Part 57

A superficial observer, walking about Paris, wonders who the fools can be that buy the fabulous flowers that grace the illustrious bouquetiere’s shop window, and the choice products displayed by Chevet of European fame--the only purveyor who can vie with the Rocher de Cancale in a real and delicious Revue des deux Mondes.

Well, every day in Paris a hundred or more passions a la Nucingen come into being, and find expression in offering such rarities as queens dare not purchase, presented, kneeling, to baggages who, to use Asie’s word, like to cut a dash. But for these little details, a decent citizen would be puzzled to conceive how a fortune melts in the hands of these women, whose social function, in Fourier’s scheme, is perhaps to rectify the disasters caused by avarice and cupidity. Such squandering is, no doubt, to the social body what a prick of the lancet is to a plethoric subject. In two months Nucingen had shed broadcast on trade more than two hundred thousand francs.

By the time the old lover returned, darkness was falling; the bouquet was no longer of any use. The hour for driving in the Champs-Elysees in winter is between two and four. However, the carriage was of use to convey Esther from the Rue Taitbout to the Rue Saint-Georges, where she took possession of the “little palace.” Never before had Esther been the object of such worship or such lavishness, and it amazed her; but, like all royal ingrates, she took care to express no surprise.

When you go into St. Peter’s at Rome, to enable you to appreciate the extent and height of this queen of cathedrals, you are shown the little finger of a statue which looks of a natural size, and which measures I know not how much. Descriptions have been so severely criticised, necessary as they are to a history of manners, that I must here follow the example of the Roman Cicerone. As they entered the dining-room, the Baron could not resist asking Esther to feel the stuff of which the window curtains were made, draped with magnificent fulness, lined with white watered silk, and bordered with a gimp fit to trim a Portuguese princess’ bodice. The material was silk brought from Canton, on which Chinese patience had painted Oriental birds with a perfection only to be seen in mediaeval illuminations, or in the Missal of Charles V., the pride of the Imperial library at Vienna.

“It hafe cost two tousand franc’ an ell for a milord who brought it from Intia----”

“It is very nice, charming,” said Esther. “How I shall enjoy drinking champagne here; the froth will not get dirty here on a bare floor.”

“Oh! madame!” cried Europe, “only look at the carpet!”

“Dis carpet hafe been made for de Duc de Torlonia, a frient of mine, who fount it too dear, so I took it for you who are my qveen,” said Nucingen.

By chance this carpet, by one of our cleverest designers, matched with the whimsicalities of the Chinese curtains. The walls, painted by Schinner and Leon de Lora, represented voluptuous scenes, in carved ebony frames, purchased for their weight in gold from Dusommerard, and forming panels with a narrow line of gold that coyly caught the light.

From this you may judge of the rest.

“You did well to bring me here,” said Esther. “It will take me a week to get used to my home and not to look like a parvenu in it----”

“My home! Den you shall accept it?” cried the Baron in glee.

“Why, of course, and a thousand times of course, stupid animal,” said she, smiling.

“Animal vas enough----”

“Stupid is a term of endearment,” said she, looking at him.

The poor man took Esther’s hand and pressed it to his heart. He was animal enough to feel, but too stupid to find words.

“Feel how it beats--for ein little tender vort----”

And he conducted his goddess to her room.

“Oh, madame, I cannot stay here!” cried Eugenie. “It makes me long to go to bed.”

“Well,” said Esther, “I mean to please the magician who has worked all these wonders.--Listen, my fat elephant, after dinner we will go to the play together. I am starving to see a play.”

It was just five years since Esther had been to a theatre. All Paris was rushing at that time to the Porte-Saint-Martin, to see one of those pieces to which the power of the actors lends a terrible expression of reality, Richard Darlington. Like all ingenuous natures, Esther loved to feel the thrills of fear as much as to yield to tears of pathos.

“Let us go to see Frederick Lemaitre,” said she; “he is an actor I adore.”

“It is a horrible piece,” said Nucingen foreseeing the moment when he must show himself in public.

He sent his servant to secure one of the two stage-boxes on the grand tier.--And this is another strange feature of Paris. Whenever success, on feet of clay, fills a house, there is always a stage-box to be had ten minutes before the curtain rises. The managers keep it for themselves, unless it happens to be taken for a passion a la Nucingen. This box, like Chevet’s dainties, is a tax levied on the whims of the Parisian Olympus.

It would be superfluous to describe the plate and china. Nucingen had provided three services of plate--common, medium, and best; and the best--plates, dishes, and all, was of chased silver gilt. The banker, to avoid overloading the table with gold and silver, had completed the array of each service with porcelain of exquisite fragility in the style of Dresden china, which had cost more than the plate. As to the linen--Saxony, England, Flanders, and France vied in the perfection of flowered damask.

At dinner it was the Baron’s turn to be amazed on tasting Asie’s cookery.

“I understant,” said he, “vy you call her Asie; dis is Asiatic cooking.”

“I begin to think he loves me,” said Esther to Europe; “he has said something almost like a bon mot.”