You fought us fair. You have uprisen from the ashes of the past like the Phoenix of old. You are Briton with the best.
Fair fight breeds no ill-will. It is the man, and the nation, that fights foul and flings God and humanity overboard that lays up for itself stores of hatred and outcastry and scorn which the ages shall hardly efface.
And Germany once was great, and might have been greater.
Delenda est Germania!--so far as Germania represents the Devil and all his works.
The following lines were written fourteen years ago when we welcomed the end of the Boer War. We are all grateful that the hope therein expressed has been so amply fulfilled. That it has been so is largely due to the wisdom and statesmanship of Louis Botha.
No matter now the rights and wrongs of it; You fought us bravely and we fought you fair. The fight is done. Grip hands! No malice bear! We greet you, brothers, to the nobler strife Of building up the newer, larger life!
Join hands! Join hands! Ye nations of the stock! And make henceforth a mighty Trust for Peace;-- A great enduring peace that shall withstand The shocks of time and circumstance; and every land Shall rise and bless you--and shall never cease To bless you--for that glorious gift of Peace.
Germany, if she had so willed, could have come into that hoped-for Trust for Peace.
But Germany would not. She put her own selfish interests before all else and so digs her own grave.
JOHN OXENHAM.
"I have carried out everything in accordance with our compact at Vereeniging."]
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BELGIUM IN HOLLAND
In the present crisis of Belgian affairs there is much to remind the historical student of the events which led to the fall of Antwerp in 1585, and the outrageous invasion of the Southern Netherlands by the army of Parma. Then, as now, Holland opened her arms to her wounded and captive sister. The best Flemish scholars and men of letters emigrated to the land where Cornheert and Spieghel welcomed them.
Merchants and artisans flocked to a new sphere of energy in Amsterdam. Several of the professorial chairs in that city, and in the great universities of Leyden and Harderwijk, were filled by learned Flemings, and the arts, that had long been flourishing in Brussels, fled northward to escape from the desolating Spanish scourge. The grim pencil of Raemaekers becomes tender whenever he touches upon the relation of the tortured Belgium to her sister, Holland, his own beloved fatherland.
We do not know yet, in this country, a tithe of the sacrifices which have been made in Holland to staunch the tears of Belgium. "Your sufferings are mine, and so are your fortunes," has been the motto of the loyal Dutch.
EDMUND GOSSE.
"We shall never sheath the sword until Belgium recovers all, and more than all that she has sacrificed."--Mr. Asquith, 9th November, 1914.]
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SERBIA
The fight of the one and the four might, in view of the difference in the size of the combatants, be called quite fairly "the fight of the one and the fifty-three." Each of the assailants has his own character. Germany is represented as a ferocious giant; Austria follows Prussia's lead, a little the worse for wear, with a bandaged head as the souvenir of his former campaign: he does his best to look and act like Germany. Bulgaria loses not a moment, but puts his rifle to his shoulder to shoot the small enemy: he acts in his own way, according to his own character: kill the enemy as quickly as possible and seize the spoil, that is his principle. Turkey is a rather broken-down and dilapidated figure, who is preparing to use his bayonet, but has not got it quite ready. Serbia, erect, with feet firmly planted, stands facing the chief enemy, a little David against this big Goliath and his henchman, Austria; and the other two, so recently deadly foes, now standing shoulder to shoulder, attack him while his attention is directed on Germany.
The leader and "hero" of this assault is Prussia, big, brutal, remorseless. The Dutch artist always concentrates the spectator's attention on him. You can almost hear the roar coming out of his mouth: "Gott strafe Serbien." This is the figure, as Raemaekers paints him, that goes straight for his object, regardless of moral considerations. Serbia is in his way, and Serbia must be trampled in the mire. The artist's sympathy is wholly with Serbia, who is pictured as the man fighting against the brute, slight but active and noble in build, facing this burly foe.
And poor old Turkey! Always a figure of comedy, never ready in time, always ineffective, never fully able to use the weapons of so-called "civilization." Let it always be remembered that in the Gallipoli peninsula, when the Turks at first were taking no prisoners, but killing the wounded after their own familiar fashion with mutilation, for the sake of such spoil as could be carried away, Enver Pasha issued an order that thirty piastres should be paid for every prisoner brought in alive, a noble and humane regulation. Let us hope that the reward was always paid, not stolen on the way, as has been so often the case in Turkey.
WILLIAM MITCHELL RAMSAY.
"Now we can make an end of him."]
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JACKALS IN THE POLITICAL FIELD
When the tiger," says the naturalist, "has killed some large animal, such as a buffalo which he cannot consume at one time, the jackals collect round the carcase at a respectful distance and wait patiently until the tiger moves off. Then they rush from all directions, carousing upon the slaughtered buffalo, each anxious to eat as much as it can contain in the shortest time."
Raemaekers' Cartoons: With Accompanying Notes by Well-Known English Writers · The Wunder Library — complete classics, free to read, with narration.