2. The Supplement of an arc is 180° minus the arc.
3. The Sine of an angle, or of an arc, is a line drawn from one end of an arc, perpendicular to a diameter drawn through the other end.
4. The Cosine of an arc is the perpendicular distance from the center of the circle to the sine of the arc; or, it is the same in magnitude as the sine of the complement of the arc.
5. The Tangent of an arc is a line touching the circle in one extremity of the arc, and continued from thence, to meet a line drawn through the center and the other extremity.
6. The Cotangent of an arc is the tangent of the complement of the arc. The Co is but a contraction of the word complement.
7. The Secant of an arc is a line drawn from the center of the circle to the extremity of the tangent.
8. The Cosecant of an arc is the secant of the complement.
9. The Versed Sine of an arc is the distance from the extremity of the arc to the foot of the sine.
For the sake of brevity, these technical terms are contracted thus: for sine A B, we write sin. A B; for cosine A B, we write cos. A B; for tangent A B, we write tan. A B, etc.
Drawing Materials and Instruments.
Drawing tools or instruments are contrived solely for mechanical drawing; aside from this use they are perfectly worthless, hence the quality of these special utensils is a matter of the first consideration to the earnest student.
There are several degrees of excellence to be found in the make-up of drawing instruments and materials; it may be remarked with truth that “any kind are good enough, and the best none too good,” i. e., a learner in this delightful art should not stop at the lack of goodness or the low grade existing in his “tools,” but rather do the best work possible with the means at hand.
However, in order that acceptable work may be accomplished, fairly good instruments should be procured. The advice of some one experienced in the use and care of draughting tools should be sought before purchasing. A drawing board, a single sheet of paper and a pencil is the simplest “outfit” to be thought of; to this small beginning may be added, soon afterwards, an inexpensive pair of compasses, a T-square and a couple of triangles; a vast range of work can be executed with these few tools.
Nothing else will be needed to do fine work except, perhaps, one or two pairs of better compasses and a few sweeps or means of drawing irregular curves; all these had best be purchased separately; for in buying a “box of instruments,” it may contain some articles which are not desired, or that are of a wrong size, or even duplicates of those already possessed.
An outfit recommended by the author of “Reed’s Hand Book” is as follows.
Large compasses with movable leg.
A pair of dividers.
Bow pencil.
Bow pen.
Pencil leg for large compasses.
Pen leg for large compasses.
Drawing pen.
Louis Rouillon, B. S., Instructor of Drawing in Pratt Institute, New York, recommends the following:
Compasses, 5¹⁄₂ inches, with needle point; pen pencil and lengthening bar.
Drawing pen, 4¹⁄₂ inches.
T-square, 24-inch blade.
45-degree triangle, 9 inches.
30 and 60 degree triangle, 9 inches.
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