The fatal mistake made by the Teutonic race in the past was, we are told, the adoption of Roman culture and Roman religion. Germany once submitted to an alien God and to an alien creed. She, the mistress of the earth, the mightiest of the mighty, and the most Kultured of the Kultured, had actually once worshipped "an uncultured peasant Galilean," and made profession of "His slave morality."
Now they had altogether done with Christ, the Nazarene. The shout had gone forth: "We will not have this Man to rule over us." In the future no gods but Thor and Odin shall rule the "world-dominating race." Prussia seemed to think the world's need to-day was the religion not of Virtue, but of Valour. "In a day now long fled was heard the cry: 'Blessed are the meek, for they shall inherit the earth,' but to-day there shall go forth the word: 'Blessed are the valiant, for they shall make the earth their throne.' In the past ye heard it said: 'Blessed are the poor in spirit,' but now I say to you: 'Blessed are the great in soul, for they shall enter into Valhalla.' Again, in the dark ages it was said to you: 'Blessed are the peace-makers,' but now in the blaze of day I say unto you: 'Blessed are the war-makers, for they shall be called, if not the children of Jahve, the children of Odin, who is greater than Jahve.'" For those who want more of this mad jargon on the same lines let me refer them to the late Professor Cramb's book on Germany and England.
With this cartoon before me, I am driven to fear that when the war is done there will rise up in Germany a louder and stronger cry against the Christianity of Christ than ever was attempted after the Franco-Prussian War. The "man of blood and iron," the man with the mailed fist and the iron heel, I much apprehend, will not be satisfied with tearing down the emblem of the physical Body of Christ, but to slake his bloodthirsty spirit he will want to go on to belabour His Mystical Body no less. God avert it!
BERNARD VAUGHAN.
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FERDINAND
In this war, where the ranks of the enemy present to us so many formidable, sinister, and shocking figures, there is one, and perhaps but one, which is purely ridiculous. If we had the heart to relieve our strained feelings by laughter, it would be at the gross Coburg traitor, with his bodyguard of assassins and his hidden coat-of-mail, his shaking hands and his painted face. The world has never seen a meaner scoundrel, and we may almost bring ourselves to pity the Kaiser, whom circumstances have forced to accept on equal terms a potentate so verminous.
But we no longer smile, we are tempted rather to weep, when we think of the nation over whom this Ferdinand exercises his disastrous authority. Forty years will have expired this spring since the Christian peasants of Bulgaria rose in arms against the Turkish oppressor. After a year of wild mountain fighting, Russia, with fraternal devotion, came to their help, and at San Stefano in March, 1877, the aspirations of Bulgaria were satisfied under Russia auspices. Ten years later Ferdinand the usurper descended upon Sofia, shielded by the protection of Austria, and since then, under his poisonous rule, the honour and spirit of the once passionate and romantic Bulgarian nation have faded like a plant in poison-fumes.
Raemaekers presents the odious Ferdinand to us in the act of starting for the wars--he who faints at the sight of a drawn sword. His hired assassins guard him from his own people and from the revenge of the thousands whom he has injured. But will they always be able to secure so vile a life against the vengeance of history? How soon will Fate condescend to crush this painted creature?
EDMUND GOSSE.
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JUGGERNAUT
Yes, Kultur, the German Juggernaut, has passed this way. There is no mistaking the foul track of his chariot-wheels. Kultur is the German God. But there is a greater God still. He sees it all. He speaks,--
"Was it for this I died?
--Black clouds of smoke that veil the sight of heaven; Black piles of stones which yesterday were homes; And raw black heaps which once were villages; Fair towns in ashes, spoiled to suage thy spleen; My temples desecrate, My priests out-cast:-- Black ruin everywhere, and red,--a land All swamped with blood, and savaged raw and bare; All sickened with the reek and stench of war, And flung a prey to pestilence and want; --Thy work!
"For this?-- --Life's fair white flower of manhood in the dust; Ten thousand thousand hearts made desolate; My troubled world a seething pit of hate; My helpless ones the victims of thy lust;-- The broken maids lift hopeless eyes to Me, The little ones lift handless arms to Me, The tortured women lift white lips to Me, The eyes of murdered white-haired sires and dames Stare up at Me. And the sad anguished eyes Of My dumb beasts in agony. --Thy work!"
JOHN OXENHAM.
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MICHAEL AND THE MARKS
"The Loan: good for 100 marks!" Look at him! He is the favoured of the Earth, lives in Germany, where Kultur is peerless, and education complete (even tho' the man may become a martyr of method). War comes! and he is seen, as an almond tree in blossom his years tell, when lo! a War Loan is raised with real Helfferichian candour, and Michael has just stepped out of the Darlehnskasse, at Oberwesel-on-the-Rhine, or other seat of Kultur and War Loan finance. Are visions about? said an American humorist now gone to the Shades; and Michael, Loan note in hand, eyes reversed, after a visit to two or three offices, wants to know, and wonders whether this note can be regarded as "hab und gut," and if so, good for how much? Is it a wonder that an artist in a Neutral Country should depict German affairs as in this condition, and business done in this manner? Michael is puzzled; and in the language of the Old Kent Road, "'e dunno where 'e are!" He is puzzled, and not without cause.
All who have followed Germany's financing of the War share Michael's perplexity. Brag is a good dog: but it does not do as a foundation for credit. Gold at Spandau was trumpeted for years as a "war chest"; but when the "best laid schemes o' mice and men gang aft agley," especially when a war does not end, as it should, after a jolly march to Paris in six weeks, through a violated and plundered Belgium, then comes the rub--and the paper which puzzles Michael. A German, possibly Dr. Helfferich, the German Finance Minister, may believe, and some do believe, that it does not matter how much "paper," in currency notes, a State, or even a Bank, may issue. The more experienced commercial and banking concerns of the world insist upon a visible material, as well as the personal security, to which the German is prone. The round-about method of issuing German War Loans unquestionably puzzles Michael; but will not impose on the world outside.
Let it be marked also, that German credit methods have been, in part, the proximate cause of this War; a system of credit-trading may last for some years only to threaten disaster and general ruin. Now, it is "neck or nothing"; Michael goes the round of the Loan offices, and behold him! Germany herself fears a crash in credit, and even the German Michael feels that it is impending. Already the mark exchanges over 30 below par.
W. M. J. WILLIAMS.
MICHAEL: "For my 100 marks I obtained a receipt. I gave this for a second 100 marks and I received a second receipt. For the third loan I gave the second receipt. Have I invested 300 marks and has the Government got 300, or have both of us got nothing?"]
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THEIR BERESINA
"Is it still a long way to the Beresina?"
The whole civilized world sincerely hopes not.
Raemaekers' Cartoons: With Accompanying Notes by Well-Known English Writers · The Wunder Library — complete classics, free to read, with narration.