Part 12

There was very little tillage, but wide stretches of grazing-land, with those lumps of turfed or naked antiquity starting out of them, and cattle, sheep, and horses feeding over them, the colts' tails blowing picturesquely in the wind that seemed more and more opposed to our advance. It dropped, at times, where we paused to leave a passenger near one of those suburbs which the tram-lines are building up round Rome, but on our course building so slowly that our passengers had to walk rather far from the stations before they reached home. There were other pedestrians who looked rather English, especially some ladies making for the gate of a kind, sunny walled old villa, where there was a girl singing and a gardener coming slowly down to let them in. Nearer Frascati were many neat, new stone houses, where Eoman families come out to stay the spring and fall seasons, and even the summer. But these looked too freshly like the suburban cottages on a Boston trolley-line; and we perversely found our delight in a fine breadth of brown woods for the very reason of that homelikeness which gave us pause in the houses. The trees looked American; there were American wood-roads penetrating the forest's broken and irregular extent; there was one steep-sided ravine worth any man's American money; and the dead leaves littered the sylvan paths with an allure to the foot which it was hard for the head to resist.

Elsewhere the tram-line that curved upward to Fras-cati was flanked, after it left the Campagna's level, with vineyards as measureless as the olive orchards of Tivoli. There was yet, at the end of March, no sign of leaf on the newly trimmed vines, which were trained on long poles of canes brought together in peaks to support them and netting the hill-slopes with the endless succession of their tops. The eye wearied itself in following them as in following the checkered wiring of the Kentish hop-fields, and was glad to leave them for the closer-set, but never too closely set, palaces of Frascati: the sort of palaces which we call cottages in our summer cities, and the Italians call casinos from the same instinctive modesty. When we began to doubt of our destination, our car passed a long, shaded promenade, and then stopped in a cheerful square amidst hotels and restaurants, with tables hospitably spread on the sidewalks before them.

We decided not to lunch at that early hour, but we could not keep our eyes from feasting, even at eleven o'clock in the morning, on the wonderful prospect that tempted them, on every hand, away from the more immediate affair of choosing one out of the many cabs that thronged about our arriving train. The cabs of Frascati are all finer than the cabs of Rome, and the horses are handsomer and younger and stronger; we could have taken the worst of the equipages that contested our favor and still fared well; but we chose the best--a glittering victoria and an animal of proud action, with a lustrous coat of bay. He wore a ring of joyous bells; he had, indeed, not a headstall of such gay colors as some others; but you cannot have everything, and his driver was of a mental vividness which compensated for all the color wanting in his horse's headstall, and of a personal attraction which made us ambitious for his company on any terms. He quickly reduced us from our vain supposition that carriages in a country-place should be cheaper than in a city; because, as he proved, there were fewer strangers to hire them and they ought logically to be dearer. So far from accepting our modest standards of time and money, he all but persuaded us to employ him for the whole day instead of a few hours at a price beyond our imagination; and he only consented to compromise on a half-day at an increased figure.

We supposed that it was the negotiation which drew and held the attention of all the leisure of Frascati, and that it was the driver and our relation to him rather than the horse and our relation to it that concentrated the public interest in us; and when we had convinced him that we had no wish but to see some of the more immediate and memorable villas, we mounted to our places in the victoria and drove out through the reluctantly parting spectators, who remained looking after us as if unable to disperse to their business or pleasure.

Our driver decided for us to go first to the Villa Falconieri, which had lately been bought and presented by a fond subject to the German Emperor, and by him in turn bestowed on the German Academy at Rome. In the cold, clean, stony streets of Frascati, as we rattled through them, there breathed the odor of the great local industry; and the doorways of many buildings, widening almost in a circle to admit the burly tuns of wine, testified how generally, how almost universally, the vintage of that measureless acreage of grapes around the place employed the inhabitants. But there was little else to impress the observer in Frascati, and we willingly passed out of the town in the road climbing the long incline to the Villa Falconieri, with its glimpses, far and near, of woods and gardens. It was a road so much to our minds that nothing was further from us than the notion that our horse might not like it so well; but, at the first distinct rise, he stopped and wheeled round so abruptly, after first pawing the air, that there could be no doubt where the popular interest we had lately enjoyed in Frascati had really originated. Probably our horse's distinguishing trait was known to everybody in Frascati except his driver. He, at least, showed the greatest surprise at the horse's behavior, as unprecedented in their acquaintance, which he owned was brief, for he had bought him in Rome only the week before. With successive retreats to level ground he put him again and again at the incline, but as soon as the horse felt the ground rising under his feet he lifted them from it and whirled round for another retreat. All this we witnessed from an advantageous point at the roadside which we had taken up at his first show of reluctance; and at last the driver suggested that we should leave it and go on to the Villa Falconieri on foot. On our part, we suggested that he should attempt some other villa which would not involve an objectionable climb. He then proposed the Villa Mandragone, and the horse seemed to agree with us. As we drove again through the clean, cold, stony streets, with the rounded doorways for the wine-casks, we fancied something clearly ironical in the general interest renewed by our return. But we tried to look as if we had merely done the Villa Falconieri with unexampled rapidity, and pushed on to the Villa Mandragone, where, under the roof of interlacing ilex toughs, our horse ought to have been tempted on in a luxurious unconsciousness of anything like an incline. But he was apparently an animal which would have felt the difference between two rose-leaves and one in a flowery path, and just when we were thinking what a delightful time we were having, and beginning to feel a gentle question as to who the pathetic little cripple halting toward us with a color-box and a camp-stool might be, and whether she painted as well as a kind heart could wish, our horse stopped with the suddenness which we knew to be definite. The sensitive creature could not be deceived; he must have reached rising ground, and we sided with him against our driver, who would have pretended it was fancy.

It was now noon, and we drove back to the piazza, agreeing upon a less price in view of the imperfect service rendered, and deciding to collect our thoughts for a new venture over such luncheon as the best hotel could give us. It was not so good a hotel as the lunch it gave. It was beyond the cleansing tide of modernity which has swept the Roman hotels, and was dirty everywhere, but with a specially dirty, large, shabby dining-room, cold and draughty, yet precious for the large, round brazier near our table which kept one side of us warm in romantic mediaeval fashion, and invited us to rise from time to time and thaw our fingers over its blinking coals. The bath in which our chicken had been boiled formed a good soup; there was an admirable pasta and a creditable, if imperfect, conception of beefsteak; and there was a caraffe of new Frascati wine, sweet, like new cider. If we could have asked more, it would not have been more than the young Italian officer who sat in the other corner with his pretty young wife, and who allowed me to weave a whole realistic fiction out of their being at Frascati so out of season.

Just as I was most satisfyingly accounting for them, our late driver alarmed me by appearing at the door and beckoning me to the outside. The occasion was nothing worse than the presence of a man who, he said, was his brother, with a horse which, upon the same authority, was without moral blame or physical blemish. If anything, it preferred a mountain to a plain country, and could be warranted to balk at nothing. The man, who was almost as exemplary as the horse, would assume the unfulfilled contract of the other man and horse with a slight increase of pay; and yet I had my doubts. The day had clouded, and I meekly contended that it was going to rain; but the man explicitly and the horse tacitly scoffed at the notion, and I yielded. I shall always be glad that I did so, for in the keeping of those good creatures the rest of our day was an unalloyed delight. It appeared, upon further acquaintance, that the man paid a hundred dollars for the horse; his brother had paid a hundred and twenty-five for the balker; but it was the belief of our driver that it would be worth the difference when it had reconciled itself to the rising ground of Frascati; as yet it was truly a stranger there. His own horse was used to ups and downs everywhere; they had just come from a long trip, and he was going to drive to Siena and back the next week with two ladies for passengers, who were to pay him five dollars a day for himself and horse and their joint keep. He said the ladies, whose names he gave, were from Boston; he balked at adding Massachusetts, but I am sure the horse would not; and, if I could have hired them both to carry me about Italy indefinitely, I would have gladly paid them five dollars a day as long as I had the money. The fact is, that driver was charming, a man of sense and intelligence, who reflected credit even upon his brother and his brother's horse: one of those perfect Italian temperaments which endear their possessors to the head and heart, so that you wonder, at parting, how you are going to live without them.

We did not excite such vivid interest in Frascati at our second start as at our first; but, as we necessarily passed over the same route again, we had the applause of the children in streets now growing familiar, and a glad welcome back from the pretty girls and blithe matrons of all ages rhythmically washing in the public laundry, who recognized us in our new equipage. The public laundry is always the gayest scene in an Italian town, and probably our adventures continued the subject of joyous comment throughout the day which was now passing only too rapidly for us. We were again on the way to the Villa Falconieri, and while our brave horse is valiantly mounting the steep to its gate this is perhaps as good a place as any to own that the Villa Falconieri and the Villa Man-dragone were the only sights we saw in Frascati. We did, indeed, penetrate the chill interior of the local cathedral, but as we did not know at the time that we were sharing it with the memory of the young Stuart pretender Charles Edward, who died in Frascati, and whose brother, Cardinal York, placed a mural tablet to him in the church, we were conscious of no special claim upon our interest. We ought, of course, to have visited the Villa Aldobrandini and the Villa Ruffinella and the Villa Graziola and the Villa Taverna, but we left all these to the reader, who will want some reason for going to Frascati in person, and to whom I commend them as richly worth crossing the Atlantic for. Doubtless from a like motive we left the ruins of Tusculum unvisited, just as at Tivoli we refrained from diverging to Hadrian's Villa--the two things supremely worthy to be seen in their respective regions. But, if I had seen only half as much as I saw at Frascati--the Villa Falconieri, namely--I should feel forever over-enriched by the experience.

Slowly an ancient servitor, whose family had been in the employ of the Falconieri for a century, advanced as with the burden of their united years and opened the high gate to us and delivered us over to a mild boy. He bestowed on us, for a consideration, a bunch of wild violets, and then, as if to keep us from the too abrupt sight of the repairs and changes going on near the casino, led us first to the fish-pond, in the untouched seclusion of a wooded hill, and silently showed us the magnificent view which the top commanded, if commanded is not too proud a word for a place so pathetic in its endearing neglect. It had once been the haunt of many a gay picnicking crew in hoops and bag-wigs and all the faded fashion of the past, when hosts and guests had planned a wilder escapade than the grove before the casino invited, with its tables of moss-painted marble. There would have been an academic poet, or more than one, in the company, and they would have furnished forth the prospect with phrases far finer than any I have about me, who can only say that the Cam-pagna, clothed in mist and cloud-shadowed, swam round the upland in the colors of a tropic sea.

Our mild boy waited a decent moment, as if to let me do better, and then led down to the casino, round through a wooded valley where there were some men with fowling-pieces, whom I objected to in tones, if not in terms. “What are they shooting?” “They are shooting larks, signore.” “What a pity!” “But the larks are leaving Italy, now, and going north.” It was a reason, like many another that humanity is put to it in giving, and I do not know that I missed any larks, later, from an English meadow where I saw them spiring up in song, and glad as if none of their friends had been shot at the Villa Falconieri. In fact, I did not see those fowlers actually killing any; and I can still hope they were not very good shots.

The workmen who were putting the place in repair were lunching near the casino, in a litter of lumber and other structural material, but the casino itself seemed as yet unprofaned by their touch. At any rate, we had it quite to ourselves, let wander at will through its cool, bare, still spaces. If there was a great deal to see, there was not much to remember, or to remember so much as the satirical frescos of Pier Leone Ghezzi, who has caricatured himself as well as others in them. They are not bitter satires, but, on the contrary, very charming; and still more charming are the family portraits frescoed round the principal room. Under one curve of the vaulted ceiling the whole family of a given time is shown, half-length but life-size, looking down pleasantly on the unexpected American guests who try to pretend they were invited, or at least came by mistaking the house for another. Better even than this most amiable circle, or half-circle, of father, mother, and daughter are the figures of friends or acquaintances or kinsfolk: figures not only life-size, but full-length, in panels of the walls, in the very act of stepping on the floor and coming forward to greet their host and hostess from the other walls. They did not visibly move during our stay, but I know they only waited for us to go; and that at night, especially when there was a moon, or none, they left their backgrounds and mingled in the polite gayeties of their period. One could hardly help looking over one's shoulder to see if they were not following to that farthermost room called Primavera, which is painted around and aloft like a very bower of spring, with foliage and flowers covering the walls and dropping through the trellis feigned overhead. Of all the caprices of art, which in Italy so loved caprice, I recall no such pleasing playfulness as in the decoration of these rooms. If you pass through the last you may look from the spring within on no fairer spring without bordering the shores of the Campagna sea.

It was so pathetic to imagine the place going out of the right Italian keeping that I attributed a responsive sadness to the tall, handsome, elderly woman who had allowed us the freedom of the casino. Her faded beauty was a little sallow, as the faded beauty of a Roman matron should be, and her large, dark eyes glowed from purpling shadows.

“And the German Emperor owns it now?”

“Yes, they say he has bought it.”

“And the Germans will soon be coming?”

“They say.”

She would not commit herself but by a tone, an inflection, but we knew very well what she and the frescoed presences about us thought. I wish now I could have stayed behind and got the frescos to tell me just how far I ought recognize her sorrow in my tip, but one must always guess at these things, and I shall never know whether I rewarded the aged gatekeeper according to the century of service his generations had rendered those of the frescos.

We were going now to the Villa Mandragone, but we had not yet the courage for the rise of ground where we had failed before, and we entreated our driver to go round some other way, if he could, and descend rather than ascend to it. He said that was easy, and it was when we came away that we passed through that ilex avenue which we had not yet penetrated in its whole length, and where we now met many foot-passengers, lay and cleric, who added to the character of the scene, and saw again the little cripple artist, now trying to seize its features, or some of them. I did not see whether she was succeeding so well as in pity she might and as I knew she did.

In spite of our triumph with the Villa Mandragone in this second attempt, we can never think it half as charming as the Villa Falconieri. I forget what cardinal it was who built it so spacious and splendid, with three hundred and sixty-five windows, in honor of the calendar as reformed by the reigning pope, Gregory XIII. It is a palace enclosing a quadrangle of whole acres (I will not own to less), with a stately colonnade following as far round as the reader likes. When he passes through all this magnificence he will come out on a grassy terrace, with a fountain below it, and below that again the chromatic ocean of the Cam-pagna (I have said sea often enough). A weird sort of barbaric stateliness is given to the place by the twisted and tapering pillars that rise at the several corners, with colossal masques carven at the top and the sky showing through the eye-hollows, as the flame of torches must often have shown at night. But for all the outlandish suggestion of these pillars, the villa now belongs to the Jesuits, who have a college there, where only the sons of noble families are received for education. As we rounded a sunny wall in driving away, we saw a line of people, old and young of both sexes, but probably not of noble families, seated with their backs against the warm stone eating from comfortable bowls a soup which our driver said was the soup of charity and the daily dole of the fathers to such hungry as came for it. The day was now growing colder than it had been, and we felt that the poor needed all the soup, and hot, that they could get.

After a vain visit to Grotta Ferrata, which was signally disappointing, in spite of the traces of a recent country fair and the historical merits of a church of the Greek rite, with a black-bearded monk coming to show it through a gardened cloister, we were glad to take the tram back to Rome and to get into the snug inside of it. The roof, which had been so popular and populous in the morning, was now so little envied that a fat lady descended from it and wedged herself into a row of the interior where a sylph would have fitted better but might not have added so much to the warmth. No one, myself of the number, thought of getting up, though there were plenty of straps to hang by if one had chosen to stand. This was quite like home, and so was it like home to have the conductor ask me to wait for my change, with all the ensuing fears that wronged the long-delayed remembrance of his debt. In some things it appears that at Rome the Romans do as the Americans do, but I wish we were like them in having such a place as Frascati within easy tram-reach of our cities.

XV. A FEW REMAINING MOMENTS

In the days of the earlier sixties, we youth who wished to be thought elect did not feel ourselves so unless we were deeply read in Hawthorne's romance of The Marble Faun. We made that our aesthetic handbook in Rome, and we devoutly looked up all the places mentioned in it, which were important for being mentioned; though such places as the Tarpeian Rock, the Forum, the Capitoline Museum, and the Villa Bor-ghese might secondarily have their historical or artistic interest. In like manner Story's statue of Cleopatra was to be seen, because it was the “original” of the imaginary sculptor Kenyon's Cleopatra, and a certain mediaeval tower was sacred because it was universally identified as the tower where the heroine Hilda lived dreaming and drawing, and fed the doves that circled around its top. We used to show the new arrivals where Hilda's tower was, and then stand with them watching the pigeons which made it unmistakable. I should then have thought I could never forget it, but I must have passed it several times unnoting in my latest Roman sojourn, when one afternoon in a pilgrimage to the Via del Gambero a contemporary of that earlier day glanced around the narrow piazza through which we were passing and, seeing a cloud of doves wheeling aloft, joyfully shouted, “Look! There is Hilda's tower!” and if Hilda herself had waved to us from its battlements we could not have been surer of it. The present vanished, and we were restored to our citizenship in that Rome of the imagination which is greater than any material Rome, and which it needs no archaeologist to discover in its indestructible integrity.

No one to-day, probably, visits the Capitoline Museum for the Faun of Praxiteles because it gave the romance its name; but at my latest sight of it I remembered it with a thrill of the young piety which first drew me to it, and involuntarily I looked again for the pointed, furry ears, as I had done of old, to make sure that it was really the Marble Faun of Hawthorne. I was now, however, for no merit of mine, in official and scientific company with which it would have been idle to share my satisfaction in the verification of the Faun's ears. Instead of boasting it, I listened to very interesting talk of the deathless Dying Gladiator, who is held to have been originally looked at more from below than he has been seen in modern times, and who is presently to be lifted to something like his antique level. He, in fact, requires this from the spectator who would feel all his pathos, as we realized in sitting down and looking a little upward at him.

In his room and in the succession of the rooms filled with his immortal bronze and marble companions I was as if with ghosts of people I had known in some anterior life. They were so familiar that I felt no need to go about asking their names, even if the archaeologists had in several cases given them new names. I should have known certain of them by traits which remain in the memory long after names have dropped out of it. Julius Caesar, with his long Celtic upper-lip, still looked like the finer sort of Irish-American politician; Tiberius again surprised me with the sort of racial sanity and beauty surviving in his atrocious personality from his mother's blood; but the too Neronian head of Nero, which seems to have been studied from the wild young miscreant when trying to look the part, had an unremembered effect of chubby idiocy. A thing that freshly struck me in the busts of those imperialities, which of course must have been done in their lifetimes, was not merely that the subjects were mostly so ugly and evil but that the artists were apparently safe in showing them so. The men might not have minded that, but how had the sculptors managed to portray the women as they did and live? Perhaps they did not live, or live long; they are a forgotten tribe, and no one can say what became of any given artist after executing the bust of an empress; his own execution may have immediately followed. But what is certain is that those ladies are no lovelier in their looks than they were in their lives; to be sure, in their rank they had not so great need of personal charm as women of the lower class. The most touching face as well as the most dignified and beautiful face among them is that of the seated figure which used to be known as that of Agrippina but which, known now as that of a Roman matron, does not relieve the imperial average of plainness. The rest could rival the average American society woman only in the prevailing modernity of their expression; imperial Rome was very modern, as we all know, and nothing in our own time could be more up to date than the lives and looks of its smart people.

The general impression of the other marbles of the Capitoline Museum remains a composite of standing, sitting, stooping, and leaning figures, of urns and vases, of sarcophaguses and bas-reliefs. If you can be definite about some such delightful presence as that old River dozing over his fountain in the little cold court you see first and last as you come and go, it is more than your reader, if he is as wise as you wish him, can ask of you. I have been wondering whether he could profitably ask of me some record of my experiences in the official and scientific company with which I was honored that day at the Campidoglio; but I should have to offer him again a sort of composite psychograph of objects printed one upon another and hardly separable in their succession. There would be the figure of Marcus Aurelius, commanding us with outstretched arm from the back of the bronze charger which would not obey Michelangelo when he bade it “Go,” not because it was not lifelike, but because it was too fat to move. Against the afternoon sky, looking down into the piazza with dreamy unconcern from their vantage would be the statues on the balustrated roof of the museum. There would be the sense, rather than the vision, of the white shoulders of Castor and Pollux beside their steeds above the dark-green garden spaces on either hand; there would be the front of the Church of Ara Coeli visible beyond the insignificance of Rienzi's monument; and filling in the other end of the piazza which Michelangelo imagined, and not the Romans knew, there would be the palace of the senator, to which the mayor and the common council of modern Rome now mount by a double stairway, and presumably meet at the top in proceeding to their municipal labors. Facing the museum would be the palace of the Conservatori, where in the noblest of its splendid halls the present company would find itself in the carved and gilded arm-chairs of the conservators, seated at an afternoon tea-table and restoring itself from the fatigues of more and more antique art in the galleries about. After this there would be the gardened court of the palace, with a thin lawn, and a soft little fountain musing in the midst of it, and the sunset light lifting on the wall where the fragments of Septimius Severus's marble map of Rome order themselves in such coherence as archaeology can suggest for them.

In the palace of the Senator (who was not, as I dare say the reader ignorantly supposes, a residuum of the old Roman senate, but was the dictator whom the mediaeval republic summoned from within or without to be its head and its safeguard from the aristocracy) there would be, beyond the chamber where the actual city council of Rome meets under the presidency of the mayor, the great public rooms bannered and memorialled around with heroic and historic blazons; and last there would be the private room where the syndic devotes himself to civic affairs when he can turn from the sight of the Roman Forum, with a peripatetic archaeologist lecturing a group of earnest Americans, while long, velvety shadows of imperial purple stretch from the sunset on the softly rounded and hollowed ruins of the Palatine.

But, if each of these bare facts could be parted from the others and intelligently presented, what would it avail with the reader who has never seen the originals of my psychograph? It is from some such question, and not from want of a hospitable will, that I hesitate to ask him to go with me on a golden morning of March and spend it in the Villa Medici on the Pincian Hill. If I could I should like to pour its yellowness and mellowness round him, perfumed with a potpourri of associations from the time of Lucullus down through every mediaeval and modern time to that very day, when I knew Carolus Duran to be living somewhere in these beauteous bounds as the head of the French Academy which has its home in them. The academic garden-paths, with a few happy people wandering between their correctly balanced passages of box; the blond facade of the casino looking down with its statues and reliefs on these parterres; a young girl vanishing up an aisle of the grove beside the garden into whatever dream awaited her youth in the leafy dusk; an old American pair gazing after her from the terrace, with the void of the vanished years aching in their hearts for the Rome that was once young with them: does this represent to the reader an appreciable morning in the Villa Medici? He may be grateful to me if he does, and if he likes. I cannot do more for him without doing less, and yet I know it is a palette rather than a picture I am giving him.

All the while I was there, the guest of the French nation by the payment of fifty centimes gate-money, I was obscurely resenting its retention of a place which Bonaparte bestowed upon the First Republic with so much other loot from Italy. But now I have lately heard that the magnanimous Third Republic is going to restore it to the people rightfully its owners, and the remembrance of my morning in the Villa Medici will remain a pure joy. So few joys in this world, even in the very capital of it, are without some touch of abatement. I could not so much as visit the Catacombs of Domatilla without suffering a frustration which, though incidental merely, left a lasting pang of unrequited interest. As we drew toward the place, I saw in a field the beginning of one of those domestic dramas which are not attributable to Italy alone. Three peasants, a man and two women, were engaged in controversy which, on his side, the man supported with both hands flapping wildly at the heads of the women, who alertly dodged and circled around him in the endeavor to close in upon him. It was instantly conjecturable, if not apparent, that they were his wife and daughter, and that he was the worse for the vintage of their home acre, and would be the better for being got into the house and into bed. The conjecture enlisted the worthier instincts of the witness on the side of the mother and daughter; but he was in no hurry to have the animated action brought to a close, and was about to tell his cabman to drive very, very slowly, when suddenly the cab descended into a valley, and when the eager spectator rose to his former level again the stone wall had risen with him, and he never knew the end of that passage of real life.