Every dinner should begin with soup, be followed by fish, and include some kind of game. "The soup is to the dinner," we are told by Grisnod de la Regnière, "what the portico is to a building, or the overture to an opera."
To this aphorism we may be permitted to add that a chasse of cognac or curaçoa at the close of the dinner is like the epilogue at the end of a comedy.
One more quotation and we have done:--"To perform faultlessly the honours of the table is one of the most difficult things in society. It might indeed he asserted without much fear of contradiction, that no man has as yet ever reached exact propriety in his office as host, or has hit the mean between exerting himself too much and too little. His great business is to put every one entirely at his ease, to gratify all his desires, and make him, in a word, absolutely contented with men and things. To accomplish this, he must have the genius of tact to perceive, and the genius of finesse to execute; ease and frankness of manner; a knowledge of the world that nothing can surprise; a calmness of temper that nothing can disturb; and a kindness of disposition that can never be exhausted. When he receives others he must be content to forget himself; he must relinquish all desire to shine, and even all attempts to please his guests by conversation, and rather do all in his power to let them please one another. He behaves to them without agitation, without affectation; he pays attention without an air of protection; he encourages the timid, draws out the silent, and directs conversation without sustaining it himself. He who does not do all this is wanting in his duty as host--he who does, is more than mortal."
In conclusion, we may observe that to sit long in the dining-room after the ladies have retired is to pay a bad compliment to the hostess and her fair visitors; and that it is a still worse tribute to rejoin them with a flushed face and impaired powers of thought. A refined gentleman is always temperate.
* * * * *
XI.--THE BALL-ROOM.
Invitations to a ball are issued at least ten days in advance; and this term is sometimes, in the height of the season, extended to three weeks, or even a month.
An invitation should be accepted or declined within a day or two of its reception.
Gentlemen who do not dance should not accept invitations of this kind. They are but incumbrances in the ball-room, besides which, it looks like a breach of etiquette and courtesy to stand or sit idly by when there are, most probably, ladies in the room who are waiting for an invitation to dance.
A ball generally begins about half-past nine or ten o'clock.
A man who stands up to dance without being acquainted with the figures, makes himself ridiculous, and places his partner in an embarrassing and unenviable position. There is no need for him to know the steps. It is enough if he knows how to walk gracefully through the dance, and to conduct his partner through it like a gentleman. No man can waltz too well; but to perform steps in a quadrille is not only unnecessary but outré.
A gentleman cannot ask a lady to dance without being first introduced to her by some member of the hostess's family.
Never enter a ball-room in other than full evening dress, and white or light kid gloves.
A gentleman cannot be too careful not to injure a lady's dress. The young men of the present day are inconceivably thoughtless in this respect, and often seem to think the mischief which they do scarcely worth an apology. Cavalry officers should never wear spurs in a ball-room.
Bear in mind that all Casino habits are to be scrupulously avoided in a private ball-room. It is an affront to a highly-bred lady to hold her hand behind you, or on your hip, when dancing a round dance. We have seen even aristocratic young men of the "fast" genus commit these unpardonable offences against taste and decorum.
Never forget a ball-room engagement. It is the greatest neglect and slight that a gentleman can offer to a lady.
At the beginning and end of a quadrille the gentleman bows to his partner, and bows again on handing her to a seat.
After dancing, the gentleman may offer to conduct the lady to the refreshment-room.
Should a lady decline your hand for a dance, and afterwards stand up with another partner, you will do well to attribute her error to either forgetfulness or ignorance of the laws of etiquette. Politeness towards your host and hostess demands that you should never make any little personal grievance the ground of discomfort or disagreement.
A gentleman conducts his last partner to supper; waits upon her till she has had as much refreshment as she desires, and then re-conducts her to the ball-room.
However much pleasure you may take in the society of any particular lady, etiquette forbids that you should dance with her too frequently. Engaged persons would do well to bear this maxim in mind.
It is customary to call upon your entertainers within a few days after the ball.
* * * * *
XII.--STAYING AT A FRIEND'S HOUSE:--BREAKFAST, LUNCHEON, &c.
A visitor is bound by the laws of social intercourse to conform in all respects to the habits of the house. In order to do this effectually, he should inquire, or cause his personal servant to inquire, what those habits are. To keep your friend's breakfast on the table till a late hour; to delay the dinner by want of punctuality; to accept other invitations, and treat his house as if it were merely an hotel to be slept in; or to keep the family up till unwonted hours, are alike evidences of a want of good feeling and good breeding.
At breakfast and lunch absolute punctuality is not imperative; but a visitor should avoid being always the last to appear at table.
No order of precedence is observed at either breakfast or luncheon. Persons take their seats as they come in, and, having exchanged their morning salutations, begin to eat without waiting for the rest of the party.
If letters are delivered to you at breakfast or luncheon, you may read them by asking permission from the lady who presides at the urn.
Routledge's Manual of Etiquette · The Wunder Library — complete classics, free to read, with narration.