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Part 41

Recollections of My Childhood and Youth · Georg Brandes — chapter 41 of 54 · ~3,781 words · public domain

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Some weeks passed in seeing the most important public buildings in London, revelling in the treasures of her museums and collections, and in making excursions to places in the neighbourhood and to Oxford. I was absorbed by St. Paul's, saw it from end to end, and from top to bottom, stood in the crypt, where Sir Christopher Wren lies buried,--Si monumentum requiris, circumspice--mentally compared Wellington's burial-place here with that of Napoleon on the other side of the Channel, then went up to the top of the building and looked out to every side over London, which I was already so well acquainted with that I could find my way everywhere alone, take the right omnibuses, and the right trains by the underground, without once asking my way. I spent blissful hours in the National Gallery. This choice collection of paintings, especially the Italian ones, afforded me the intense, overwhelming delight which poetry, the masterpieces of which I knew already, could no longer offer me. At the Crystal Palace I was fascinated by the tree-ferns, as tall as fruit-trees with us, and by the reproductions of the show buildings of the different countries, an Egyptian temple, a house from Pompeii, the Lions' den from the Alhambra. Here, as everywhere, I sought out the Zoological Gardens, where I lingered longest near the hippopotami, who were as curious to watch when swimming as when they were on dry land. Their clumsiness was almost captivating. They reminded me of some of my enemies at home.

Oxford, with the moss-grown, ivy-covered walls, with all the poetry of conservatism, fascinated me by its dignity and its country freshness; there the flower of the English nature was expressed in buildings and trees. The antiquated and non-popular instruction, however, repelled me. And the old classics were almost unrecognisable in English guise, for instance, the anglicised veni, vidi, vici, which was quoted by a student.

The contrast between the English and the French mind was presented to me in all its force when I compared Windsor Castle with Versailles. The former was an old Northern Hall, in which the last act of Oehlenschläger's Palnatoke would have been well staged.

I saw all that I could: the Houses of Parliament, Westminster Hall and Abbey, the Tower and the theatres, the Picture Gallery at Dulwich with Rembrandt's Girl at the Window, the one at Hampton Court, with the portrait of Loyola ascribed to Titian, sailed down the river to Greenwich and lingered in the lovely Gardens at Kew, which gave me a luxuriant impression of English scenery. I also saw the Queen's model farm. Every animal was as splendid a specimen as if it had been intended for an agricultural show, the dairy walls were tiled all over. The bailiff regretted that Prince Albert, who had himself made the drawings for a special kind of milk containers, had not lived to see them made. It was not without its comic aspect to hear him inform you sadly, concerning an old bullock, that the Queen herself had given it the name of Prince Albert.

For me, accustomed to the gay and grotesque life deployed in an evening at the dancing-place of the Parisian students in the Closerie des lilas, it was instructive to compare this with a low English dancing-house, the Holborn Casino, which was merely sad, stiff, and repulsive.

Poverty in London was very much more conspicuous than in Paris; it spread itself out in side streets in the vicinity of the main arteries in its most pitiable form. Great troops, regular mobs of poor men, women and children in rags, dispersed like ghosts at dawn, fled away hurriedly and vanished, as soon as a policeman approached and made sign to them to pass on. There was nothing corresponding to it to be seen in Paris. Crime, too, bore a very different aspect here. In Paris, it was decked out and audacious, but retained a certain dignity; here, in the evening, in thickly frequented streets, whole swarms of ugly, wretchedly dressed, half or wholly drunken women could be seen reeling about, falling, and often lying in the street.

Both the tendency of the English to isolate themselves and their social instincts were quite different from those of the French. I was permitted to see the comfortably furnished Athenaeum Club in Pall Mall, membership of which was so much desired that people of high standing would have their names on the list for years beforehand, and these clubs corresponded to the cafés in Paris, which were open to every passer-by. I noticed that in the restaurants the tables were often hidden behind high screens, that the different parties who were dining might not be able to see one another.

XX.

The house in London where I was happiest was Antonio Gallenga's. A letter from the Hauchs was my introduction there, and I was received and taken up by them as if they had known me and liked me for years.

Antonio Gallenga, then a man of seventy, who nevertheless gave one an impression of youthfulness, had a most eventful life behind him. He had been born at Parma, was flung into prison at the age of twenty as a conspirator under Mazzini, was banished from Piedmont, spent some time at Malta, in the United States and in England, where he earned his living as a journalist and teacher of languages, and in 1848 returned to Italy, where he was active as a liberal politician. After the battle of Novara, he was again obliged to take refuge in London; but he was recalled to Piedmont by Cavour, who had him elected deputy for Castellamonte. He wrote an Italian Grammar in English, and, likewise in English, the History of Piedmont, quarrelled with Mazzini's adherents, withdrew from parliamentary life, and in preference to settling down permanently in Italy elected to be war correspondent to the Times. In that capacity he took part from 1859 onwards in the campaigns in Italy, in the North American States, in Denmark, and in Spain. His little boy was still wearing the Spanish national costume. Now he had settled down in London, on the staff of the Times, and had just come into town from the country, as the paper wished him to be near, on account of the approaching war. Napoleon III., to whom Gallenga had vowed an inextinguishable hatred, had been studied so closely by him that the Emperor might be regarded as his specialty. He used the energetic, violent language of the old revolutionary, was with all his heart and soul an Italian patriot, but had, through a twenty years' connection with England, acquired the practical English view of political affairs. Towards Denmark, where he had been during the most critical period of the country's history, he felt kindly; but our war methods had of course not been able to excite his admiration; neither had our diplomatic negotiations during the war.

Gallenga was a well-to-do man; he owned a house in the best part of London and a house in the country as well. He was a powerful man, with passionate feelings, devoid of vanity. It suited him well that the Times, as the English custom is, printed his articles unsigned; he was pleased at the increased influence they won thereby, inasmuch as they appeared as the expression of the universal paper's verdict. His wife was an Englishwoman, pleasant and well-bred, of cosmopolitan education and really erudite. Not only did she know the European languages, but she wrote and spoke Hindustani. She was a splendid specimen of the English housekeeper, and devoted herself enthusiastically to her two exceedingly beautiful children, a boy of eleven and a little girl of nine. The children spoke English, Italian, French, and German with equal facility and correctness.

Mrs. Gallenga had a more composite and a deeper nature than her husband, who doubted neither the truth of his ideas, nor their salutary power. She shared his and my opinions without sharing our confidence in them. When she heard me say that I intended to assert my ideas in Denmark, and wage war against existing prejudices, she would say, in our long conversations:

"I am very fond of Denmark; the people there seem to me to be happy, despite everything, and the country not to be over-populated. In any case, the population finds ample means of outlet in sea-life and emigration. Denmark is an idyllic little country. Now you want to declare war there. My thoughts seek down in dark places, and I ask myself whether I really believe that truth does any good, whether in my secret heart I am convinced that strife is better than stagnation? I admire Oliver Cromwell, but I sympathise with Falkland, who died with 'Peace! Peace!' [Footnote: Sir Lucius Cary, second Viscount Falkland, who fell at Newbury, Sept. 20, 1643.] on his lips. I am afraid that you will have to bear a great deal. You will learn that the accoutrements of truth are a grievously heavy coat of mail. You will call forth reaction. Even that is the least. But reaction will come about in your own mind; after a long time, I mean. Still, you are strong; it will be a reaction of the kind that keeps aloof in order to spring farther and better. Your unity will not go to pieces. You are a kind of cosmos."

When the conversation turned upon England and English conditions, she protested against the opinion prevalent on the continent since Byron's day, that English society was infested with hypocrisy.

"I do not think that hypocrisy is characteristic of English thought. We have, of course, like every serious people, our share of hypocrites; in a frivolous nation hypocrisy has no pretext for existence. But its supremacy amongst us is over. Apathetic orthodoxy, and superficial ideas of the correct thing, ruled England during the first half of the century. The intellectual position of the country is different now. No one who has not lived in England has any idea how serious and real the belief here is in the tough doctrine of the Trinity, who, in human form, walked about in Galilee. Good men, noble men, live and work for this dogma, perform acts of love for it. We, you and I, have drunk from other sources; but for these people it is the fountain of life. Only it is depressing to see this doctrine in its Roman Catholic form winning greater power everywhere every day. In Denmark, intellectual stagnation has hindered it hitherto; you have political, but not yet religious, freedom. Belgium has both, and Belgium is at the present time the most fiery Catholic power there is. France is divided between extreme materialism and Madonna worship. When European thought--between 1820 and 1860, let us say--rebelled against every kind of orthodoxy, and, as always happens with rebellion, made mistakes and went too far, France played a wretched rôle. It is a Celtic land, and Celtic it will remain; it desires, not personal freedom, but a despotic levelling, not equality before the law, but the base equality which is inimical to excellence, not the brotherhood that is brotherly love, but that which gives the bad the right to share with the good. That is why the Empire could be victorious in France, and that is why the Roman Catholic Church, even in its most modern, Byzantine form, is triumphant there."

So thoroughly English was Anna Gallenga's way of looking at things, in spite of an education which had included the chief countries in Europe. So blindly did she share the prejudice that the French are essentially Celtic. And so harshly did she judge, in spite of a scepticism, feminine though it was, that was surprising in a woman.

XXI.

Don Juan Prim, Count of Reus, Marques de los Castillejos, would now be forgotten outside Spain were it not that Régnault's splendid equestrian picture of him, as he is receiving the homage of the people (on a fiery steed, reminding one of Velasquez), keeps his memory green in everyone who visits the Gallery of the Louvre. At that time his name was on every tongue. The victorious general and revolutionary of many years' standing had since 1869 been Prime Minister of Spain, and had eagerly endeavoured to get a foreign prince for the throne who would be dependent upon him and under whom he would be able to keep the power in his own hands. He had now offered the throne of Spain to Leopold of Hohenzollern, but without having assured himself of the consent of the Powers. That of Prussia was of course safe enough, and for six weeks Napoleon had looked on benevolently at the negotiations, and acted as though the arrangement had his approval, which Prim had the more reason to suppose since Leopold was related to the Murat family, and the Emperor had raised no objection to a Hohenzollern ascending the throne of Roumania. Consequently, Prim was thunderstruck when France suddenly turned round and seized upon this trivial pretext for a breach of the peace.

He was in regular correspondence with the Gallengas, whom he had seen a good deal of during the years, after the unsuccessful rebellion against Queen Isabella, that he had spent in London. At that time he had been a man of fifty, and, with his little body and large head, had looked very strange among Englishmen. He was of modest birth, but denied the fact. He was now a Spanish grandee of the first class, but this was through a patent bestowed on him for courage in the war with Morocco; he had little education, did not know a word of English, wrote French with a purely fantastic orthography, but had excellent qualities as a Liberal, an army chief, and a popular leader. Still, he was not pleased that Régnault had painted him greeted by the enthusiastic cheers of an untidy, ragged mob of rebels; he would have preferred to be receiving the acclamations of regular troops, and of the highest men and women in the nation, as now, at the conclusion of his career, he really was. Only a few months later (in December, 1870), he was shot by an assassin in the streets of Madrid.

In Prim's communications to Gallenga, the attitude of the French government appeared to me in a most unfavourable light. Ollivier, the Premier, I had long despised; it did not need much political acumen to see that he was an ambitious and conceited phrase-monger, who would let himself be led by the nose by those who had disarmed him. The Emperor himself was a wreck. I had had no doubt of that since I had one day seen him at very close quarters in the Louvre, where he was inspecting some recently hung, decorative paintings. It was quite evident that he could not walk alone, but advanced, half-sliding, supported by two tall chamberlains, who each gave him an arm. His eyes were half-closed and his gaze absolutely dulled. The dressed and waxed moustache, which ran to a needle-like point, looked doubly tasteless against his wax mask of a face. He was the incarnation of walking decrepitude, vapid and slack. Quite evidently he had committed the blunder of trusting to a split in Germany. In his blindness he explained that he had come to free the Germans, who had, against their will, been incorporated into Prussia, and all Germany rose like one man against him. And in his foolish proclamation he declared that he was waging this war for the sake of the civilising ideals of the first Republic, as if Germany were now going to be civilised for the first time, and as if he, who had made an end of the second Republic by a coup d'état, could speak in the name of Republican freedom. His whole attitude was mendacious and mean, and the wretched pretext under which he declared war could not but prejudice Europe against him. In addition to this, as they knew very well in England, from the earlier wars of the Empire, he had no generals; his victories had been soldier victories.

I was very deeply impressed, in the next place, by the suicide of Prévost-Paradol. I had studied most carefully his book, La France Nouvelle; I had seen in this friend and comrade of Taine and of Renan the political leader of the future in France. No one was so well acquainted with its resources as he; no one knew better than he what policy ought to be followed. If he had despaired, it was because he foresaw that the situation was hopeless. He had certainly made mistakes; first, in believing that in January it had been Napoleon's serious intention to abrogate personal control of the state, then that of retaining, despite the long hesitation so well known to me, his position as French Envoy to North America, after the plebiscite. That he should now have turned his pistol against his own forehead told me that he regarded the battle as lost, foresaw inevitable collapse as the outcome of the war. When at first all the rumours and all the papers announced the extreme probability of Denmark's taking part in the war as France's ally, I was seized with a kind of despair at the thought of the folly she seemed to be on the verge of committing. I wrote to my friends, would have liked, had I been permitted, to write in every Danish paper a warning against the martial madness that had seized upon people. It was only apparently shared by the French. Even now, only a week after the declaration of war, and before a single collision had taken place, it was clear to everyone who carefully followed the course of events that in spite of the light-hearted bragging of the Parisians and the Press, there was deep-rooted aversion to war. And I, who had always counted Voltaire's Micromégas as one of my favourite tales, thought of where Sirius, the giant, voices his supposition that the people on the earth are happy beings who pass their time in love and thought, and of the philosopher's reply to him: "At this moment there are a hundred thousand animals of our species, who wear hats, engaged in killing a hundred thousand more, who wear turbans, or in being killed by them. And so it has been all over the earth from time immemorial." Only that this time not a hundred thousand, but some two million men were being held in readiness to exterminate each other.

What I saw in London of the scenic art at the Adelphi Theatre, the Prince of Wales' Theatre and the Royal Strand Theatre was disheartening. Molière was produced as the lowest kind of farce, Sheridan was acted worse than would be permitted in Denmark at a second-class theatre; but the scenic decorations, a greensward, shifting lights, and the like, surpassed anything that I had ever seen before.

More instructive and more fascinating than the theatres were the parliamentary debates and the trials in the Law Courts. I enjoyed in particular a sitting of the Commons with a long debate between Gladstone and Disraeli, who were like representatives of two races and two opposed views of life. Gladstone was in himself handsomer, clearer, and more open, Disraeli spoke with a finer point, and more elegantly, had a larger oratorical compass, more often made a witty hit, and evoked more vigorous response and applause. Their point of disagreement was the forthcoming war; Disraeli wished all the documents regarding it to be laid before parliament; Gladstone declared that he could not produce them. In England, as elsewhere, the war that was just breaking out dominated every thought.

XXII.

The Paris I saw again was changed. Even on my way from Calais I heard, to my astonishment, the hitherto strictly forbidden Marseillaise hummed and muttered. In Paris, people went arm in arm about the streets singing, and the Marseillaise was heard everywhere. The voices were generally harsh, and it was painful to hear the song that had become sacred through having been silenced so long, profaned in this wise, in the bawling and shouting of half-drunken men at night. But the following days, as well, it was hummed, hooted, whistled and sung everywhere, and as the French are one of the most unmusical nations on earth, it sounded for the most part anything but agreeable.

In those days, while no collision between the masses of troops had as yet taken place, there was a certain cheerfulness over Paris; it could be detected in every conversation; people were more lively, raised their voices more, chatted more than at other times; the cabmen growled more loudly, and cracked their whips more incessantly than usual.

Assurance of coming victory was expressed everywhere, even among the hotel servants in the Rue Racine and on the lips of the waiters at every restaurant. Everybody related how many had already volunteered; the number grew from day to day; first it was ten thousand, then seventy-five thousand, then a hundred thousand. In the Quartier Latin, the students sat in their cafés, many of them in uniform, surrounded by their comrades, who were bidding them good-bye. It was characteristic that they no longer had their womenfolk with them; they had flung them aside, now that the matter was serious. Every afternoon a long stream of carriages, filled with departing young soldiers, could be seen moving out towards the Gare du Nord. From every carriage large flags waved. Women, their old mothers, workwomen, who sat in the carriages with them, held enormous bouquets on long poles. The dense mass of people through which one drove were grave; but the soldiers for the most part retained their gaiety, made grimaces, smoked and drank.

Nevertheless, the Emperor's proclamation had made a very poor impression. It was with the intention of producing an effect of sincerity that he foretold the war would be long and grievous, (longue et pénible); with a people of the French national character it would have been better had he been able to write "terrible, but short." Even now, when people had grown accustomed to the situation, this proclamation hung like a nightmare over them. I was all the more astonished when an old copy of the Daily Paper for the 30th of July fell into my hands, and I read that their correspondent (Topsöe, recently arrived in Paris) had seen a bloused workman tear off his hat, after reading the proclamation, and heard him shout, "Vive la France!" So thoughtlessly did people continue to feed the Danish public with the food to which it was accustomed.

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