Part 23

"People like me, Royal Highness, get peeps enough without having actually to know what hunger is; and the idea is fairly generally accepted that it is not actual hunger, but rather hunger for the actual ... ha, ha!... which talent requires."

Herr Martini had been obliged to laugh a little at his play upon words. He now quickly raised one yellow-gloved hand to his mouth with the hedge-like moustache, and improved his laugh into a cough. Klaus Heinrich watched him with a look of princely expectancy.

"If your Royal Highness will allow me.... It is a well-known fact that the want of actuality for such as me is the seed-ground of all talent, the fountain of inspiration, indeed our suggestive genius. Enjoyment of life is forbidden to us, strictly forbidden, we have no illusions as to that--and by enjoyment of life I mean not only happiness, but also sorrow, passion, in short every serious tie with life. The representation of life claims all our forces, especially when those forces are not allotted to us in overabundant measure"--and Herr Martini coughed, drawing his shoulders repeatedly forward as he did so. "Renunciation," he added, "is our compact with the Muse, in it reposes our strength, our value; and life is our forbidden garden, our great temptation, to which we yield sometimes, but never to our profit."

The flow of words had again brought tears to Herr Martini's eyes. He tried to blink them away.

"Every one of us," he went on, "knows what it is to make mistakes, to run off the rails in that way, to make greedy excursions of that kind into the festival halls of life. But we return thence into our isolation humbled and sick at heart."

Herr Martini stopped. His look, from under his knotted brows, became fixed for a moment and lost in vacancy, while his mouth assumed a sour expression and his cheeks, on which the unhealthy redness glowed, seemed even thinner than before. It was only for a second; then he changed his position, and his eyes recovered their vivacity.

"But your poem," said Klaus Heinrich, with some empressement. "Your prize poem to the 'Joy of Life,' Herr Martini.... I am really grateful to you for your achievement. But will you please tell me ... your poem--I've read it attentively. It deals on the one hand with misery and horrors, with the wickedness and cruelty of life, if I remember rightly, and on the other hand with the enjoyment of wine and fair women, does it not?..."

Herr Martini laughed; then rubbed the corners of his mouth with his thumb and forefinger, so as to wipe the laugh out.

"And it's all," said Klaus Heinrich, "conceived in the form of 'I,' in the first person, isn't it? And yet it is not founded on personal knowledge? You have not really experienced any of it yourself?"

"Very little, Royal Highness. Only quite trifling suggestions of it. No, the fact is the other way round--that, if I were the man to experience all that, I should not only not write such poems, but should also feel entire contempt for my present existence. I have a friend, his name is Weber; he's a rich young man; he lives, he enjoys his life. His favourite amusement consists in scorching in his motor car at a mad pace over the country and picking up village girls from the roads and fields on the way, with whom he----but that's another story. In short, that young man laughs when he catches sight of me, he finds something so comic in me and my activities. But as for me, I can quite understand his amusement, and envy him it. I dare say that I too despise him a little, but not so much as I envy and admire him...."

"You admire him?"

"Certainly, Royal Highness. I cannot help doing so. He spends, he squanders, he lets himself go in a most unconcerned and light-hearted way--while it is my lot to save, anxiously and greedily, to keep together, and indeed to do so on hygienic grounds. For hygiene is what I and such as I most need--it is our whole ethics. But nothing is more unhygienic than life...."

"That means that you will never empty the Grand Duke's cup, then, Herr Martini?"

"Drink wine out of it? No, Royal Highness. Although it would be fine to do so. But I never touch wine. And I go to bed at ten, and generally take care of myself. If I didn't, I should never have won the cup."

"I can well believe it, Herr Martini. People who are not behind the scenes get strange ideas of what a poet's life must be like."

"Quite conceivably, Royal Highness. But it is, taken all round, by no means a very glorious life, I can assure you, especially as we aren't poets every hour of the twenty-four. In order that a poem of that sort may come into existence from time to time--who would believe how much idleness and boredom and peevish laziness is necessary? The motto on a picture postcard is often a whole day's work. We sleep a lot, we idle about with heads feeling like lead. Yes, it's too often a dog's life."

Some one knocked lightly on the white-lacquered door. It was Neumann's signal that it was high time for Klaus Heinrich to change his clothes and have himself freshened up. For there was to be a club concert that evening in the Old Schloss.

Klaus Heinrich rose. "I've been gossiping," he said; for that was the expression he used at such moments. And then he dismissed Herr Martini, wished him success in his poetical career, and accompanied the poet's respectful withdrawal with a laugh and that rather theatrical up and down movement of the hand which was not always equally effective, but which he had brought to a high pitch of perfection.

Such was the Prince's conversation with Axel Martini, the author of "Evoë!" and "The Holy Life." It gave him food for thought, it continued to occupy his mind after it had ended. He continued to think over it while Neumann was reparting his hair and helping him on with the dazzling full-dress coat with the stars, during the club concert at Court, and for several days afterwards, and he tried to reconcile the poet's statements with the rest of the experiences which life had vouchsafed to him.

This Herr Martini, who, while the unhealthy flush glowed under his eyes, kept crying: "How beautiful, how strong is life!" yet was careful to go to bed at ten, shut himself off from life on hygienic grounds, as he said, and avoided every serious tie with it--this poet with his frayed collar, his watery eyes, and his envy of the young Weber who scorched over the country with village girls: he left a mixed impression, it was difficult to come to any certain conclusion about him. Klaus Heinrich expressed it, when he told his sister of the meeting, by saying: "Things are none too comfortable and easy for him, that's quite obvious, and that certainly entitles him to our sympathy. But somehow, I'm not sure if I'm glad to have met him, for he has something deterrent about him, Ditlinde--yes, after all, he's certainly a little repulsive."

VII

IMMA

Fräulein von Isenschnibbe had been well informed. On the very evening of the day on which she had brought the Princess zu Reid the great news, the Courier published the announcement of Samuel Spoelmann's, the world-renowned Spoelmann's, impending arrival, and ten days later, at the beginning of October (it was the October of the year in which Grand Duke Albrecht had entered his thirty-second and Prince Klaus Heinrich his twenty-sixth year), thus barely giving time for public curiosity to reach a really high point, his arrival became a fact, a plain actuality on an autumn-tinged, entirely ordinary week-day, which was destined to impress itself on the future as a date to be remembered for ever.

The Spoelmanns arrived by special train--that was the only distinction about their debut to start with, for everybody knew that the "Prince's suite" in the "Spa Court" Hotel was by no means dazzlingly magnificent. A few idlers, guarded by a small detachment of policemen, had gathered behind the platform barriers; some representatives of the press were present. But whoever expected anything out of the ordinary was disappointed. Spoelmann would almost have passed unrecognized, he was so unimposing. For a long time people took his family physician for him (Doctor Watercloose, people said he was called), a tall American, who wore his hat on the back of his head and kept his mouth distended in a perpetual smile between his close-trimmed white whiskers, the while he half-closed his eyes. It was not till the last moment that people learned that it was the little clean-shaven man in the faded overcoat, he who wore his hat pulled down over his eyes, who was the actual Spoelmann, and the spectators were agreed that there was nothing striking about him. All sorts of stories had been in circulation about him; some witty fellow had spread the report that Spoelmann had front teeth of solid gold and a diamond set in the middle of each. But although the truth or untruth of this report could not be tested at once--for Spoelmann did not show his teeth, he did not laugh, but rather seemed angry and irritated by his infirmity--yet when they saw him nobody was any longer inclined to believe it.

As for Miss Spoelmann, his daughter, she had turned up the collar of her fur coat, and stuffed her hands in the pockets, so that there was hardly anything to be seen of her except a pair of disproportionately big brown-black eyes, which swept the crowd with a serious look whose meaning it was hard to interpret. By her side stood the person whom the onlookers identified as her companion, the Countess Löwenjoul, a woman of thirty-five, plainly dressed and taller than either of the Spoelmanns, who carried her little head with its thin smooth hair pensively on one side, and kept her eyes fixed in front of her with a kind of rigid meekness. What without question attracted most attention was a Scottish sheep-dog which was led on a cord by a stolid-looking servant--an exceptionally handsome, but, as it appeared, terribly excitable beast, that leaped and danced and filled the station with its frenzied barking.

People said that a few of Spoelmann's servants, male and female, had already arrived at the "Spa Court" some hours before. At any rate it was left to the servant with the dog to look after the luggage by himself; and while he was doing so his masters drove in two ordinary flies--Mr. Spoelmann with Doctor Watercloose, Miss Spoelmann with the Countess--to the Spa-Garden. There they got out, and there for six weeks they led a life the cost of which it did not need all their money to meet.

They were lucky; the weather was fine, it was a blue autumn, a long succession of sunny days from October into November, and Miss Spoelmann rode daily--that was her only luxury--with her companion, on horses which she hired by the week from the livery stables. Mr. Spoelmann did not ride, although the Courier, with obvious reference to him, published a note by its medical colleague according to which riding had a soothing effect in cases of stone, owing to its jolting, and helped to disperse the stone. But the hotel staff knew that the famous man practised artificial riding within the four walls of his room, with the help of a machine, a stationary velocipede to whose saddle a jolting motion was imparted by the working of the pedals.

He was a zealous drinker of the healing waters, the Ditlinde Spring, by which he seemed to set great store. He appeared first thing every morning in the Füllhaus, accompanied by his daughter, who for her part was quite healthy, and only drank with him for company's sake, and then, in his faded coat and with his hat pulled over his eyes, took his exercise in the Spa-Garden and Wandelhalle, drinking the water the while through a glass tube out of a blue tumbler--watched at a distance by the two American newspaper correspondents, whose duty it was to telegraph to their papers a thousand words daily about Spoelmann's holiday resort, and who were therefore bound to try to get something to telegraph about.