. He built towns, founded a monastery in honour of Saint Mary and Saint Peter, not having time, I suppose, to do one for each. And afterward the monastery decided that it would be a cathedral instead. But two hundred and more years earlier, that disagreeable St. Boniface, who disliked the Celts so much, went to a Saxon school in Exeter! I wonder what going to school was like when all the world was young?
I wandered into the Cathedral both mornings to hear the music; and something about the dim, moonlit look of the interior made me feel good. You will say that's rather a change for me, perhaps, because you tell me reproachfully, sometimes, after I've thought about the people's hats and the backs of their blouses in church, that I have only a bowing acquaintance with religion. I don't know whether I mayn't be doing the most dreadful wrong every minute by pretending to be Ellaline; but it was begun for a good purpose, as you know, and you yourself consented. And though I have twinges sometimes, I did feel good at Exeter. Oh, it did me heaps of good to feel good! You have to live up to your feelings, if you feel like that. And I prayed in the Cathedral. I prayed to be happy. Is that a wrong note for a prayer? I don't believe it is, if it rings true. Anyway, it makes me feel young and strong to pray, like Achilles, after he'd rolled on the earth. And I do feel so young and strong just now, dear! I have to sing in my bath, and when I look out of the window--also sometimes when I look in the glass, for it seems to me that I am growing brighter and prettier.
I love to be pretty, because it's such a beautiful world, and to be pretty is to be in the harmony of it. Though, perhaps--only perhaps, mind!--I'm glad I'm not a regular beauty. It would be such a responsibility in the matter of wearing one's clothes, and doing one's hair, and never getting tanned or chapped.
And I love to be thin, and alive--alive, with my soul in proportion to my body, like a hand in a glove, not like a seed in a big apple. But isn't this funny talk, in the midst of describing Exeter? It's because of the reaction from misery to ecstasy that I'm so bubbly. I can't stop; but luckily it didn't come on in Exeter, because the delightful, queer old streets aren't at all suitable to bubble in. It's impertinent to be excessively young there, especially in the beautiful cathedral close, where it is so calm and dignified, and the rooks, who are very, very old, do nothing but caw about their ancestors. I think some curates ought to turn into rooks when they die. They would be quite happy.
Our hotel, as I said, was fascinating, though Mrs. Norton fell once or twice, as there were steps up and down everywhere, and Dick bumped his forehead on a door. (I wasn't at all sorry for him.) Mrs. Senter said, if we'd stopped long she would have got "cottage walk," and as she already had motor-car face and bridge eye, she thought the combination would be trop fort. If she weren't Dick's aunt, and if she weren't so determined to flirt with Sir Lionel without his knowing what she's at, and if she didn't make little cutting speeches to me when he isn't listening, I think I should find her amusing.
The only things I didn't like at the hotel were the eggs; which looked so nice, quite brown, and dated the morning you had them, on their shells, but tasting mediaeval. I wonder if eggs can be post-dated, like cheques? As for the other eatables, there was very little taste in them, mediaeval or otherwise. I do think ice-cream, for instance, ought to taste like something, if it's only hair oil. And the head waiter had such mournful-looking hair!
I never got a talk alone with Sir Lionel in Exeter, because though he tried once or twice, with the air of having a painful duty to accomplish, I was afraid he was going to ask me about Dick, and I just felt I couldn't bear it, so avoided him, or instantly tacked myself on to Emily or someone. I think Emily approves of my running to her, whenever threatened by man's society, because she thinks the instinctive desire to be protected from anything male is pretty and maidenly. She certainly belongs to the Stone Age in some of her ideas; though her maxims are of a later period. Many of them she draws (and quarters) from the Scriptures; at least, she attributes them to the Scriptures, but I know some of them to be in Shakespeare. Lots of people seem to make that mistake!
Of course, in the car I never talk to Sir Lionel, except a word flung over shoulders now and then, for Mrs. Senter sits by him. She asked to. Did I tell you that before? So the day we left Exeter things were just the same between us; not trustful and silently happy, as at the time of the ring, but rather strained, and vaguely official.
It had rained a little in Exeter, but the sky and landscape were clean-washed and sparkling as we sailed over the pink road, past charming little Starcross, with its big swan-boat and baby swan-boat; past Dawlish of the crimson cliffs and deep, deep blue sea (if I were a Bluer--just as good a word as Brewer!--I would buy Dawlish as an advertisement for my blue. It seems made for that by Nature, and is so brilliant you'd never believe it was true, on a poster); down a toboggan slide of a hill into Teignmouth, another garden-town by the sea, and through one of England's many Newtons--Newton Abbot, this time--to Torquay.
Set in Silver · The Wunder Library — complete classics, free to read, with narration.