Part 41

‘And what happened to the fat old General with the five cooks?’ said Una. ‘And what did your Mother say when you came home?’...

‘She’d say you’re settin’ too long over this old pit, so late as ’tis already,’ said old Hobden’s voice behind them. ‘Hst!’ he whispered.

He stood still, for not twenty paces away a magnificent dog-fox sat on his haunches and looked at the children as though he were an old friend of theirs.

‘Oh, Mus’ Reynolds, Mus’ Reynolds!’ said Hobden, under his breath. ‘If I knowed all was inside your head, I’d know something wuth knowin’. Mus’ Dan an’ Miss Una, come along o’ me while I lock up my liddle hen-house.’

A PICT SONG

Rome never looks where she treads, Always her heavy hooves fall, On our stomachs, our hearts or our heads; And Rome never heeds when we bawl. Her sentries pass on—that is all, And we gather behind them in hordes, And plot to reconquer the Wall, With only our tongues for our swords.

We are the Little Folk—we! Too little to love or to hate. Leave us alone and you’ll see How we can drag down the Great! We are the worm in the wood! We are the rot at the root! We are the germ in the blood! We are the thorn in the foot!

Mistletoe killing an oak— Rats gnawing cables in two— Moths making holes in a cloak— How they must love what they do! Yes,—and we Little Folk too, We are as busy as they— Working our works out of view— Watch, and you’ll see it some day!

No indeed! We are not strong, But we know Peoples that are. Yes, and we’ll guide them along, To smash and destroy you in War! We shall be slaves just the same? Yes, we have always been slaves; But you—you will die of the shame, And then we shall dance on your graves!

We are the Little Folk, we! etc.

HAL O’ THE DRAFT

Prophets have honour all over the Earth, Except in the village where they were born; Where such as knew them boys from birth, Nature-ally hold ’em in scorn.

When Prophets are naughty and young and vain, They make a won’erful grievance of it; (You can see by their writings how they complain), But O, ’tis won’erful good for the Prophet!

There’s nothing Nineveh Town can give, (Nor being swallowed by whales between), Makes up for the place where a man’s folk live, That don’t care nothing what he has been. He might ha’ been that, or he might ha’ been this, But they love and they hate him for what he is!

HAL O’ THE DRAFT

A rainy afternoon drove Dan and Una over to play pirates in the Little Mill. If you don’t mind rats on the rafters and oats in your shoes, the mill-attic, with its trap-doors and inscriptions on beams about floods and sweethearts, is a splendid place. It is lighted by a foot-square window, called Duck Window, that looks across to Little Lindens Farm, and the spot where Jack Cade was killed.

When they had climbed the attic ladder (they called it the ‘mainmast tree’ out of the ballad of Sir Andrew Barton, and Dan ‘swarved it with might and main,’ as the ballad says) they saw a man sitting on Duck window-sill. He was dressed in a plum-coloured doublet and tight plum-coloured hose, and he drew busily in a red-edged book.

‘Sit ye! Sit ye!’ Puck cried from a rafter overhead. ‘See what it is to be beautiful! Sir Harry Dawe—pardon, Hal—says I am the very image of a head for a gargoyle.’

The man laughed and raised his dark velvet cap to the children, and his grizzled hair bristled out in a stormy fringe. He was old—forty at least—but his eyes were young, with funny little wrinkles all round them. A satchel of embroidered leather hung from his broad belt, which looked interesting.

‘May we see?’ said Una, coming forward.

‘Surely—sure-ly!’ he said, moving up on the window-seat, and returned to his work with a silver-pointed pencil. Puck sat as though the grin were fixed for ever on his broad face, while they watched the quick, certain fingers that copied it. Presently the man took a reed pen from his satchel, and trimmed it with a little ivory knife, carved in the semblance of a fish.

‘Oh, what a beauty!’ cried Dan.

‘’Ware fingers! That blade is perilous sharp. I made it myself of the best Low Country cross-bow steel. And so, too, this fish. When his back-fin travels to his tail—so—he swallows up the blade, even as the whale swallowed Gaffer Jonah.... Yes, and that’s my ink-horn. I made the four silver saints round it. Press Barnabas’s head. It opens, and then——’ He dipped the trimmed pen, and with careful boldness began to put in the essential lines of Puck’s rugged face, that had been but faintly revealed by the silver-point.

The children gasped, for it fairly leaped from the page.

As he worked, and the rain fell on the tiles, he talked—now clearly, now muttering, now breaking off to frown or smile at his work. He told them he was born at Little Lindens Farms, and his father used to beat him for drawing things instead of doing things, till an old priest called Father Roger, who drew illuminated letters in rich people’s books, coaxed the parents to let him take the boy as a sort of painter’s apprentice. Then he went with Father Roger to Oxford, where he cleaned plates and carried cloaks and shoes for the scholars of a College called Merton.

‘Didn’t you hate that?’ said Dan after a great many other questions.

‘I never thought on’t. Half Oxford was building new colleges or beautifying the old, and she had called to her aid the master-craftsmen of all Christendie—kings in their trade and honoured of Kings. I knew them. I worked for them: that was enough. No wonder——’ He stopped and laughed.

‘You became a great man,’ said Puck.