Horace remembered a day when he and Messala had hired at the Piraeus a boat rigged with bright canvas, and sped before the wind to Salamis, their readiness for any holiday guided by a recent reading of Herodotus and AEschylus, and by a desire to see the actual waters and shores where brute force had been compelled to put its neck beneath wisdom and courage. The day had been a radiant one, the sky fresh and blue, although flecked here and there by clouds, and the sea and the hills and the islands rich in brilliant colour. They had worked their way through the shipping of the harbour, and then sailed straight for the shore of Salamis. When they passed the island of Psyttaleia, where the "dance-loving Pan had once walked up and down," they had been able to see very plainly how the Persian and Greek fleets lay of old, to imagine the narrow strait once more choked with upturned keels, and fighting or flying triremes, to picture Greeks leaping into the sea in full armour to swim to Psyttaleia and grapple with the Persians who paced the beach in insolent assurance. The wind whistled in their ears, freighted, as it seemed to them, with the full-throated shout which, according to the AEschylean story, rang through the battle:--
Sons of the Hellenes! On! Set free your native land! Your children free, your wives, ancestral shrines of gods, And tombs of fathers' fathers! Now for all we strive!
A thunder-storm had arisen before they left Salamis, and their homeward sail had satisfied their love for adventure. Clouds and sun had battled vehemently, and as they finally walked back to the city from the harbour, they had seen the Parthenon rising in grave splendour against the warring sky, a living symbol of an ancient victory.
At another time, the same group of friends had chosen a hot day of midsummer to ride on mules along the stretch of Attic road to Marathon. The magnificent hills girdling the horizon had freshly impressed them as more sculpturesque in outline than the familiar ones about their own Rome, and the very shape of the olive trees in a large orchard by the roadside had seemed un-Italian and strange. They had already become attuned to a Greek mood when the blue sea opened before them and they reached the large plain, stretching from the foot-hills of Pentelicon to the water's edge. The heat had stilled all life in the neighbourhood, and Marathon seemed hushed, after all these five hundred years, in reverence before the spirit of liberty. Their ride home had been taken in the cool of the day, so that the hills which rose from the sea had assumed a covering of deep purple or more luminous amethyst. From the shore of the sea they had passed into a wooded road, with a golden sky shining through the black branches. Later the stars had come out in great clusters, and Messala, who now and then betrayed a knowledge of poetry and a gravity of thought that surprised his friends, had recited Pindar's lines:--
... Aye, undismayed And deep the mood inspired, A light for man to trust, a star Of guidance sure, that shines afar. If he that hath it can the sequel know, How from the guilty here, forthwith below A quittance is required.
But in sunlight undimmed by night and by day Toil-free is the life of the good--for they Nor vex earth's soil with the labour of hand, Nor the waters of Ocean in that far land-- Nay, whoever in keeping of oaths were fearless With the honoured of gods share life that is tearless.
That night-ride had come back to Horace several years ago when he was writing his ode on Pindar, but to-day's memory seemed strangely different. Then he had remembered what a revelation Pindar's lyric art had been to him amid the severe and lofty beauty of Greek scenery. Now he caught a haunting echo also of how, when he was twenty-one, these lines of the artist had seemed to him a fitting explanation of the mound of earth heaped over the dead at Marathon. He had long ago learned to laugh at the fervour of youth's first grappling with ideas, and had come to see that the part of a sensible man was to select judiciously here and there, from all the schools, enough reasonable tenets to enable him to preserve a straight course of personal conduct. As for understanding first causes, the human race never had and never could; and as for a belief in heavenly revelations or in divine influences, all such tendencies ended in philosophic absurdity. Why, then, at this late day, should he remember that night, on the road from Marathon to Athens, when the ancient struggle for liberty had stirred in his own heart "a mood deep and undismayed," and when an impalpable ideal, under the power of a rushing torrent of melody, had come to seem a "light for man to trust?"
Was it, indeed, days like these that had made Brutus's work so easy when he began to collect his young company about him? And what if Brutus had been "mistaken?" Was there not a higher wisdom than that which could fashion nations? Horace had seen his dead face at Philippi. Had he done right ever afterwards, however reverently, to attribute a blunder to that mighty spirit which had left upon the lifeless body such an imprint of majesty and repose? Surely common sense, temperance, honest work, honourableness, fidelity, were good fruits of human life and of useful citizenship. But was there a vaster significance in a noble death? Was there even a truer citizenship in the prodigal and voluntary pouring out of life, on a field of defeat, amid alien and awful desolation?
The sun was hurrying toward the west, and Horace realised, with a quick chill, that he was entirely in the shadow. Beyond the meadow he could see a team of oxen turn wearily, with a heavily loaded wagon, toward their little stable. The driver walked with a weary limp. Even the little boy by his side forgot to play and scamper, and rather listlessly put the last touches to a wreath of autumn flowers which he meant to hang about the neck of the marble Faunus at the edge of the garden.
Where could Davus be? Ah, there he came, half-running already as if he knew his master wanted him.
"Davus," he called out, "make haste. I have had a visit from the shades, and it has been as unpleasant as those cold baths the doctor makes me take." Then, as he saw the look of fright on the wrinkled face of the old slave who had been with his father when he died, he broke into a laugh and put his hand on his shoulder. "Calm yourself, my good fellow," he said, "we shall all be shades some day, and to-day I feel nearer than usual to that charming state. But in the meantime there is a chance for Bacchus and the Muses. Tell them to get out a jar of Falernian to-night, and do you unroll Menander. The counsels of the divine Plato are too eternal for my little mind. And, Davus," he added thoughtfully, as he rose and leaned on the slave's willing arm, "as soon as we get to the house, write down, 'Greece took her captors captive.' That has the making of a good phrase in it--a good phrase. I shall polish it up and use it some day."
A ROMAN CITIZEN
"Look at him--a subject for his own verses--a grandfather metamorphosed into an infant Bacchus! Will he be a Mercury in swaddling clothes by next year? O, father, father, the gods certainly laid their own youth in your cradle fifty-two years ago!"
The speaker, a young matron, smiled into her father's eyes, which were as brilliant and tender as her own. Ovid and his daughter were singularly alike in a certain blitheness of demeanour, and in Fabia's eyes they made a charming picture now, both of them in festal white against the March green of the slender poplars. Perilla's little boy had climbed into his grandfather's lap and laid carefully upon his hair, still thick and black, a wreath of grape leaves picked from early vines in a sunny corner. Fabia and Perilla's husband, Fidus Cornelius, smiled at each other in mutual appreciation of a youth shared equally, it seemed to them, by the other three with the new-born spring.
It was Ovid's birthday and they were celebrating it in their country place at the juncture of the Flaminian and Clodian roads. The poet had a special liking for his gardens here, and he had preferred to hold his fete away from the city, in family seclusion, because Fidus was about to take Perilla off to Africa, where he was to be proconsul. The shadow of the parting had thrown into high relief the happiness of the day. Perilla had always said that it was worth while to pay attention to her father's birthday, because he could accept family incense without strutting like a god and was never so charming as when he was being spoiled. To-day they had spared no pains, and his manner in return had fused with the tenderness kept for them alone the gallantry, at once that of worldling and of poet, which made him the most popular man in Roman society. Now, as the afternoon grew older and his grandson curled comfortably into his arms, the conversation turned naturally to personal things. Perilla's jest led her father to talk of his years, and to wonder whether he was to have as long a life as his father, who had died only two or three years before at ninety.
"At least, having no sons," he went on, "I shall be spared some of his disappointments. It was cruel that my brother, who could have satisfied him by going into public life, should have died. Father had no use for literature. He used to point out to me that not even Homer made money, so what could I expect? But I believe that even he saw that my student speeches sounded like metreless verse, and later on he accepted the bad bargain with some grace. He had sniffed at what I considered my youthful successes. I was immensely proud over seeing Virgil once in the same room as myself, and when I came to know Horace and Propertius fairly intimately I felt myself quite a figure in Rome. But father had little or no respect for them--except when Horace turned preacher--and no patience at all with what I wrote. Before he died, however, when these greater men had passed off the stage and he saw young men look up to me as I had looked up to them, and found I could sell my wares, he began to grant that I had, after all, done something with my time."
"I never can realise," Perilla exclaimed, "that you are old enough to have seen Virgil! Why, I wasn't even born when he died! I suppose those times, when Augustus was young, were very fiery and inspiring, but I am so glad I live in this very year. I would rather have you the chief poet of Rome than a hundred solemn Virgils, and surely life can never have been as lovely as it is now. Isn't Rome much finer and more finished?"
Fidus smiled. "You are your father's own child," he said. "We certainly are getting the rustic accent out of our mouths and the rustic scruples out of our morals. In the meantime"--he added lightly--"some of us have to plod along with our old habits, or where would the Empire be? I don't expect to improve much on the proconsulship of my father."
Ovid's eyes rested whimsically on the young man, and after a pause he said: "Art is one thing and conduct is another. I trust Perilla to you but with no firmer assurance of her happiness than I have of Fabia's entrusted to me. Soldiering and proconsuling have their place, but so has the service of the Muses. While you are looking after taxes in Africa, we will make Rome a place to come back to from the ends of the earth. After all, to live is the object of life, and where can you live more richly, more exquisitely than here? You will find you cannot stay away long. Rome is the breath we breathe. I like to believe that will prove true of you. I cannot give up Perilla long, even with this young Roman as a hostage." The child had fallen asleep, and with a light kiss on his tousled curls the grandfather turned him over to his mother's arms. "Let us leave these connoisseurs to discuss his dimples," he said to his son-in-law, "drag our other boy out of his bee-hives and have one more game of ball before I get too old."
Perilla watched the two men as they walked off toward the apiary, and when she turned to her stepmother her eyes were wet with sudden tears. "Fidus was almost impertinent to father, wasn't he? And father was so perfect to him! That is what I tell Fidus, when he talks like grandfather and says we are all going to the dogs--I tell him that at least we are keeping our manners as we go, which is more than can be said of the reformers. I am always nervous when he and father get on to social questions, they feel so differently. Fidus was quite angry with me the other day because I said I was thankful that we had learned to have some appreciation of taste and good form and elegance and that we should never go back to being boors and prudes. He insisted that if by boors and prudes I meant men and women who cared more for courage and virtue than for 'hypocrisy' and 'license,' I should see them become the fashion again in Rome, before I knew it. Augustus was not blindfolded, if he was old. But, although Fidus doesn't understand father, he does love him. He said about coming here that he would rather spend his last day with father than with any other man in Rome. And what a happy day it has been!"
Perilla rose impulsively and, tucking her sleeping child in among the cushions of a neighbouring bench, threw herself on the grass by the older woman. Her forty-five years sat lightly upon Fabia, leaving her still lovely in the sensitive eyes of her husband and stepdaughter. A temperamental equableness and a disciplined character gave to her finely modelled face an inward tranquillity which was a refuge to their ardent natures. She only smiled now, as Perilla's lively tongue began again: "How happy you make father all the time! It keeps me from feeling too dreadfully about going off to Africa. Do you know, when you first came to us, I had an idea you wouldn't understand him! I was just old enough to realise that all your traditions were very austere ones, that your family belonged to the old order and had done wonderful things that weren't poetry and the joy of living at all. But I was far too young to understand that just because you did belong to people like that, when you married a man you would sink your life in his. That seems to me now to be the strongest thing about you. I have a feeling that inside you somewhere your character stands like a rock upon which father's ideas could beat forever without changing it. But you never let that character make you into a force separate from him. You have made his home perfect in every detail, but outside of it you are just his wife. Tell me, does that really satisfy you?"
Fabia's smile grew into a laugh. "I seem very old-fashioned to you, do I not, dear child? It is not because of my age, either, for plenty of middle-aged women agree with you. It is quite in the air, isn't it, the independence of women, their right to choose their own paths? I was invited to a reading of the Lysistrata the other day, and actually one woman said afterwards that she believed Aristophanes was only foreseeing a time when women would take part in the government! She was laughed down for that, but most of the others agreed that the whole progress of society since Aristophanes's time lay in the emancipation of women from the confines of the home and from intellectual servility. I, too, believe in mental freedom, but you all insist a great deal upon the rights involved in being individuals. I have never been able to see what you gain by that. My husband is a citizen of Rome. To be called his wife is my proudest title. It makes no difference to the state what I am or do of myself. I live to the state only through him."
The younger woman had begun to speak almost before Fabia had finished, but the conversation was interrupted by the nurse coming for the child. Perilla went back to the house with them, confessing, with a laugh, that an hour with her boy at bed-time was more important than trying to change her perfect mother. It was not yet time to dress for the birthday dinner, which was to crown the day, and Fabia lingered on in the garden to watch the gathering rose in the late afternoon sky above the tree-tops. An enchanted sense of happiness came to her in the silence of the hour. She did not agree with her husband that happiness was the main object of life, but she was very grateful to the gods who had allowed her to be happy ever since she was a little girl, left to the care of a devoted uncle by parents she was too young to mourn. The latter half of her life these gods had crowned with a love which made her youth immortal. She had been married when she was a mere girl to a young soldier who had not lived long enough to obtrude upon her life more than a gentle memory of his bravery. The bearing of a child had been the vital part of that marriage, and the child had come into her new home with her, leaving it only for a happy one of her own. Her husband's child had been like a second daughter to her, and throughout the twenty years of her life with Ovid joy had consistently outweighed all difficulties. Insolent tongues had been busy with his faithlessness to her. But after the first fears she had come to understand that, although other women often touched the poet and artist in him, none save herself knew the essential fidelity and the chivalrous tenderness of the husband. She had accepted with pride his shining place in public regard. It was no wonder that he loved Rome, for Rome loved him.
A nightingale broke into song among the rose bushes. Her face was like a girl's as she thought of Ovid, with the grape leaves above his vivid face, young as the gods are young, seeking her eyes with his. A faint smell, as of homely things, rose from the familiar earth. Lights began to appear in the windows of the villa. She had come to this home when she and Ovid were married, and this morning she had again offered her tranquil prayers to the Penates so long her own. The happy years broke in upon her. Ah, yes, she and her husband had the divine essence of youth within them. But they had something finer too, something that comes only to middle age--the sense of security and peace, the assurance that, except for death, no violent changes lay ahead of them. She had only to nurture, as they faced old age together, a happiness already in full measure theirs.
As she turned toward the house she met her husband, come himself to seek her. In the recurrent springs of her after life the faint smell of the burgeoning earth filled her with an unappeasable desire.
The next week Fidus and Perilla started for Libya, leaving the two children with their grandfather rather than expose them to the dangers of the African climate. Ovid and Fabia spent the summer as usual in the cool Apennines at the old family homestead at Sulmo. They lingered on into the autumn for the sake of the vintage, a favourite season with them, and did not return to their beautiful town house at the foot of the Capitoline hill until late in October. While Fabia was busy with the household readjustments entailed by the presence of the children with their attendants and tutors, and before social engagements should become too numerous, Ovid spent several hours each day over his Metamorphoses, to which he was giving the final polish. Patient work of this kind was always distasteful to him and he welcomed any chance to escape from it. At the end of November Fabia's cousin, Fabius Maximus, went to the island of Elba to look after some family mines, and Ovid made his wife's business interests a pretext for a short trip up the Tuscan coast in his company. He was to be back for a dinner at Macer's, his fellow poet's, on the Ides of December, to meet some friends of both from Athens.
On the morning of the eighth day before the Ides a message came to Fabia from the Palace asking where Ovid was. The inquiry seemed flattering and Fabia wondered what pleasant attention was in store for her husband. As it happened, she saw no one outside of her own household either that day or the next, being kept indoors by the necessity of installing new servants sent down from the estate at Sulmo. She was, therefore, entirely unprepared for the appalling public news which her uncle, Rufus, brought to her in the early evening of the seventh day before the Ides. There was something almost terrifying in the wrenching of her mind from the placid details of linen chests and store-rooms to the disasters in Caesar's household. Augustus, without warning, at the opening of what promised to be a brilliant social season, had risen in terrible wrath; and Julia, his granddaughter, her lover, Decimus Junius Silanus, and, it was rumoured, several other prominent men had been given the choice of accepting banishment or submitting to a public prosecution. There was really no choice for them. The courts would condemn relentlessly, and the only way to save even life was to leave Rome.
"But the brutal suddenness of it!" Fabia exclaimed. "It seems more tragic, somehow, than her mother's punishment. Isn't everybody aghast? And do you think she has deserved it?" Rufus looked grave and troubled. "It is not easy to know what one does think," he said. "There has been a great deal of boasting about our prosperity, our victories abroad and our lustre at home. But some of us who have been watching closely have wondered how long this would last. The Empire has been created at a great cost and cannot be preserved at a lesser price. Insurrections have to be put down in the provinces, harmony and efficiency have to be maintained in the capital. It takes harsh courage, inflexible morals to do all that. Julia and with her Roman society have defied Caesar's desires, just as her mother and her set defied them ten years ago. Imagine the grief and despair of our old Emperor! He must do something savage, drastic, irrevocable, to save his state. My heart breaks for him, and yet I cannot help pitying our imperial lady. With her light grace, her audacious humour, among our stern old standards, she has often made me think of a Dryad moving with rosy feet and gleaming shoulders in a black forest. All our family, Fabia, have been like the trees. But perhaps Rome needs the Dryads too. What is moral truth?" Fabia smiled suddenly. "Ovid would say it is beauty," she said. "That is an old dispute between us." Her face fell again. "He will be deeply distressed by this calamity. Julia has been very gracious to him and he admires her even more than he did her mother."
Roads From Rome · The Wunder Library — complete classics, free to read, with narration.